To Whom It May Concern: A Collection, A Letter
As the first comprehensive exhibition of the BPP Collection to be held in Serralves, we tried to create a ‘letter’ that did not exclude any potential recipient. The aim was to show a high number of works, rather than adopt pre-defined perspetives on the works that might narrow their reception. From a formal perspective, the inspiration for the walls lined with works was the 19th-century painting ‘Salons.’ This opening ‘letter’ will enable future specific readings, through the presentation of an (almost) ‘whole’… and a ‘whole’ that avoids the standard, more immediate curatorial decisions, such as subordinating group exhibitions to specific themes, or doing justice, and giving a stage and space to artists and narratives which have hitherto been neglected. We chose to group the works into various nuclei, corresponding to classical themes, which are perhaps considered to be rather inoperative, archaic or academic, but which allowed us to dispense with matters that are considered to be more ‘contemporary.’ Concepts such as ‘portrait,’ ‘landscape,’ ‘geometry,’ ‘architecture’ and ‘narratives/fables,’ which are sufficiently broad and porous, make it possible to construct a general framework of mobile units, that can subsequently be re-articulated into new organisations.
Furthermore, this exhibition also highlights the common history between the BPP Collection and the Serralves Collection, since the Serralves Museum’s first artistic directors (Vicente Todolí and João Fernandes) had a close relationship with the BPP Collection’s acquisition committee, suggested the acquisition of several works and ensured their deposit in Serralves. This certainly establishes the Foundation as the most natural, most obvious ‘interested’ party.
The exhibition To Whom It May Concern: A Collection, A Letter was organised by the Serralves Foundation and curated by Ricardo Nicolau and Isabel Braga.