Paulina Olowska: 30 Minutes Before Midnight

Hong Kong  19 May - 19 June 2021
Private view: Tuesday 18 May 2021, 6–8PM
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Olowska promotes the duality of the image in her practice, layering multiple meanings into her works to subvert and twist the viewer’s expectations and create space for an array of narratives to emerge.

‘The half hour before midnight is for doin' good. The half hour after midnight is for doin' evil -- seems like we need a little of both tonight’, Minerva in Midnight in the Garden of Good and Evil (1997).

‘Our culture is replete with religious and symbolic images of women that are either subservient or sacrificial and that do not hold and reflect the multiplicities of women’s creative powers’, Juliet Miller, The Creative Feminine and her Discontents (2008).

Simon Lee Gallery Hong Kong is pleased to announce an exhibition of new paintings by Paulina Olowska. Olowska’s oeuvre has long been informed by her examination of the restrictive stereotypes that underpin representations of womanhood in the history of art. Seeking to depict femininity in all its guises, Olowska’s visual language asserts and redefines the capacity of the female gaze in painting, encoding each work with symbols and narrative cues that embolden her subject’s physical and psychological presence.

For her second solo exhibition in Hong Kong, Olowska has created a body of works depicting muses and heroines in various scenarios at different times of the day and night. The title of the show alludes to John Berendt’s novel Midnight in the Garden of Good and Evil and the subsequent film adaptation. Drawing on the hoodoo notion of midnight, the passage of time in the book and film defines the period for good magic – the thirty minutes prior to midnight – and the period for bad magic – the thirty minutes after midnight. Olowska extends this notion of time and the passing of day to night as both a visual and narrative device to contextualise the subjects of her portraits. Colours – and the time of day they indicate – fortify the viewer’s initial engagement with Olowska’s protagonists. Shifting from soft to vibrant tones, the works in the exhibition fluctuate in mood throughout the exhibition as day turns to night.

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