Eric N. Mack
'For me, painting has always been a space of questioning. It’s most important for me to emphasise the painting as an object, separate from mere surface or picture. There is an objecthood to the way the work, a painted object, is made, down to the way it is related to the stretcher bar. I’ve been creating surrogates for that type of suspension that speaks closely to the material of the painted object.' (Eric N. Mack)
Eric N. Mack refers to himself as a painter, yet his works rarely observe the medium’s traditional canvas-to-stretcher format. Rather, his tactile creations, made from a dynamic combination of used textiles, worn clothes, moving blankets and torn rags, alongside pieces of paper, photographs and pull-outs from books and magazines, extend and transform the notion of painting. His use of colour, form and material as elements in a compositional lexicon, as well as the stained or dyed fabrics which are his principal medium, declare the origin of his practice in the investigation of painting in an expanded field, while the way his compositions occupy and transform space are evidence of their sculptural nature. They are at once paintings and sculptures, fully engaging with both disciplines.
Constructed using altered, dyed, secondhand materials often locally sourced by the artist, Mack’s works highlighted in this Artist Focus were first made as the staging for Grace Wales Bonner’s London Fashion Week Men’s Autumn Winter 2018 show, one of Mack’s many collaborations with the menswear designer that signify his ongoing observation of and interaction with the world of fashion. Using swathes of fabric to activate the space, these works represent painting in its most dynamic state. In addition, the works on paper included below, which can also be considered as studio artefacts, deal with colour, composition and form in the same way as the works made from fabric - each representative of the artist's approach to the act and process of painting.