The Blazing World, Perret’s first major solo exhibition in the UK, explores the subject of witchcraft and the relationship between women’s oppression and the emergence of capitalism. In her immersive installation at Spike Island, a theatrical stage recalls sacred forms of architecture and is punctuated with ritualistic sculptures, puppets and textiles.

Preview: Friday 18 January, 6–9pm

Lemme walk across the room, the first New York City solo exhibition by Eric N. Mack, transforms the Brooklyn Museum’s Great Hall with a site-responsive installation of new and existing textile-based works hung, mounted, and draped in conversation with the classical architecture of the space. Mack’s work explodes the boundaries of painting, sculpture, and fashion, dynamically reflecting and framing the rich visual experiences of the everyday.

The Frist Art Museum presents Claudio Parmiggiani: Dematerialization, the artist’s first solo institutional exhibition in the United States. Opening Saturday 2 February 2019, the show continues until 5 May. 

For her second exhibition at Le Consortium, Valerie Snobeck: Build of a Nearby Valley while Looking Afar, Valerie Snobeck presents a body of work made specifically for the exhibition during her residency at the Atelier Calder in the summer of 2018.

Installation view, Atelier Calder, Saché, France, July, 2018.

Photo credit: Guillaume Blanc

Kaleidoscope will take over the entire surface of Spazio Maiocchi in Milan, curating a multimedia experience which brings together a diverse selection of international artists featured in the magazine’s newly-released Fall/Winter issue. After a two-month residency at Spazio Maiocchi, American artist Eric N. Mack allows visitors into his temporary studio, presenting it as an installation and a glimpse into his creative process. A language of the suspended pile, the messy space, of bodies leaving traces behind, the artist’s shamanic combinations of textile, newspaper pages and fragments of everyday objects have an architectural, even Baroque ambition—his painterly gestures sublimated into a “ballad of the black mundane.” 

The Museum of Old and New Art (MONA) in Tasmania, Australia, has officially announced the impending exhibition Toby Ziegler: Your shadow rising. The show will open Saturday 3 November, and will continue until 25 March 2019.

Philbrook partners with the Jordan D. Schnitzer Family Foundation to present a survey of more than 50 prints by Mel Bochner. The exhibition is accompanied by a fully illustrated catalogue.

The Phillips Collection, Washington, celebrates the reopening of the newly renovated Phillips House. For the occasion the collection will inaugurate a specially commissioned outdoor sculpture by Angela Bulloch.

João Penalva alludes to the life and work of Stanley Brouwn through a collection of measuring tools and devices, photographs, Brouwn’s artist books and catalogues, and a new artist book produced for this exhibition.

MAMCO presents its first major exhibition of works by Mai-Thu Perret following her nomination for the Manor Prize in 2011. This survey show will explore the full scope of the artist’s practice, which embraces disciplines from sculpture to film, ceramics and performance.

On the occasion of his major solo exhibition at MUDAM Luxembourg, the National Ballet of Portugal will perform Fifteen Dancers and Changeable Tempo at the Grand Théâtre in Luxembourg on 15 September - a ballet created and directed by João Penalva. As an introduction to the performance João Penalva will be in conversation with choreographer Rui Lopes Graça and researcher Carla Montez Fernandes at MUDAM on 12 September.

Run between Edinburgh and Brussels, Atelier E.B is the fashion label under which designer Beca Lipscombe and artist Lucy McKenzie collaborate.  At the Serpentine Sackler Gallery, Atelier E.B will examine the intersecting relationships between art, design, commerce and display through the figure of the mannequin, and includes work by Josephine Pryde.

Showcasing works from the collection of Patrizia Re Rebaudengo, Herstory features works by some of the leading female artists of the last forty years and explores how they have radically altered the face of contemporary art. The exhibition includes work from Paulina Olowska.

Programming for American Ballet Theatre’s 2018 Fall season, 17 – 28 October at the David H. Koch Theater, was announced by Artistic Director Kevin McKenzie.  A new work by Jessica Lang will receive its World Premiere on Friday 19 October.  Lang’s new work, her third for ABT, will feature scenery and costumes by American artist Sarah Crowner and lighting by Nicole Pearce.  The ballet will be given six performances during ABT’s Fall season.

João Penalva’s project for Culturgest in Porto addresses the history of the exhibition space, a renovated former bank designed by seminal Portuguese architect Pardal Monteiro. The original space is represented by theatrical interpretations by scenic painters and prop makers and the original bas-reliefs, which were removed from the building to make room for a new white cube, return for Penalva’s exhibition.

The Carnegie Museum of Art, Pittsburgh, announces Mel Bochner and Sarah Crowner as two of the artists participating in the 2018 Carnegie International. The museum's 57th edition is curated by Ingrid Schaffner and focuses on the idea of the 'international'; to reflect upon shifting relationships between communities, with work by thirty-two artists and collectives from around the world.