Image: Vasily Klyukin
London  9 - 30 September 2020

Vasily Klyukin Special Project

Simon Lee Gallery presents a special project in collaboration with Vasily Klyukin. Throughout his practice, which spans architecture, design, literature and sculpture, Klyukin has sought to eternalise the intangible. The Russian-born, Monaco-based artist is concerned with humanity and the natural world: patterns and systems found within nature, as well as human emotion and memory.

Image: Toby Ziegler: The sudden longing to collapse 30 years of distance
London  7 September - 14 October 2020

Toby Ziegler: The sudden longing to collapse 30 years of distance

Simon Lee Gallery is proud to present The sudden longing to collapse 30 years of distance, Toby Ziegler’s sixth solo exhibition with the gallery, in which the artist explores the complex relationships between experience and memory, image and data, through the twin lens of figuration and abstraction.

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Image: WORDS
London  10 July - 21 August 2020


Simon Lee Gallery is pleased to present WORDS, a group exhibition that explores the function of language and the role of text in art making. Whether dealing in political statements, ribald asides, poetry and literature or illegible scrawls and scribbles, the works in this exhibition comment on the ways in which ideas are exchanged and communication effected. 

Image: Chris Huen Sin Kan: Puzzled Daydreams
London  15 June - 3 July 2020

Chris Huen Sin Kan: Puzzled Daydreams

Simon Lee Gallery is proud to present Puzzled Daydreams, a solo exhibition by Hong Kong-based artist Chris Huen Sin Kan comprising, new paintings and works on paper. Huen’s largescale oil paintings are derived from observation of his own life, portraying quotidian experiences through a fresh set of aesthetic strategies that bring the domestic and surreal into compelling partnership. 

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Image: Donna Huanca: WET SLIT
London  28 FEBRUARY – 18 APRIL 2020

Donna Huanca: WET SLIT

Simon Lee Gallery is proud to announce WET SLIT, a solo exhibition of new works by Bolivian-American artist Donna Huanca. This is Huanca’s debut exhibition with the gallery and her first solo show in London since SCAR CYMBALS, her 2016 commission at the Zabludowicz Collection. Incorporating painting, sculpture, sound and scent, Huanca’s site-specific installation immerses viewers in a total environment which synthesises her unique aesthetic with a politics of the body as it relates to space and temporality.

Image: France-Lise McGurn: Percussia
London  24 January - 22 February 2020

France-Lise McGurn: Percussia

Simon Lee Gallery is proud to announce Percussia a solo exhibition of new work by Glasgow-based artist France-Lise McGurn. This is the artist’s debut exhibition with the gallery and the first in London since Sleepless, her 2019 solo exhibition at Tate Britain. The artist will present new paintings, works on paper and site-specific wall paintings across both gallery floors. The exhibition coincides with a major site-specific commission by the artist on view at Tramway in Glasgow. Subsequently, McGurn will also be participating in Glasgow International in April.  

Image: Merlin Carpenter
London  22 November 2019 - 18 January 2020

Merlin Carpenter

Simon Lee Gallery is proud to present an exhibition of new paintings by Merlin Carpenter. The show considers the hand-painted object’s capacity to engage with and complicate the language and history of the readymade.

Merlin Carpenter’s work grapples with the potential relationship between painting and the readymade; and the possibility of collapsing the ideas that distinguish these practices. Since the 1990s the readymade object has been an integral line of inquiry in Carpenter’s work; and in more recent years he has presented a number of readymade works that hang flat on the wall like a painting. Carpenter’s new hyperrealistic paintings push the boundaries of painting into the discourse of the readymade in another way: the five works are so highly finished that they appear like a product, delivered from elsewhere. In this stark new presentation, Carpenter encourages the audience to both critique the authenticity of the paintings and simultaneously accept the role of the artist's hand.