Jeffrey Stark, New York presents Nationale a solo presentation by Eric N. Mack.

Event Details
Saturday, November 23, 2019, 2 pm             

Dia:Beacon
3 Beekman Street
Beacon, New York

Free with museum admission. Space is limited and offered on a first-come, first-served basis.

Installation view: Sam Gilliam, Double Merge, 1968, Dia:Beacon, New York, 2019. © Sam Gilliam/Artists Rights Societ New York. Photo: Bill Jacobson Studio, New York

Beacon, NY – July 18, 2019 – On the occasion of the fiftieth anniversary of Mel Bochner’s first Measurement Room, Dia Art Foundation has commissioned the artist to create a new, large-scale work from the series this fall at Dia:Beacon in Beacon, New York. Bochner’s Measurement Room: No Vantage Point opens November 9, 2019, at Dia:Beacon and will remain on view for a year.

For more information, please click here. 

Installation view: Mel Bochner, Measurement Room: No Vantage Point, 1969/2019, Dia:Beacon, Beacon, New York. © Mel Bochner. Photo: Bill Jacobson Studio, New York, courtesy Dia Art Foundation, New York

Asia Art Archive’s annual auction offers over seventy works generously donated by artists, galleries, and collectors, among them Sarah Crowner.

In partnership with Christie's, a preview exhibition of the artworks on auction will be held on 11, 14 to 17 October, with the reception taking place on the evening of 14 October. Kindly register here to attend the preview reception. Online and absentee bidding begins on 11 October at 12:00pm HKT and ends on 2 November at approximately 11:00pm HKT. 

For more information, please click here.

Image: Sarah Crowner, Double Tiger, 2019

On the occasion of Marnie Weber and Justin John Greene’s exhibition at Simon Lee Gallery New York, we are pleased to invite you to a Hallowe’en walkthrough with your docents for the evening: writer Dean Kissick and artist and writer Paige K. Bradley.

Too many shows these days are allowed to pass into that good night, sans recognition or echo from the chorus. We say no more! Journey uptown for an evening of deep iconographic contemplation and excavation of the clues and crumbs in these paintings, which may guide us towards the new folklore, pagan rituals, and ghosts—among other specters—that haunt us, but perhaps more importantly haunt Los Angeles, a city at the dark heart of the 21st-century American gothic. And really what is art about, if not worship of powers we can’t control, a chilling sense of unease, and the conspiracy that hides in plain sight as we recklessly speed by it?

Image: Justin John Greene, The Righteous, 2019

Jessica Lang's Garden Blue combines the beauty of nature and dance. The striking costumes and interactive sets were designed by Brooklyn artist Sarah Crowner. This unique collaboration is described as “sculptural and lyrical” by DanceTabs’s Marina Harss.

Sarah Crowner's inspiration for the set of Garden Blue was a Samara, also known as a Maple Seed and Helicopter Pod. A samara is a type of dry fruit where one seed is surrounded by double-winged papery tissue that catches wind and helps carry the seed away from the tree. 

For more information, please click here.

Image: Scene from Garden Blue
Photo credit: courtesy of the American Ballet Theatre
Photography: Rosalie O’Connor

TWO x TWO for AIDS and Art is an annual contemporary art auction held in the Richard Meier-designed Rachofsky House in Dallas, benefiting two organizations--the Dallas Museum of Art and amfAR, The Foundation for AIDS Research.Thanks to the phenomenal support of the dealer and artist community, corporate sponsors, and Dallas patrons, TWO x TWO for AIDS and Art's annual benefit gala dinner and art auction has raised over $84 million in its 20-year history in support of amfAR's AIDS research initiatives and the DMA's contemporary art acquisition program. 

For more information, please click here. 

For gala information, please contact Melissa Ireland at melissa@rachofskyhouse.org

Image: Clare Woods, Amnesia, 2019

The compositions of Eric N. Mack are gleaned from the wardrobe. The support (a body) is absent. Materials are configured to linger in space. Collaged textiles are arranged with balletic precision. Aspirational forms emanate. Arrangements are irrational and tentative. Choreographed elements are grafted into space and suspend from architecture. Billowing assemblages are accessed from a range of perspectives, around and under sewn silhouettes. The X, Y, Z axis distorts into forms of expression, violating systems of symmetry. Flattened panels of varied pattern and texture create collapsible volumes. The material palette is holed, dyed, manipulated, sometimes painted onto. Its utility function temporarily drained. Not quite painting or sculpture, the artwork is radically transient. The compositions pirouette out from the rectilinear constraints of painting into a space of auxiliary. 

For more information, please click here.

Complementing the Donaueschingen Music Festival, Museum Art.Plus is showing works by Angela Bulloch (b.1966) in the 2-Raum. Bulloch, who is recognised as one of the so-called ‘Young British Artists' who shook up the British art world in the 1990s, works in a wide range of media. Her main interest are systems, patterns and rules. In Donaueschingen, the artist presents a number of sound-activated drawing machines that respond to the sound of music. Although viewers are not privy to the sound, they witness the visualisation of music.

For more information, please click here.

Image: Angela Bulloch, Elliptical Song Drawing Machine: Peacock Blue, 2018

Paulina will perform "Abeceda", inspired by the book entitled “ABECEDA” by Karel Teige - a key figure of the Czech avant-garde who created the experimental “moving alphabet” in 1926 in cooperation with Milca Mayerova.

For more information, please click here.

Image: Paulina Olowska's Performance, Alphabet, Galerie Meerrettich, Berlin, Germany

On the afternoon of Saturday, October 12, 2019, a conversation between Paulina Olowska, Clément Dirié, Natalia Sielewicz, curator at the Museum of Modern Art in Warsaw where she recently organized the show Paint, Also Known as Blood: Women, Affect, and Desire in Contemporary Painting, and French critic and cultural writer Elisabeth Lebovici will propose a polyphonic interpretation of the exhibition stemming from their own experiences and research.

12pm, Simon Lee Gallery, London
Please note this event is free to the public, but booking is required: events@simonleegallery.com

On the occasion of its re-opening after extensive renovation work, the Museum of Modern Art presents a retrospective of work by the painter Hans Hartung (1904-1989).

This retrospective is built around a tightly focused selection of some 300 works from various collections – French and international, public and private – and most notably the Hartung-Bergman Foundation. This tribute is a follow-up to the Museum’s acquisition of a group of four works by Hartung in 2017.

For more information, please click here. 

Installation view: Huns Hartung, La fabrique du geste, Musee d'art Moderne, Paris, France

Photo credit: © Raphaël Chipault

For this 18th edition of the Nuit Blanche in Paris, Thanks for Nothing invites to the City of Science and Industry a major figure of contemporary art: the Italian Michelangelo Pistoletto , famous for its founding inscription in the movement arte povera from the 60's as well as for his participative works. On the evening of October 5, the artist will perform two more of his performances that will engage visitors: the first,  Sculpture Walk , will invite the public to roll in space a sphere made of compressed newspapers, while Third Paradise will encourage them to form a human chain outdoors, as a collaborative and symbolic drive for solidarity. The ecological stake of the latter is explicit: for each participant in the performance, a tree will be planted. 500 people are invited to participate in the event, which can be registered now by clicking on this link. 

For more information, please click here. 

Image: Michelangelo Pistoletto, Magazzino Performance, Magazzino Italian Art, New York, 2017

Photographer: Alexa Hoyer

Angela Bulloch’s new site-specific installation for MAAT’s Oval Gallery combines the artist’s research on three-dimensional perception, time and virtuality with the spatial and acoustic characteristics of this singular exhibition space. The project will include a set of new video works, integrating multiple projections, virtual reality, avatars and 3D animations. The installation also features some of the artist’s most iconic pieces, such as her geometric stacked columns and wall paintings, besides works that explore  3D animation, interpassivity, role playing and matters of conscience. In the same line of previous interventions at the Oval Gallery, Angela Bulloch now brings to this space a unique proposition which integrates new digital technology and contemporary art.

For more information, please click here. 

Installation view: Angela Bulloch, Anima Vectorias, MAAT, Oval Gallery, 2019

Photography: Bruno Lopes

Photo credit: courtesy of EDP Foundation

Japanese photographer Daido Moriyama is the recipient of the 2019 Hasselblad Foundation International Award in Photography. The award ceremony will take place in Gothenburg, Sweden on October 13, 2019. A symposium will be held on October 14, followed by the opening of an exhibition of Moriyama’s work at the Hasselblad Center, and the release of a new book about the artist, published by Verlag der Buchhandlung Walther König.

For more information, please click here. 

Image: Daido Moriyama, Coffee Shop, 1984

Photo credit: © Daido Moriyama / Courtesy of Simon Lee Gallery and Taka Ishii Gallery, Tokyo

Chisenhale Gallery commissions and produces exclusive limited edition artworks, which are kindly donated by the artists. At Frieze London earlier this month, as part of Allied Editions, new limited edition artworks by Sonia Boyce, Josephine Pryde and Clare Woods were launched. Allied Editions is a collaborative initiative between Camden Arts Centre, Chisenhale Gallery, Institute of Contemporary Arts, South London Gallery, Serpentine Galleries, Studio Voltaire and Whitechapel Gallery. The Archive Editions series comprises new limited edition works, kindly donated by artists who have participated in Chisenhale Gallery’s historic exhibitions programme. Funds raised from the sales of these works contribute to the gallery’s artistic programme and support the next generation of pioneering artists.⁣⁣

The limited edition works are available to purchase on the Chisenhale Gallery’s online shop.⁣⁣

For more information, please click here.

Image: Josephine Pryde, Freshly Cut Grass, May Blossom, Stinging Nettles, Bluebells and Lady's Bedstraw, Picked in the Spring and Exposed in the Darkroom, 2019

The Store X The Vinyl Factory presents a new group show, including Donna Huanca at 180 The Strand this October.

Curated by Jefferson Hack, TRANSFORMER opens on Tuesday, October 2 as part of Frieze London, and features newly commissioned and debut works by Doug Aitken, Sophia Al-Maria & Victoria Sin, Korakrit Arunanondchai, Donna Huanca, Juliana Huxtable, Evan Ifekoya, Dozie Kanu, Quentin Lacombe, Lawrence Lek, Jenn Nkiru, Chen Wei and Harley Weir & George Rouy.

For more information, please click here. 

Image: Donna Huanca, AMYLOPLAST, 2019

Photography: Matthias Kolb

This exhibition of work by Jiro Takamatsu (1936-1998) and Keiji Uematsu (b.1947) will bring post-war Japanese sculpture associated with the influential Mono-Ha (School of Things) to a wider audience.

The first pairing of these artists aims to provide an insight into the new ways of thinking about sculpture that developed in post-war Japan.

For more information, please click here. 

Image: Keiji Uematsu, Floating form - Invisible axis, 2015

In coincidence with Simon Lee Gallery London's exhibition Clare Woods: Doublethink, there will be an artist talk at the gallery: Clare Woods in Conversation with Jennifer Higgie, Editor of Frieze. 

The talk will take place Thursday 19th September, 6.30 - 8.30 PM, Simon Lee Gallery, London

Please note this event is free to the public, but booking is required: events@simonleegallery.com

Image: Clare Woods, Tea Fixer, 2019

In September 2019, about fifteen artists from Los Angeles will be invited to exhibit at the former Conservatory of music and dramatic art conservatory of Sète. The projects exhibited will be inspired by the city as much as by their meetings with artists from Sète that they met in February 2019 in LA. Similar to LA, there will be an art exhibition at the MIAM (the Museum created by Herve di Rosa) along with performances and concerts in the regional center of contemporary art, the Paul Valéry museum, and the Theatre of the Sea.

For more information, please click here. 

Film Still: Marnie Weber, Songs That Never Die, 2005 

The Prime Minister's Official Residence opens on 5 September at the Palace of São Bento with a selection of contemporary art from the Norlinda and José Collection Lima and curated by Isabel Carlos, including three works of João Penalva: Untitled (Brown), 1997, Interior (Print), 1991 and Repertorio (Balls), 1990. The works will occupy the main rooms of the Residence for a year. 

Image: João Penalva, Interior (Print), 1991

Following Donna Huanca's solo exhibition at Copenhagen Contemporary, the LENGUA LLORONA catalogue is now available. 

The publication was produced by Peres Projects with Copenhagen Contemporary and includes texts by Aukje Lepoutre Ravn and Vi Payaboon, with a forward by Marie Nipper. 

For more information, please click here. 

For her show at the Box, Marseille, Snobeck presents a series of works conceived at the Atelier Calder, Sache (2018) and exhibited at the Consortium, Dijon (2018) together with a video produced during her residency at Lafayette Anticipations, Paris (2014) and new works made in 2019.

This show reflects the artists engagement with environmental issues and focuses on the overcharged heritage of the EPA (Environmental Protection Agency), Washington D.C., US.

For more information, please click here.

Installtion View: Valérie Snobeck, Build of a Nearby Valley While Looking Afar, Le Consortium Museum,  Dijon, France, 2018-2019

Photography: André Morin

Photo credit: © Consortium Museum

Paulina Olowska's work for the Liverpool Biennial is titled Grace, Charles and the Sunflower, a mosaic that references the socialist belief that through the creation of a public work one can influence and present optimistic visions of a better world. The idea is based on a Polish mosaic from the 1960s situated on the side of a public school in the village of Raba Zdroj, where the artist lives.

For more information, prlease click here.