Simon Lee Gallery is proud to present an exhibition of wrapped paintings by Merlin Carpenter. In 2009 Carpenter came up with the idea to make new interpretations of a group of paintings from the 1960s by the British artist John Hoyland (1934-2011). Carpenter was drawn to this particular body of work for its engagement with and furtherance of the ambitious large-scale US painting of the time.
The advent of the home studio in the 1970’s democratized both music and art, with cities like New York becoming significant platforms for the convergence of both practices. Partially due to financial instability brought on by urban decay and political neglect, artists embraced a do-it-yourself mentality which inevitably led to interdisciplinary experimentation. Although this time period was marked by metropolitan downturn, the phenomenal successes of these new wave forms of art making led to their ironic commercialization. Through a diverse group of artists and media, New Pleasure showcases the intersection of music and art after punk rock and investigates how artists have taken direct influence from musicians, have participated within either genre, or have performed as musicians themselves.
Isabelle Cornaro: Subterranean
Simon Lee Gallery is proud to present for the first time in Asia, an exhibition of new video works by Paris-based artist Isabelle Cornaro. The multi-disciplinary practice of Cornaro considers the various material and conceptual shifts that occur when an object is transformed into an image.
Simon Lee Gallery, in collaboration with the Archivio Luciano e Carla Fabro and Micheline Szwajcer, is proud to present a solo exhibition of historic works from the early 1960s by celebrated Italian artist Luciano Fabro (1936-2007), his first in London since his landmark show at the Tate Gallery in 1997. A leading figure in the landscape of post-war Italian art and proponent of the influential Arte Povera movement, Fabro is renowned for his radical practice that offered a re-evaluation of sculptural form via a rigorous approach to spatial context, material and meaning. Concerned with the environment of both work and viewer, the foundational theoretical works presented in this exhibition explore the framing of space with a spare and elegant simplicity designed to induct the viewer into a participatory experience, in which sensibility and seeing are symbiotic. Although later works by the artist employed sumptuous materials – silk, marble, bronze – Fabro’s first works encapsulate with economic means the experimental poetry that would come to define the conceptual innovation of his near five-decade long career.
Trip of the Tongue Curated by Piper Marshall
Simon Lee Gallery Hong Kong is pleased to present Trip of the Tongue, a group exhibition curated by Piper Marshall that examines how communication is filtered, trained, and disciplined. The title comes from a mistranslation of a common English phrase- “slip of the tongue”- meaning a specific kind of verbal blunder that is an excess of intended speech. Such slips can be telling, when they reveal our inner thoughts unintentionally, or they can also be random, absurd, or humorous. As social errors, they detour the conversation and push against the control we typically try to exert over our language.
Simon Lee Gallery New York is proud to present the first solo exhibition in America of Japanese artist Ryuji Tanaka. A recognized member of two avant-garde groups that are synonymous with post-war Japanese art: the Pan-real Art Association and Gutai Art Association, Tanaka’s legacy lies in his desire to evolve a unique artistic style that is at once experimental, and yet deeply rooted in the traditional Japanese-style painting - nihon-ga.
Simon Lee Gallery is proud to present an exhibition of new and recent paintings by New York and Marfa-based artist Jeff Elrod, his third with the gallery to date. Recognised for his large-format abstract paintings concerned with the relationship between hand-painted and digitally created mark-making, for this exhibition Elrod has created a series of hybrid images that incorporate analogue techniques into his continued experiments in digital and print technology.