Editions

Paulina Olowska Goldfinger, 2017

Photographic Giclée Print
46 x 74 cm (18 1/8 x 29 1/8 in.)
AP 2 (Edition of 25 + 3 AP)
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Paulina Olowska Seduction, 2017

Giclée print
29 x 45 cm (11 3/8 x 17 3/4 in.)
AP 3 of 5 (Edition of 25 + 5 AP)
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Paulina Olowska Goldfinger, 2017

Photographic Giclée Print
46 x 74 cm (18 1/8 x 29 1/8 in.)
AP 1 (Edition of 25 + 3 AP)
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Angela Bulloch Melancholyflower, 2017

Acrylic resin, paint
26 x 14 x 14 cm (10 1/4 x 5 1/2 x 5 1/2 in.)
Edition 6 of 25 + 5 APs
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Marnie Weber The Day of Forevermore Film Still (O), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (P), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (A), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (B), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (C), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (D), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (E), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (F), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (G), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (H), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (I), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (J), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (K), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (L), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (M), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Marnie Weber The Day of Forevermore Film Still (N), 2016

Signed and dated on reverse
Production still print
33 x 48.3 cm (13 x 19 1/8 in.)
Edition 1 of 3
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Mai-Thu Perret Sister, 2016

Screenprint on paper
Diptych, each: Unframed: 84.1 x 59.4 cm (33 1/8 x 23 3/8 in.)
Edition 2 of 15 + 2 APs
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Matias Faldbakken Flat Box Lithography #01, 2014

Lithograph
79.5 x 64.5 cm (31 1/4 x 25 3/8 in.)
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Josephine Pryde Scale Cat FLG, 2012

Digital print on polyester, seamed, with ribbons and metal spring hooks
80 x 240 cm (31 1/2 x 94 1/2 in.)
Edition of 100
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Matias Faldbakken Double Cover Screen Print #1-20, 2011

Silkscreen on paper
76.2 x 50.8 cm (30 x 20 in.)
Edition 18 of 20
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Matias Faldbakken Untitled (Plastic Bag), 2010

Archival ink-jet print
42.5 x 29 cm (16 3/4 x 11 3/8 in.)
Matias Faldbakken, Untitled (Plastic Bag), 2010
£ 900.00
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Mai-Thu Perret Society Is A Hole, 2009

Screenprint on paper
84.1 x 59.4 cm (33 1/8 x 23 3/8 in.)
Edition 3 of 25
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Mai-Thu Perret Drain, 2009

Screenprint on paper
84.1 x 59.4 cm (33 1/8 x 23 3/8 in.)
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Bernard Frize Suite a Onze, 2009

Edition 8 of 40
Colour engraving
57 x 57 cm (22 1/2 x 22 1/2 in.)
Edition 8 of 40
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On Kawara I MET, 2004

12 books on Phoenix Motion Xantur paper, 4790 pages total, signed

Each: 21 x 14 cm (8 1/4 x 5 1/2 in.)
Edition of 90 + 10 AP
On Kawara, I MET, 2004
£ 17,600.00
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On Kawara One Million Years Past, 1999

For all those who have lived and died - Future For the last one
Two volumes plain paper binded in a case
Cover black leather on 400g carton
Stamped golden and silver on the back and face
Two volumes, 2000 pages each
144mm x 105mm
Authentic bible paper 32g, ivory
Edition of 570
On Kawara, One Million Years Past, 1999
£ 2,200.00
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Lawrence Weiner To Construct A Structure, 1988

Silkscreened oilcloth, 7 colors
138 x 93 cm (54 3/8 x 36 5/8 in.)
Edition of 3
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Hans-Peter Feldmann Untitled

Red marker on dollar bill
Unframed: 6.6 x 15.6 cm (2 5/8 x 6 1/8 in.)
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Hans-Peter Feldmann Untitled

Pound bill and red marker
Unframed: 7 x 13.5 cm (2 3/4 x 5 1/4 in.)
Enquire
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London W1J 8DT, U.K Monday – Saturday, 10 am – 6 pm T +44 (0)20 7491 0100
F +44 (0)20 7491 0200 info@simonleegallery.com
Hong Kong
304, 3F The Pedder Building
12 Pedder Street, Central, Hong Kong Tuesday – Saturday, 11 am – 7 pm T +44 (0)20 7491 0100
F +44 (0)20 7491 0200 hk@simonleegallery.com
New York
26 East 64th Street (Second Floor)
New York NY 10065 Summer opening hours:
Monday – Friday, 10 – 6pm T +44 (0)20 7491 0100
F +44 (0)20 7491 0200 ny@simonleegallery.com
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London

Our original space located in Mayfair, London, founded in 2002.

12 Berkeley Street,
London W1J 8DT, U.K Monday – Saturday, 10 am – 6 pm T +44 (0)20 7491 0100
F +44 (0)20 7491 0200 info@simonleegallery.com
Hong Kong

Located on Hong Kong Island and opened in 2012.

304, 3F The Pedder Building
12 Pedder Street, Central, Hong Kong Tuesday – Saturday, 11 am – 7 pm T +44 (0)20 7491 0100
F +44 (0)20 7491 0200 hk@simonleegallery.com
New York

Private viewing space across a first floor townhouse at East 64th Street.

26 East 64th Street (Second Floor)
New York NY 10065 Summer opening hours:
Monday – Friday, 10 – 6pm T +44 (0)20 7491 0100
F +44 (0)20 7491 0200 ny@simonleegallery.com
London New York Hong Kong