Image: Fake As More
New York  13 November - 22 December 2018

Fake As More

Simon Lee Gallery New York is pleased to present Fake As More, an exhibition organised by Front Desk Apparatus, New York. The exhibition features historic and contemporary works, each in varying states of repetition, replication, copy and self-copy.

Image: The Tissue of Memory
New York  12 September - 10 November 2018

The Tissue of Memory

Simon Lee Gallery New York is pleased to present The Tissue of Memory, a cross-generational group exhibition that considers the gesture and its history, as exemplified by the practices of Kelly Akashi, Robert Mangold, Agnes Martin, Win McCarthy, Monique Mouton, Josephine Pryde, Gary Simmons, Cy Twombly, and Heimo Zobernig.

Image: Roy Newell
New York  27 June - 17 August 2018

Roy Newell

Simon Lee Gallery New York is proud to present a concise exhibition by American abstract painter Roy Newell (1914-2006), showcasing paintings spanning over half a century of the artist’s career, including works that come directly from the artist’s Estate and that have not previously been shown in New York. Characterized by their multi-layered surfaces, irregular geometrical patterns, obsessive reworking and luminous tonality, the works on display reveal an expressive power that aligns Newell with the Abstract Expressionist movement, of which he was an original member.


Image: Towards Infinity: 1965-1980
New York  2 May - 16 June 2018

Towards Infinity: 1965-1980

Simon Lee Gallery New York is pleased to present Towards Infinity: 1965-1980, an exhibition of major works conceived by artists from across the international scope of the Conceptual art movement, with special focus on the period between 1965 and 1980. During the 1960s and 1970s a disillusionment with pervasive movements in art and the influence of radical European theoretical thought inspired a re-evaluation of long-held attitudes towards formal and material conventions. Taking its title from Giovanni Anselmo’s seminal work of the same name, Verso l’infinito (1969), the exhibition explores the dematerialization of the art object and the dismantling of concepts that had bolstered the definition and context of traditional art-making well into the 20th century. Working across a wide range of media, including photography, film, video, performance and installation, the artists in the exhibition all demonstrated an anti-hierarchical approach to both subject and material that positioned the idea first and form second. All the works presented adhere to the fundamental premise put forward by Anselmo’s Verso l’infinito, challenging the constructs of time and space to create an art that is at once forward-looking, in flux and without limits.

Image: Chris Huen Sin Kan
New York  5 March - 28 April 2018

Chris Huen Sin Kan

Simon Lee Gallery is proud to present the first solo exhibition in America of new works by Hong Kong-based artist Chris Huen Sin Kan. With no prior sketching or planned outcome, Huen’s large-scale oil paintings are derived from observation of his own life, portraying quotidian experiences through a fresh set of aesthetic strategies.  In constructing a constellation of moments that compose his daily life, Huen imbues domestic representational painting with both deft abstraction and the hallmarks of traditional ink painting.