LENGUA LLORONA is Donna Huanca’s first solo exhibition in Scandinavia. Presented as a site-specific multimedia installation, Huanca brings together painting, sculpture, scent, sound, and performance. The exhibition is organised as coherent organic landscape of islands made of bone-white sand and populated by sixteen monumental oil paintings, which are presented with a series of totem-like steel sculptures.

During the exhibition period, a series of eight performances will activate the exhibition. The models, as Huanca calls her performers, are decorated with paint, pigment, and textiles. Like living paintings, they populate the installation leaving physical body marks on the floor and walls, thus producing a lasting transformation of the space.

Today, when technology seems utterly smooth and weightless—composed of invisible waves, wireless signals, abstract codes—New Order explores the ways in which these systems are still stubbornly tied to the physical world and looks at the ways in which contemporary artists, among them Josephine Pryde, use—and misuse—tools and forms. The show features works made since the turn of the millennium that push and challenge the boundaries of technology: upending systems, experimenting with materials, and ultimately inventing novel techniques and substances.

Puppets: Theater, Film, Politics, situates puppet theatre within the field of art history and within the broader context of the artistic, social, and political changes taking place in Poland in the 1950s and 1960s. The presentation of selected works, artists, and creative hubs, among them Paulina Olowska, has been woven around concepts such as anthropology of the body, pedagogy, or politics. The show’s authors broaden the reflection on the meanings and functions of puppets, asking about their political dimension. They exemplify diverse strategies of their use — from the exploitation of the propaganda repertoire to caricatural and derisive representations of ideological opponents – while highlighting their dangerous potential.

Japanese photographer Daido Moriyama is the recipient of the 2019 Hasselblad Foundation International Award in Photography. The award ceremony will take place in Gothenburg, Sweden on October 13, 2019. A symposium will be held on October 14, followed by the opening of an exhibition of Moriyama’s work at the Hasselblad Center, and the release of a new book about the artist, published by Verlag der Buchhandlung Walther König.

Exhibition & online fundraising auction of over 200 unique works on paper, including João Penalva's work. 

Auction: 11 March 10am – 26 March 9.30pm

In October 2018, Caixa Geral de Depósitos employees joined curator Filipa Oliveira’s project of putting together an exhibition of works of the CGD Collection, among them João Penalva's work. The purpose was to go through the method of curating an exhibition and to show how works of art are understood, chosen and installed. It is now time for the 21 amateur curators to show the results of their learning and their findings.

This display in the first floor galleries of the Fire Station focuses on some of the artists, that ensured that The South London Fine Art Gallery had a permanent home, among them João Penalva, their belief in social reform through art, literature and learning, and the ongoing legacy of their work.

Heimo Zobernig has developed, for the atrium of the Albertinum, a walk-in spatial installation composed of colored surfaces. Its design harkens back to three sketches by the artist Piet Mondrian, made for a room in the villa of the Dresden art collector Ida Bienert. For the walls of the room, Mondrian forsaw a grid that should be painted with yellow, blue, red, and grey color fields. Zobernig creates a spatially and sculpturally experience and transfers this foundational design principle of Mondrian into a walk-in cube that corresponds to the original dimensions of the room and is composed of a construction of nested wooden panels.

The Art Institute of Chicago proudly presents Iterations, a series of new performance commissions that underline the wide range of artistic practices and attitudes in performance today. Unfolding as an iterative exhibition over the course of three years, starting in 2019 and continuing in 2020 and 2021, and taking place in different durations and in various spaces across the museum, including exhibition and collection galleries, interstitial spaces, and theaters. New works from a broad variety of artists who explore how performance practice is situated in the context of the Art Institute of Chicago.

Dates for 2019 have been announced, however the exact dates for 2020 and 2021 are to be confirmed. We can confirm that Paulina Olowska will be amongst those featured in the programme.

Psyche and Politics is an exhibition at Staatliche Kunsthalle Baden-Baden that examines processes and poses the question of how social and political experiences, which are so different all across the globe, can be made visible through art. The exhibition presents the positions of ten international artists, among them Jim Shaw, who deal with the perception of the self and its transformation into the external world. 

The Gaze of Things: Japanese Photography in the Context of Provoke shows a selection of works from the Per Amor a l’Art Collection, that constitutes the most important private collection of Japanese photography between 1957 and 1972 outside Japan. The exhibition brings together a selection of images that focuses on the artists, among them João Penalva, involved in the formation of VIVO (1959-1961), as well as the collective responsible for Provoke magazine (Provocative Materials for Thought) (1968). 

Marnie Weber’s centralizing embrace of the societal fringe mimics our globalized reassessment of the dominant point of view, debunking the old norm for a new model where the previously peripheral moves to center stage. Her world of freaky side-show circus characters, runaway waifs and mobile home denizens are counter-culture oddities recast as empowered models of defiantly capable heroes, or at least battered survivors.

Men of Steel, Women of Wonder is a new exhibition developed by Crystal Bridges Assistant Curator Alejo Benedetti that examines art-world responses to Superman and Wonder Woman ranging from their Depression-era origins to today’s contemporary artist interpretations. The exhibition features over 70 paintings, photographs, installations, videos, and more by over 50 artists, among them Jim Shaw.

Maybe Maybe Not presents an emblematic selection of the work of American artist Christopher Wool. It inaugurates the exhibition program of the Hill Art Foundation, a cultural center conceived to offer broad public access to the seminal collection of contemporary and historical works assembled by J. Tomilson and Janine Hill over the past four decades.

This presentation of paintings, works on paper, photographs and prints encapsulates the evolution of Wool's career, ranging from early experiments to more recent explorations of spontaneous gesture and digital intervention. 

Hate Speech: Aggression and Intimacy presents international positions in contemporary art that address forms of ever more aggressive communication and the effects of social media, as well as their media-related facets. The exhibition features various international artists,  including Jim Shaw, and takes as its point of departure the alarming leanings of this development toward what is often much-too-direct speech. 

A common interest in the history of motifs and retail display inspired designer Beca Lipscombe and artist Lucy McKenzie to form the Atelier E.B fashion label.

Their first exhibition in France combines contemporary creation, the history of fashion and museum design. It opens with a bespoke showroom for their new collection, Jasperwear, and continues with historical research into the figure of the mannequin, from ancient sculpture to department store windows. It ends with a series of commissions by contemporary artists, among them Josephine Pryde. 

Desert X presents a group exhibition curated by Artistic Director Neville Wakefield with Co-Curators Amanda Hunt and Matthew Schum, comprised of works by a range of artists including Eric N. Mack and Gary Simmons.  

Desert X® is produced by Desert Biennial, a non-for-profit 501(C)(3) charitable organization founded in 2015 to bring the finest international artists to the Coachella Valley to create art, engage viewers, and focus attention on the valley's environment - its natural wonders as well as socio-political-economic issues that make it vibrant, curious, and exciting. 

Grace Wales Bonner presents the first in a new series of unique projects in the fields of music, fashion, art and design, featuring Eric N. Mack.  Themes of mysticism and ritual permeate Wales Bonner’s exhibition, which explores magical resonances within black cultural and aesthetic practices. 

The Blazing World, Perret’s first major solo exhibition in the UK, explores the subject of witchcraft and the relationship between women’s oppression and the emergence of capitalism. In her immersive installation at Spike Island, a theatrical stage recalls sacred forms of architecture and is punctuated with ritualistic sculptures, puppets and textiles.

Lemme walk across the room, the first New York City solo exhibition by Eric N. Mack, transforms the Brooklyn Museum's Great Hall with a site-responsive installation of new and existing textile-based works hung, mounted, and draped in conversation with the classical architecture of the space. Mack's work explodes the boundaries of painting, sculpture, and fashion, dynamically reflecting and framing the rich visual experiences of the everyday.

The Frist Art Museum presents Claudio Parmiggiani: Dematerialization, the artist’s first solo institutional exhibition in the United States. Opening Saturday 2 February 2019, the show continues until 5 May. 

For her second exhibition at Le Consortium, Valerie Snobeck: Build of a Nearby Valley while Looking Afar, Valerie Snobeck presents a body of work made specifically for the exhibition during her residency at the Atelier Calder in the summer of 2018.

Kaleidoscope will take over the entire surface of Spazio Maiocchi in Milan, curating a multimedia experience which brings together a diverse selection of international artists featured in the magazine’s newly-released Fall/Winter issue. After a two-month residency at Spazio Maiocchi, American artist Eric N. Mack allows visitors into his temporary studio, presenting it as an installation and a glimpse into his creative process. A language of the suspended pile, the messy space, of bodies leaving traces behind, the artist’s shamanic combinations of textile, newspaper pages and fragments of everyday objects have an architectural, even Baroque ambition—his painterly gestures sublimated into a “ballad of the black mundane.”