William Mackinnon: Modern Family

20 May - 25 June 2022

Simon Lee Gallery is pleased to present Modern Family, an exhibition of new works by William Mackinnon. For his first solo show in Hong Kong, Mackinnon presents eight paintings depicting trees. With this body of work, the artist continues a long-standing investigation into the motif, which takes on new meaning as the tree becomes the sole protagonist. Painted during a period of profound change in his personal life, these works are imbued with a new sense of growth and direction.

In this body of work Mackinnon directs his attention to the anatomy of the tree, zooming in on branches, trunks, and leaves. In addition to his oft-used media of oil, automotive enamel and glitter, the artist explores screen-printing techniques, a practice new to him and for which he takes sections of his own existing paintings as a starting point. Using linen, jute and copper as a support, Mackinnon then collages new painted forms into the composition, some slowly take the shape of naked trees with knotted trunks and splitting branches, others blooming with richly shimmering leaves.

While all the paintings that make up this new body of work have the same dimensions and similar compositions, each of them takes on a profoundly different timbre from the next. Employing a predominantly neutral palette of ochre, black and white, with occasional touches of blue, green and purple, the materiality and texture of Mackinnon’s paintings occupies a significant presence and meaning in the work, bestowing a unique sensibility on each. The artist focuses on the act of painting itself by using formal and compositional decisions as a strategy to drive his work in unexpected directions.

William Mackinnon’s work is deeply personal and emotional, his paintings start with an intimate narrative charged with history and culture and this autobiographical foundation often evolves into something more autonomous and universal. The trees depicted in Mackinnon’s paintings are from places of personal significance, and for this body of work, they are inspired by the trees on a family property which was recently sold. Mackinnon’s trees convey the complexity, richness and unpredictability of life, its twists and turns and its ever-rejuvenating force. The trees that inhabit his paintings are charged with meaning and evoke emotional states and family relationships. With branches and leaves competing for space and light, they speak of the human experience. Some old, scarred and twisted speak of the intimidating feeling of ageing and the fragility of family relationships. Others, new and strong, evoke feelings of regrowth, regeneration, and conscious reinvention of the self.