Simon Lee Gallery is proud to present ‘Faux Amis’, a group exhibition that centres on the dialogue between the work of gallery artists and their chosen ‘false friend’.
For this, the first exhibition to cover both the ground and the new first floor spaces of the London gallery, Simon Lee Gallery artists are invited to exhibit alongside, and in dialogue with, the work of an artist of their choice which they find forges a relevant, interesting, distracting, misleading, or stimulating relationship with their own practice. The resultant selection of works not only highlights the interesting discourses that can exist between artists of divergent practices and generations, but also suggests new readings of the individual works on display.
Simon Lee Gallery is pleased to announce the first exhibition in Hong Kong by renowned Italian artist Claudio Parmiggiani. Associated with the Arte Povera and Conceptual Art movements, Parmiggiani's work resists a firm connection to both. Themes of absence, the inevitable passage of time, fragmentation and ordeal recur throughout his practice and are essential to his oeuvre, as too does his concern with the power of memory, poetic images and shared history. Parmiggiani’s practice demonstrates a profound interest in our artistic, historical and moral past. Deeply personal meditations on life and death, the power of reflection and feelings of the sacred are realised in concrete objects, photographic and painted images, and in his signature Delocazioni, made with fire and soot on canvas.
Sherrie Levine African Masks After Walker Evans
Five Decades Sculpture and Works on Paper: Koji Enokura, Noriyuki Haraguchi, Tatsuo Kawaguchi, Noboru Takayama
Angela Bulloch New Wave Digits
Simon Lee Gallery is pleased to announce an exhibition of new sculptures by acclaimed artist Angela Bulloch. Stacked columns of polyhedra, formed in steel, corian or MDF, populate the gallery space. Conceived and designed within a digital imaging program, this new body of sculptures, with their stylized geometry, electronic glow and manufactured surface sheen, might seem to channel New Wave Science Fiction - a genre typified by its imaginative, futuristic and often inaccurate notions of science and technology. Just as that genre’s writers accelerated the age’s visions of modernism, these geometric stacks suggest Brancusi’s Endless Column as if refracted through vector graphics, reinforcing a sense of ‘retro-futurity’. The temporality is confusing. Today, when much sculpture seems to be looking back toward the purity of minimalism, these works seem to refer to a later moment, when culture took imaginative leaps forward, postulating a world of stark angles and sawtooth synthesizers.
Michelangelo Pistoletto Partitura in Nero
Simon Lee Gallery is proud to present an exhibition of acclaimed Italian artist Michelangelo Pistoletto, a key figure in the development of Italian art in the 1950’s and 1960’s and a founding member of the Arte Povera movement. The term meaning “poor” or “impoverished” art was coined to describe the practice of a group of Italian artists creating art who used everyday materials and found objects. Arte Povera rejected standards of artistic classification, seeking new approaches to making art and aiming to create a space for evaluation of the viewers’ responses and the art object itself. Pistoletto’s practice is profoundly driven by the belief that creative energy is linked not to the artist as a singular entity but as an extraordinary force capable of impacting every aspect of society. The role of the artist is dedicated to creating interaction between all spheres of human activity that make up society.