Exhibitions

On the occasion of its second exhibition at Blanc Art Space’s pop-up project space in Beijing, Simon Lee Gallery is proud to present Mel Bochner’s Blah, Blah, Blah (2011), a monumental eight-part canvas that represents the apex of his eponymous body of work. The painting acts as an altarpiece in the darkened exhibition space, as though a chapel of Blah Blah Blah, inspiring such spiritual associations as the 15th-century polyptych Ghent Altarpiece painted by brothers Hubert and Jan van Eyck, or the more contemporary Rothko Chapel in Houston. Blah, Blah, Blah is infused with a sense of ritual and drama inherent to many forms of worship and that invokes connotations of artistic pilgrimage, bringing to mind seminal destinations including Bochner’s contemporary Robert Smithson’s Spiral Jetty in Utah’s Salt Lake. As an icon of the artist’s most renowned series,  Blah, Blah, Blah invites the viewer to experience a total immersion into Bochner’s central doctrine: the intersection of linguistic and visual representation.

Simon Lee Gallery is pleased to present Rainbow Unicorn Rhombus, an exhibition of new and recent works by Angela Bulloch, preceding a major exhibition at the Musée d’Arts de Nantes, France in 2022.

Bulloch’s multidisciplinary practice finds associations between the visual language of 20^th century modernist art movements and the digital realm, encompassing a range of technologies from computer games to science-fiction narratives. Exploring the relationship between real and virtual space, the artist’s fascination with dimensionality is reflected in a new series of stack sculptures made from corian and stainless steel, a wall painting and a digital video that mirrors the exhibition, transporting the visitor out of the physical gallery space and into its virtual counterpart. 

Simon Lee Gallery Hong Kong is proud to present German painter Georg Karl Pfahler’s first solo exhibition in Asia, coming ahead of a comprehensive survey at the gallery’s London location in Spring 2022. The exhibition explores work made between 1965 and 1975, in a concise presentation that traces the evolution of Pfahler’s works from his Tex and Metro series, begun in the early 1960s, to his later Ost-West Transit and Espan series that define Pfahler’s practice during the 1970s.

Simon Lee Gallery is pleased to present Farewell Transmission, an exhibition of new and recent paintings by Australian artist William Mackinnon as part of Blanc Art Space’s inaugural pop-up project in Beijing’s Shunyi District. This will be the artist’s first solo show in China.

Simon Lee Gallery is delighted to present You Have a New Memory, Rachel Howard’s inaugural exhibition with the gallery in London. The show brings together a new body of work that continues Howard’s pursuit of the possibilities of painting through experimentation.

Simon Lee Gallery presents a series of new paintings by British artist Dexter Dalwood on the occasion of his second exhibition at the Hong Kong space. In these recent works, Dalwood looks nearly four decades into the future, to the year 2059; something that the title of each painting in the exhibition makes reference to.

Simon Lee Gallery is pleased to announce an exhibition of new paintings by the Argentinian artist Valentina Liernur. The exhibition is the artist’s debut show with the gallery and marks the first time her work has been presented in Asia. 

Simon Lee Gallery is pleased to present a solo exhibition of Italian artist Claudio Parmiggiani in London.

For the past 40 years Parmiggiani has concentrated his practice on themes of memory, absence and silence, in his search for an image, object or assemblage that transcends time and individual experience to evoke a universal, existen- tial truth.

Simon Lee Gallery Hong Kong is pleased to announce an exhibition of new paintings by Paulina Olowska. Olowska’s oeuvre has long been informed by her examination of the restrictive stereotypes that underpin representations of womanhood in the history of art. Seeking to depict femininity in all its guises, Olowska’s visual language asserts and redefines the capacity of the female gaze in painting, encoding each work with symbols and narrative cues that embolden her subject’s physical and psychological presence.

Simon Lee Gallery is proud to present No Scene from My Studio, an exhibition of new and recent works by artist Werner Büttner. This is the artist’s debut exhibition with the gallery, coming ahead of a major retrospective spanning his career since the early 80s at the Hamburger Kunsthalle, Germany later this year.

Simon Lee Gallery is pleased to present a solo exhibition by New York-based conceptual artist Mika Tajima. For her debut solo exhibition in the UK, Tajima presents new paintings, textile works, and sculptures that focus on psychic and bodily energy under the regulation of technocapitalism. 

Simon Lee Gallery is proud to present an exhibition of Dexter Dalwood’s collage studies. These works have only been shown once previously in the UK as part of Dalwood’s 2010 exhibition at Tate St. Ives, which later travelled to FRAC Champagne – Ardenne and CAC Malaga.

Simon Lee Gallery is pleased to present German artist Hans-Peter Feldmann’s third solo exhibition at its Hong Kong space. Encompassing works from across Feldmann’s nearly five-decades long career, this survey show includes sculpture, photography, installation, collage, the appropriated image and found object.

Simon Lee Gallery is pleased to present Pop-Up, a group exhibition presented in partnership with Galerie Micheline Szwajcer, travelling especially from Antwerp to London.

Simon Lee Gallery is pleased to present an exhibition of new paintings by Los Angeles-based artist Alex Hubbard. This will be his second solo exhibition with the gallery and his inaugural presentation in Hong Kong. 

Simon Lee Gallery is pleased to present Sky, Rocks & Digits, a joint exhibition of works by Berlin-based artists Angela Bulloch and Josephine Pryde. Concerned with the interplay between bodies and technology, both artists explore the historic and ongoing significance of technological mediation and what that produces, enables or prohibits.

Simon Lee Gallery is pleased to present an exhibition of new paintings by Los Angeles-based artist Jim Shaw, his first at the London gallery since 2016.  As the United States prepares for its upcoming Presidential election, Shaw is more analytical and daring than ever before in his satirical depictions and social commentary.