Image: Since Last We Met
New York  13 November - 21 December 2019

Since Last We Met

Simon Lee Gallery, New York, is pleased to present Since Last We Met, an intergenerational group exhibition organized by Debra Singer in collaboration with Simon Lee Gallery.

Since Last We Met centers around an imagined set of metaphorical conversations among artists who experiment with notions of materiality. Blurring boundaries between painting and sculpture as well as between craft and fine art forms, artists from three generations are put in discussion with one another, as they transform found and commonplace objects into new works, alternatively reflecting uncanny sensibilities or an embrace of cultural or gendered embodied identities. With works dating from the 1970s to the present, the show reflects eclectic material sensibilities generated from production methods that are alternatively virtuosic and hand-crafted, on the one hand, or industrial and ad hoc, on the other. Among the artists on view are Anna Betbeze, Elaine Cameron-Weir, Verena Dengler, ektor garcia, Mike Kelley, Eric N. Mack, Robert Morris, Robert Rauschenberg, and Michael E. Smith.

Image: Marnie Weber & Justin John Greene
New York  6 September - 2 November 2019

Marnie Weber & Justin John Greene

Simon Lee Gallery, New York, is pleased to present a two-person exhibition featuring the work of Los Angeles-based artists Marnie Weber and Justin John Greene. This occasion marks the first time Weber has exhibited at the gallery’s New York location, as well as the second time for Greene, whose work was previously included in the 2017 group exhibition An Uncanny Likeness.

The exhibition opens a dialogue between two artists of differing backgrounds and generational affiliations, who similarly interrogate latent aspects of the cultural imagination. Both deal in densely populated tableaus depicting archetypal figures engaged in surreal narratives, synthesizezing divergent aesthetic tropes into coherent, unified compositions. Weber draws her point of departure from Depression-era farm country, whereas the setting for Greene, is hyperactive, present-day Los Angeles. Both artists bring the gothic undercurrent resting just beneath the surface of American life to the fore.

Image: Studio Photography: 1887–2019
New York  27 June - 16 August 2019

Studio Photography: 1887–2019

Simon Lee Gallery, New York, is pleased to present Studio Photography: 1887-2019, a wide-ranging survey exhibition featuring work by a diverse group of artists whose studio-based practices span the past 130 years. During this time period, the establishment of photography as an artistic medium, the ensuing major advancements in image capture technology and the resulting evolution of photography from an intensive, specialized art form to an inescapeable aspect of everyday life, has led to innovative developments in the field of fine art photography.

A broad, cross-generational overview, Studio Photography: 1887–2019 develops multiple long-ranging conversations among artists engaged in specific areas of inquiry. Finding common ground, John Edmonds, Robert Mapplethorpe, Paul Mpagi Sepuya, and Lionel Wendt all employ the historical genre of portrait photography in order to grapple with issues surrounding representation and identity; however, their strategies are varied and, occasionally, in conflict. Elsewhere Barbara Kasten, Willa Nasatir, and Erin Shirreff present complex, abstracted images through their use of sculpture. Similar to Constantin Brancusi, these artists transcend straightforward documentation of their sculptural work, suggesting a rich interplay between two- and three-dimensional forms.

Image: Angela Bulloch:
New York  2 May - 15 June 2019

Angela Bulloch: “…then nothing turned itself inside-out and became something”

Simon Lee Gallery is pleased to present a solo exhibition by British Canadian artist Angela Bulloch at the New York space, for the very first time. The show is comprised of new Night Sky works, prints, sculptures and wall paintings.

Image: Keiji Uematsu: Invisible Force
New York  7 March - 26 April 2019

Keiji Uematsu: Invisible Force

Simon Lee Gallery, New York, is pleased to announce Invisible Force, an exhibition of new and historical work by Japanese conceptual artist, Keiji Uematsu, his first ever solo presentation in the United States.

Uematsu’s multidisciplinary practice strives to illuminate the invisible relationships between objects and the spaces they inhabit. For more than five decades the artist has carried out the terms of a rigorous manifesto that spotlights the de-familiarization of space and draws his viewers’ attention to the interplay of such natural forces as gravity, tension and material attraction through media including photography, drawing and sculptural installation. Uematsu is often associated with the Japanese Mono-ha group of artists, who rejected traditional methods of representation in favor of an engagement with natural and industrial materials, focusing on the ways in which they interact in space in largely unaltered states. Yet his aesthetic is set apart by his pursuit of Western theory and philosophy, which contributed to his decision to move from Japan to Germany in 1975.

Image: Clare Woods: Password Revolt
New York  16 January - 1 March 2019

Clare Woods: Password Revolt

Simon Lee Gallery, New York, is pleased to present Password Revolt, a solo exhibition of new works by British artist Clare Woods. This show marks Woods’s first solo exhibition in New York since 2002 and represents a continuation of the themes addressed in her first exhibition, Rehumanizing, at Simon Lee Gallery, Hong Kong, in 2018.