Jeff Elrod (b. 1966, Dallas, TX) makes large-format abstract paintings concerned with the relationship between hand-painted and digitally-created mark-making. His practice is informed by the trajectory of late twentieth-century abstraction and the emergence of sophisticated software and print technology. Many of his works are hybrid images which incorporate what he terms ‘analogue’ techniques using acrylic, tape, and spray paint, and ‘frictionless’ digital drawings that originate using familiar programs such as Illustrator and Photoshop. The resulting paintings are characterised by shifts between flat planes of colour and an illusory depth.
A second series of works – the Echo paintings - are produced from hard-edged digital drawings which Elrod transforms into blurred images using Photoshop. They are then printed in UV ink on canvas. Inspired by Brion Gysin and William Burrough’s self-hypnotising Dream Machine, Elrod’s paintings consist of indistinct blotches of two and three-tone colour spread across the painting field. Their pronounced retinal effect is a result of a digital process which un-focuses his dense geometric computer drawings until the skeleton of the image dissolves and a new presence emerges. What begin as Jackson Pollock-esque webs on screen are transformed into amorphous clouds of colour. Without a focal point to anchor the image, the visual field of these works resists coherence and the space, shape and lines from the artist’s original drawings are lost and re-presented as a newly created abstraction.
Jeff Elrod, Alex Hubbard, Yang Shu
Simon Lee Gallery, Hong Kong, is delighted to present a group exhibition of works by Jeff Elrod, Alex Hubbard and Yang Shu. Working across the painted medium, all three artists share a commitment to gesture, colour and graphic mark-making, albeit in very different ways. Yet a common approach to anti-hierarchical materials and techniques unites the three artists, each of whom continues to challenge the traditions of painting in bold and experimental ways, not least in their handling of the performative gesture and the ways in which it can be relayed in two dimensions.
Simon Lee Gallery is proud to present an exhibition of new and recent paintings by New York and Marfa-based artist Jeff Elrod, his third with the gallery to date. Recognised for his large-format abstract paintings concerned with the relationship between hand-painted and digitally created mark-making, for this exhibition Elrod has created a series of hybrid images that incorporate analogue techniques into his continued experiments in digital and print technology.
Simon Lee Gallery is proud to present ‘Faux Amis’, a group exhibition that centres on the dialogue between the work of gallery artists and their chosen ‘false friend’.
For this, the first exhibition to cover both the ground and the new first floor spaces of the London gallery, Simon Lee Gallery artists are invited to exhibit alongside, and in dialogue with, the work of an artist of their choice which they find forges a relevant, interesting, distracting, misleading, or stimulating relationship with their own practice. The resultant selection of works not only highlights the interesting discourses that can exist between artists of divergent practices and generations, but also suggests new readings of the individual works on display.