Merlin Carpenter news

Merlin Carpenter news

Image: Sarah Staton: SupaStore Southside, Slingbacks & Sunshine

Sarah Staton: SupaStore Southside, Slingbacks & Sunshine

Merlin Carpenter
South London Gallery Fire Station
9 July– 5 September 2021

Sarah Staton’s SupaStore is a trading platform for artists and ideas. Works by emerging and well-known artists are presented in the SupaStore series – an ever-changing display that has been hosted intermittently by public and private galleries, museums, and independent art spaces across the world.

Image: Stop Painting

Stop Painting

Merlin Carpenter, Michelangelo Pistoletto & Jim Shaw
Fondazione Prada, Venice, Italy
22 May – 21 November 2021

“Stop Painting” is an exhibition conceived by artist Peter Fischli on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021. The press preview will take place on Wednesday 19 May.

Image: archive élastique

archive élastique

Merlin Carpenter
Centre d’art contemporain – la synagogue de Delme, Delme, France
24 October 2020 – 31 January 2021

Merlin Carpenter’s solo exhibition, archive élastique, takes as its point of departure the Synagogue de Delme’s location, the road running through the village, on which numerous trucks and wide loads circulate. As the Synagogue is located at the roadside, the artist had proposed to transform the exhibition space into a warehouse or archival storage space, in which one finds thousands of boxes, awaiting transportation. Right in front of the synagogue entrance is a forklift, parked and ready to load the pallets into lorries for hypothetical delivery. But since no forklift of this kind can enter the exhibition space, the vehicle is doomed to wait outside.



Merlin Carpenter
Kim? Contemporary Art Centre, Riga, Latvia
4 September – 1 November 2020

Merlin Carpenter’s “Paint-It-Yourself” display is to be seen as a systematic production and delectation of the materiality of a surface liberated from representation. It suggests that the tension of the painting process is already present when all is on view are eight primed canvases and a box placed in the middle of the room full of ready-to-use oil paint tubes.