Simon Lee Gallery, London is pleased to present a series of new paintings by Indonesian artist Arin Dwihartanto Sunaryo. In these works, he pours volcanic ash and resin on plexiglass to create abstract compositions profoundly connected with his homeland. This will be the artist’s first solo show in the UK since 2010.
Mel Bochner: Exasperations
Simon Lee Gallery is proud to present an exhibition of new paintings on velvet by American artist Mel Bochner. This is the artist’s third solo exhibition with the gallery.
For nearly 60 years Bochner’s intellectual and material analysis of painting, photography and sculpture has yielded ground-breaking works that explore the intersection of linguistic and visual representation. As a leading figure within the conceptual and post-minimal art movements of the 1960s, he experimented in complicating the relationship between image and language.
Simon Lee Gallery is proud to present the European premiere of New York-based artist Marilyn Minter’s video work My Cuntry ’Tis of Thee (2018). This is the artist’s debut exhibition with the gallery and her first solo presentation in the UK in thirty years.
Dexter Dalwood: What is Really Happening
Simon Lee Gallery is pleased to present an exhibition of new paintings by Dexter Dalwood, his second to be held in the London gallery.
‘In this modern world where everything plays out fast and it plays out in the open at incredible speeds and just when it seems like we are all in on it and interconnected….’
― NBC news anchor intro.
Dalwood’s paintings celebrate and interrogate the history of the medium. They demonstrate an awareness of the continued significance of painting as a means of communicating the ways in which we experience our everyday existence. He crafts narratives of memory that bring together the past, present and future in a single image, forging a bridge between our interpretation of what has already come to pass and that which has yet to happen.
Simon Lee Gallery, London is pleased to present Metal, a group exhibition of sculptures in metal produced between 1968 and 1990. The exhibition comprises works created by some of the most prominent and innovative artists of the twentieth century, pioneers of the Minimalist and Arte Povera movements. The exhibition links together artists working in industrial materials such as aluminium, iron, and steel, who challenge the viewer’s relationship to space through various methods of intervention, proposing unexpected ways of seeing and interacting.
Josephine Pryde: In Case My Mind Is Changing
Simon Lee Gallery is pleased to present an exhibition of new photography, together with some models in 3D, by Josephine Pryde, her second to be held in the London gallery.
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present a solo presentation of ceramic works by gallery artist Mai-Thu Perret. Known for her multi-disciplinary practice that engages installation, performance, sculpture, textile, and the written word, Perret derives inspiration from such avant-garde art movements of the twentieth-century as Dada, Constructivism and Bauhaus design, exploring the ways in which modernist form and artisanal genres, including craft, fashion and theatre, collide.
Simon Lee Gallery is proud to present a survey of paintings and works on paper by Yun Hyong-keun. The Korean artist’s second solo exhibition with the gallery examines the connection between his painting and drawing practices across the full breadth of a career profoundly connected with the history and culture of his native country. Yun is currently the subject of a retrospective at The National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea, the first major solo exhibition of the artist at a national institution in Korea.
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present a concise solo exhibition by New York-based artist Ryan Mrozowski. His latest work – paintings in acrylic on linen, covered in natural and botanical motifs – explores optics, repetition and the depiction of nature, examining perception and the ways in which we experience pattern.
Family Guy Organised by Kenny Schachter
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present Family Guy. Art dealer and collector Kenny Schachter’s latest foray into the murky waters of curatorial practice positions his own work and that of his wife, Ilona Rich, and children, Adrian, Kai, Gabriel and Sage Schachter, alongside the artists his family grew up with, including Vito Acconci, Sarah Lucas, Rachel Harrison, Rudolf Stingel, Paul Thek, Franz West and Christopher Wool. All of these artists have played an intrinsic role in the lives of Schachter and his family, providing daily inspiration and directing them towards novel artistic languages and new means of communication.
Gary Simmons: Green Past Gold
Simon Lee Gallery is pleased to present an exhibition of new work by Los Angeles-based artist, Gary Simmons. This is his fourth solo exhibition with the gallery.
Justin John Greene: Welcome To Our Mess
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present Welcome to Our Mess a solo exhibition by Los Angeles-based artist Justin John Greene, his first in the UK. This new suite of paintings offers a panorama of a sun-washed, tragicomic barbeque with scenes set against the background of an oddly utopic neighbourhood, in which themes of conflict and romance are paramount.
Towards Infinity: 1965-1980
Simon Lee Gallery is pleased to present Towards Infinity: 1965-1980, an exhibition of major works conceived by artists from across the international scope of the Conceptual art movement, with special focus on the period between 1965 and 1980. During the 1960s and 1970s a disillusionment with pervasive movements in art and the influence of radical European theoretical thought inspired a re-evaluation of long-held attitudes towards formal and material conventions. Taking its title from Giovanni Anselmo’s seminal work of the same name, Verso l’infinito (1969), the exhibition explores the dematerialisation of the art object and the dismantling of concepts that had bolstered the definition and context of traditional art-making well into the 20th century. Working across a wide range of media, including photography, film, video, performance and installation, the artists in the exhibition all demonstrated an anti-hierarchical approach to both subject and material that positioned the idea first and form second. All the works presented adhere to the fundamental premise put forward by Anselmo’s Verso l’infinito, challenging the constructs of time and space to create an art that is at once forward-looking, in flux and without limits.
Leelee Kimmel: Wormhole
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present Wormhole a solo exhibition by New York-based artist Leelee Kimmel, her first in the UK. In her latest work, Kimmel presents a series of large-scale abstract paintings that are confrontational in both colour and dimension, exploring themes of creation and destruction. The immersive element of her work is further developed through sculptural pieces and a five-minute Virtual Reality work that invites total submergence into the deep space of Kimmel’s creative world.
The large-format paintings feature graphic shapes clustered in thick multilayered pools of bright acrylic paint, which weave across fields of solid white or black. The paintings are imbued with a restless energy and freedom that is intrinsically linked with how the artist creates her works. The resulting compositions deliberately move in and out of representation, sensuous and strict, gloss and matte, tangled and full. The complex patch-work of imagery, consisting of crosshatch and opposing vector-like lines and patterns as well as interrupting biomorphic forms, has an otherworldly quality. Forceful and nervous lines are reminiscent of artists such as Basquiat and Twombly, while the uncanny worlds and dreamlike atmospheres created by the artist emerge into a sort of mutant realism.
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present a solo exhibition by Holly Coulis, her first in the UK. In her latest work, Coulis presents a series of vibrant paintings that traverse the traditional genre of still life painting, and delight in the geometry of the everyday.
The oil on linen works on view depict simple scenes of quotidian life - familiar objects and foodstuffs arranged precisely and playfully on tables and countertops. Reminiscent of early modernist and cubist still life painting, Coulis’s domestic scenes are flattened, and the objects and surfaces are broken down into distinct areas or planes of unvariegated colour that represent different viewpoints. In each painting, there is a play and invention in constructing the space, and often the challenge lies in deciphering the dynamic of the table, whose lines and edges bisect and mirror the shape of the canvas.
Bernard Frize: Blackout in the Grid
Simon Lee Gallery is proud to present an exhibition of paintings by Bernard Frize, the fourth to be held in the London gallery. This exhibition brings together paintings from Frize’s most recent series with works made in the decade from 1999 to 2008. As the Centre Pompidou prepares for its first major survey exhibition of the artist’s work, to be held in 2019, the juxtaposition of these works reveals both the consistency of Frize’s project, and his constant innovation.
Throughout his career, Frize has revisited and revised his own works from earlier series. The loops and switchbacks of the trajectory of his career seem to echo those interweaving marks which structure many of the paintings themselves. He has spoken of these structures as devices for the removal of compositional decisions. The paintings proceed in series; the series are determined by the rules which govern them. He continues until the variations, and the possibility to produce new results, are exhausted. Frize’s project is, simply stated, one of reducing painting to its most fundamental elements, of using structure and system to govern and regulate the compositional process and thus absolve the artist from the decision making process, so that there is nothing more to the work than its physical, even technological, method of production.
Joel Mesler: The Alphabet of Creation (For Now)
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present The Alphabet of Creation (for now) an exhibition of new works by New York-based artist and art dealer Joel Mesler. For his first solo presentation in the UK, Mesler will exhibit new paintings from his ongoing body of work based on the alphabet, in which each painting is devoted to a single letter, drawing on memories from his childhood and his hometown of Los Angeles.
Eric N. Mack: Misa Hylton-Brim
Simon Lee Gallery is pleased to present Misa Hylton-Brim, Eric N. Mack’s inaugural solo exhibition with the gallery and his first in London. The exhibition features a new body of the artist’s signature large-scale assemblages, which oscillate between painting, sculpture, the readymade and performance, at the same time initiating a dialogue between fashion and art.
As part of its Viewing Room programme, Simon Lee Gallery is proud to present work by American abstract painter Roy Newell (1914-2006), marking the first solo exhibition of the artist’s work in the UK. This concise presentation showcases seventeen paintings spanning over half a century of the artist’s career. Characterised by their multi-layered surfaces, irregular geometrical patterns, obsessive reworking and luminous tonality, the works on display reveal an expressive power that aligns Newell with the Abstract Expressionist movement, of which he was an original member.
Michelangelo Pistoletto: Scaffali
Simon Lee Gallery is delighted to present works from celebrated Italian artist Michelangelo Pistoletto’s most recent series of mirror paintings, in which he directs his attention towards the subject of scaffali, or shelves. This will be the artist’s fourth solo exhibition with the gallery.
Pistoletto is widely recognised as one of the most influential contemporary artists of his generation and a central figure within the Arte Povera movement. From early in his five-decade career the mirrored surface has been an instrumental element of his practice. Initiated in 1962, Pistoletto’s signature mirror paintings use the reflective picture plane to draw both viewer and environment into the work, playing with traditional notions of the painted image as a fixed moment in time.
Jim Shaw: Drawings
On show as part of its ‘Viewing Room’ programme, Simon Lee Gallery presents a concise selection of drawings by Los Angeles-based artist Jim Shaw. The remarkable variation in scale and visual narrative on display highlights a crucially important part of the artist’s oeuvre, and the works on view trace defining elements in his ongoing artistic practice with humour, skill and insight. Whether as preparatory studies or as works in their own right, these monochromatic works on paper offer an intimate sense of the artist’s creative and conceptual process that mines the collective subconscious of American culture through a mix of the familiar and the absurd.
Simon Lee Gallery is proud to present an exhibition of late paintings by pioneer of twentieth-century abstraction, Hans Hartung (1904-1989). This inaugural presentation with the gallery celebrates the last, highly productive decade of the artist’s life, which saw him return to many of the themes that had occupied him throughout his career, while expanding his repertoire with an array of innovative painting practices. Hartung’s late painting, much of which was made from the confines of a wheelchair, is amongst the most vigorous of his lifetime, revealing a renewed sense of freedom, energy and ambition despite his advancing age and increasing frailty. Although the artist’s dramatic approach to the medium was remarkable throughout his career, it was not until the 1980s that many of his freest and most experimental works were produced. Distinguished by dramatic shifts in technique, tools, scale and gesture, Hartung’s output over the course of his last years is testament to his rich and constant exploration of the language of abstraction.
Simon Lee Gallery, in collaboration with the Archivio Luciano e Carla Fabro and Micheline Szwajcer, is proud to present a solo exhibition of historic works from the early 1960s by celebrated Italian artist Luciano Fabro (1936-2007), his first in London since his landmark show at the Tate Gallery in 1997. A leading figure in the landscape of post-war Italian art and proponent of the influential Arte Povera movement, Fabro is renowned for his radical practice that offered a re-evaluation of sculptural form via a rigorous approach to spatial context, material and meaning. Concerned with the environment of both work and viewer, the foundational theoretical works presented in this exhibition explore the framing of space with a spare and elegant simplicity designed to induct the viewer into a participatory experience, in which sensibility and seeing are symbiotic. Although later works by the artist employed sumptuous materials – silk, marble, bronze – Fabro’s first works encapsulate with economic means the experimental poetry that would come to define the conceptual innovation of his near five-decade long career.
Merlin Carpenter: Do Not Open Until 2081
Simon Lee Gallery is proud to present an exhibition of wrapped paintings by Merlin Carpenter. In 2009 Carpenter came up with the idea to make new interpretations of a group of paintings from the 1960s by the British artist John Hoyland (1934-2011). Carpenter was drawn to this particular body of work for its engagement with and furtherance of the ambitious large-scale US painting of the time.
Simon Lee Gallery is proud to present an exhibition of new and recent paintings by New York and Marfa-based artist Jeff Elrod, his third with the gallery to date. Recognised for his large-format abstract paintings concerned with the relationship between hand-painted and digitally created mark-making, for this exhibition Elrod has created a series of hybrid images that incorporate analogue techniques into his continued experiments in digital and print technology.