Simon Lee Gallery, London, is pleased to present En Plein Air, bringing together works by artists who seek to reinterpret the artistic tradition of painting outdoors for a contemporary audience. The plein air approach has been prevalent since the mid-19th century, although it gained traction in the 1860s as a practice essential to the development of the Impressionist movement. While artists had long painted from observation to create preparatory sketches or studies, during this period the plein air method led to a naturalistic style that threw out the academic rulebook in the pursuit of formal and compositional spontaneity. The artists included in En Plein Air are united by a desire to refresh the audience’s interpretation of outdoor painting, whether via landscapes or portraits, photography or painting, figuration or abstraction, and in this way, the exhibition explores scenes of the outdoors in relation to contemporary studio practice.
Out for Summer
Simon Lee Gallery, Hong Kong is pleased to present Out for Summer, a concise exploration of the practice of painting, presented through the lens of nostalgia, a celebration of the quotidian, and of the fleeting, by artists, Qian Jiahua, Guo Hongwei, and Lin Yi-Hsuan.
United by their personal, buoyant treatment of colour, line and form, each artist distinctly delivers paintings that are as introspective in their intimacy, as they are inviting in their warm approachability. Guo’s paintings are imbued with the endless sense of adventure and fantasy inherent to summer. Meanwhile, Lin distorts form and line through abstraction, manipulating his medium and taking reference from the South American and Taiwanese cultures that he identifies with to create highly personal and meditative paintings. Qian explores line, form and structure, sensitive to the impact of space. Her canvases are positioned at the unlikely, but harmonious intersection of deafening structure and restrained silence, gentle movement and bold order, seeking to challenge the conforms of a traditional canvas.
Studio Photography: 1887–2019
Simon Lee Gallery, New York, is pleased to present Studio Photography: 1887-2019, a wide-ranging survey exhibition featuring work by a diverse group of artists whose studio-based practices span the past 130 years. During this time period, the establishment of photography as an artistic medium, the ensuing major advancements in image capture technology and the resulting evolution of photography from an intensive, specialized art form to an inescapeable aspect of everyday life, has led to innovative developments in the field of fine art photography.
A broad, cross-generational overview, Studio Photography: 1887–2019 develops multiple long-ranging conversations among artists engaged in specific areas of inquiry. Finding common ground, John Edmonds, Robert Mapplethorpe, Paul Mpagi Sepuya, and Lionel Wendt all employ the historical genre of portrait photography in order to grapple with issues surrounding representation and identity; however, their strategies are varied and, occasionally, in conflict. Elsewhere Barbara Kasten, Willa Nasatir, and Erin Shirreff present complex, abstracted images through their use of sculpture. Similar to Constantin Brancusi, these artists transcend straightforward documentation of their sculptural work, suggesting a rich interplay between two- and three-dimensional forms.
Simon Lee Gallery is proud to present the European premiere of New York-based artist Marilyn Minter’s video work My Cuntry ’Tis of Thee (2018). This is the artist’s debut exhibition with the gallery and her first solo presentation in the UK in thirty years.
Mel Bochner: Exasperations
Simon Lee Gallery is proud to present an exhibition of new paintings on velvet by American artist Mel Bochner. This is the artist’s third solo exhibition with the gallery.
For nearly 60 years Bochner’s intellectual and material analysis of painting, photography and sculpture has yielded ground-breaking works that explore the intersection of linguistic and visual representation. As a leading figure within the conceptual and post-minimal art movements of the 1960s, he experimented in complicating the relationship between image and language.
Simon Lee Gallery, Hong Kong, is pleased to present an exhibition of new paintings by Garth Weiser, the artist’s third with the gallery.
Weiser’s densely layered paintings celebrate and interrogate the possibilities of the genre. His unorthodox and exploratory approach to surface, dimensionality and perception has resulted in a body of work that is as engrossing and revealing, as it is imaginative.
Angela Bulloch: “…then nothing turned itself inside-out and became something”
Simon Lee Gallery is pleased to present a solo exhibition by British Canadian artist Angela Bulloch at the New York space, for the very first time. The show is comprised of new Night Sky works, prints, sculptures and wall paintings.
Arin Dwihartanto Sunaryo: Argo
Simon Lee Gallery, London is pleased to present a series of new paintings by Indonesian artist Arin Dwihartanto Sunaryo. In these works, he pours volcanic ash and resin on plexiglass to create abstract compositions profoundly connected with his homeland. This will be the artist’s first solo show in the UK since 2010.
Simon Lee Gallery, Hong Kong, is proud to present a series of new paintings by Austrian artist, Heimo Zobernig, his first ever solo exhibition in Hong Kong.
For forty years Zobernig has conducted a thorough re-interpretation of the languages of formalism via an expansive body of work that moves seamlessly between an array of disciplines, from architectural intervention and installation, to performance, film, video, sculpture and painting.
Keiji Uematsu: Invisible Force
Simon Lee Gallery, New York, is pleased to announce Invisible Force, an exhibition of new and historical work by Japanese conceptual artist, Keiji Uematsu, his first ever solo presentation in the United States.
Uematsu’s multidisciplinary practice strives to illuminate the invisible relationships between objects and the spaces they inhabit. For more than five decades the artist has carried out the terms of a rigorous manifesto that spotlights the de-familiarization of space and draws his viewers’ attention to the interplay of such natural forces as gravity, tension and material attraction through media including photography, drawing and sculptural installation. Uematsu is often associated with the Japanese Mono-ha group of artists, who rejected traditional methods of representation in favor of an engagement with natural and industrial materials, focusing on the ways in which they interact in space in largely unaltered states. Yet his aesthetic is set apart by his pursuit of Western theory and philosophy, which contributed to his decision to move from Japan to Germany in 1975.
Dexter Dalwood: What is Really Happening
Simon Lee Gallery is pleased to present an exhibition of new paintings by Dexter Dalwood, his second to be held in the London gallery.
‘In this modern world where everything plays out fast and it plays out in the open at incredible speeds and just when it seems like we are all in on it and interconnected….’
― NBC news anchor intro.
Dalwood’s paintings celebrate and interrogate the history of the medium. They demonstrate an awareness of the continued significance of painting as a means of communicating the ways in which we experience our everyday existence. He crafts narratives of memory that bring together the past, present and future in a single image, forging a bridge between our interpretation of what has already come to pass and that which has yet to happen.
Sarah Crowner: Paintings for the Stage
Simon Lee Gallery, Hong Kong, is pleased to present the first solo show in Asia by New York artist Sarah Crowner. The exhibition will comprise a series of new stitched canvas paintings by the artist, as well as a collaboration with the Hong Kong-based scenic painter and theatre set designer, Pink Lam. Paintings For The Stage will be a continuation of the artist’s architectural and scenographic interventions, as seen most recently in her works at the 57th edition of The Carnegie International at the Carnegie Museum of Art, scenery and costume design for Jessica Lang’s Garden Blue for the American Ballet Theatre Company, and the commission she created for the Wright restaurant at the Guggenheim Museum of Art, New York.
Simon Lee Gallery, London is pleased to present Metal, a group exhibition of sculptures in metal produced between 1968 and 1990. The exhibition comprises works created by some of the most prominent and innovative artists of the twentieth century, pioneers of the Minimalist and Arte Povera movements. The exhibition links together artists working in industrial materials such as aluminium, iron, and steel, who challenge the viewer’s relationship to space through various methods of intervention, proposing unexpected ways of seeing and interacting.
Clare Woods: Password Revolt
Simon Lee Gallery, New York, is pleased to present Password Revolt, a solo exhibition of new works by British artist Clare Woods. This show marks Woods’s first solo exhibition in New York since 2002 and represents a continuation of the themes addressed in her first exhibition, Rehumanizing, at Simon Lee Gallery, Hong Kong, in 2018.
Channing Hansen: Pattern Recognition
Simon Lee Gallery, Hong Kong, is pleased to announce the first solo exhibition in Asia by Los Angeles-based artist Channing Hansen. In Pattern Recognition Hansen presents a new series of his signature hand-knitted textile-based works, which bring together craft and computation to explore theories related to the intersection of art, science and technology.
Josephine Pryde: In Case My Mind Is Changing
Simon Lee Gallery is pleased to present an exhibition of new photography, together with some models in 3D, by Josephine Pryde, her second to be held in the London gallery.
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present a solo presentation of ceramic works by gallery artist Mai-Thu Perret. Known for her multi-disciplinary practice that engages installation, performance, sculpture, textile, and the written word, Perret derives inspiration from such avant-garde art movements of the twentieth-century as Dada, Constructivism and Bauhaus design, exploring the ways in which modernist form and artisanal genres, including craft, fashion and theatre, collide.
Toby Ziegler: Your Mother
Simon Lee Gallery is pleased to present Your Mother, an exhibition of new paintings by London-based artist Toby Ziegler. This is his second solo exhibition with the gallery in Hong Kong.