The practice of American artist Jim Shaw (b. 1952, Midland, Michigan) spans a wide range of artistic media and visual imagery. Since the 1970s, Shaw has mined the detritus of American culture, finding inspiration for his artworks in comic books, pulp novels, rock albums, protest posters, thrift store paintings – his ever-growing collection of found artworks has been the subject of its own exhibition on several occasions – and advertisements. At the same time, Shaw has consistently turned to his own life and, in particular, his unconscious, as a source of artistic creativity. Providing a blend of the personal, the commonplace and the uncanny, Shaw’s works frequently place in dialogue images of friends and family members with world events, pop culture and alternate realities. Often unfolding in long-term, narrative cycles, the works contains systems of cross-references and repetitions, which rework similar symbols and motifs, allowing a story-like thread to be perceived.
Shaw’s ongoing project Oism contains a narrative core and ironically challenges the norms of an artwork. Marking Shaw’s attempt to create a functioning religion, complete with its own history, totems and traditions, Oism is drawn from profound and far-reaching research initiated in the early 1990s into the history of American religious practice and finds inspiration in the messianic cults active in America’s Bible belt. The creation and study of Oism has fuelled a wide range of artworks-cum-artefacts, and includes, amongst others, paintings, photographs, sculptures, collages, posters, films and musical instruments.
Simon Lee Gallery is proud to present an exhibition of new paintings by Los Angeles-based artist Jim Shaw. This will be the first exhibition of paintings by the influential American artist to be held in Asia.
Shaw moved to California from his hometown of Midland, Michigan in 1975 to attend Cal Arts, and along with fellow Michigan-native Mike Kelley, is one of a number of notable artists to emerge from the school in the late 1970s and early 1980s. Over the past thirty years, he has become one of the United States’ most influential and visionary artists, working in painting, sculpture, and drawing, and building connections between his own critical and psychological perspective and America’s broader political, social, and spiritual histories. His work is distinguished by rigorous formal and structural analyses of neglected forms from vernacular culture, informed by his large collections of objects representative of consumer desires, religious fervour, and a constantly evolving counterculture. For Shaw, these seemingly mundane artefacts reflect shifting social and political values and the way in which individual Americans are the product of a variety of conflicting forces.
Jim Shaw: Drawings
On show as part of its ‘Viewing Room’ programme, Simon Lee Gallery presents a concise selection of drawings by Los Angeles-based artist Jim Shaw. The remarkable variation in scale and visual narrative on display highlights a crucially important part of the artist’s oeuvre, and the works on view trace defining elements in his ongoing artistic practice with humour, skill and insight. Whether as preparatory studies or as works in their own right, these monochromatic works on paper offer an intimate sense of the artist’s creative and conceptual process that mines the collective subconscious of American culture through a mix of the familiar and the absurd.
An Uncanny Likeness
Simon Lee Gallery is pleased to present An Uncanny Likeness, a group exhibition organized by Franklin Melendez and Romain Dauriac in the newly re-launched New York space.
The show revisits the legacy of portrait painting bringing together a diverse group of artists whose practice revolves around the re-drawing of the figure. Eschewing the ‘faithful reproduction’ as convention, these artists pursue emotive distortion and stylistic idiosyncrasies that foreground painting’s relationship to the body. The resulting tableaux are thick with symbolic meaning, conjuring altered states and arcane visions that are as indebted to the virtuosic flourishes of Mannerist painters as the elastic possibilities of present day visualizing techniques.
Simon Lee Gallery is proud to present ‘Faux Amis’, a group exhibition that centres on the dialogue between the work of gallery artists and their chosen ‘false friend’.
For this, the first exhibition to cover both the ground and the new first floor spaces of the London gallery, Simon Lee Gallery artists are invited to exhibit alongside, and in dialogue with, the work of an artist of their choice which they find forges a relevant, interesting, distracting, misleading, or stimulating relationship with their own practice. The resultant selection of works not only highlights the interesting discourses that can exist between artists of divergent practices and generations, but also suggests new readings of the individual works on display.
In the Waiting Room Vito Acconci, Lynda Benglis, Louise Bourgeois, Mike Kelley, Bruce Nauman, Raymond Pettibon, Jim Shaw, Cindy Sherman
Simon Lee Gallery, London, 2015