Merlin Carpenter’s solo exhibition, archive élastique, takes as its point of departure the Synagogue de Delme’s location, the road running through the village, on which numerous trucks and wide loads circulate. As the Synagogue is located at the roadside, the artist had proposed to transform the exhibition space into a warehouse or archival storage space, in which one finds thousands of boxes, awaiting transportation. Right in front of the synagogue entrance is a forklift, parked and ready to load the pallets into lorries for hypothetical delivery. But since no forklift of this kind can enter the exhibition space, the vehicle is doomed to wait outside.