Donald Judd Progressions 1960s & 1970s
Marnie Weber The Truth Speakers, The Sea Of Silence
Simon Lee Gallery is delighted to present a new body of work by Italian conceptual artist Claudio Parmiggiani, one of the first exhibitions of his work in the U.K. During his time at the Istituto di Belle Arti di Modena (1958-1960), Parmiggiani frequented the studio of Giorgio Morandi, whose work was to have a profound impact on him. The spirit of Marcel Duchamp and Piero Manzoni was also apparent early on in his manipulation and presentation of objects, for example the arrangement of a globe and a pickle jar containing a crumpled map in 1968. He has never allied himself with any particular group, but he shared with some of his contemporaries, such as Michelangelo Pistoletto and Giulio Paolini, a progression from conceptual works, including installations, photo-works and books, towards a use of assemblage. In 1970, he exhibited his first ‘Delocazioni’, using powder, smoke and fire to make shadows and imprints on paper and board, combined with the subtle interplay of the architecture of the space created a sense of absence and uncertainty. The spirit of these early installations were to form the backbone of Parmiggiani’s practice.
Merlin Carpenter The Opening
Jim Shaw The Whole: A Study In Oist Integrated Movement
Hans-Peter Feldmann Art Exhibition
Simon Lee Gallery is delighted to present its first solo exhibition of the German artist Hans-Peter Feldmann. His measured and witty method of assembling found objects and imagery from everyday life has extended artistic communication beyond the traditional practice. Since the 1970’s he has played an influential role for many of his peers and has been a prominent figure for a younger generation.