Catalogues and Books:

SELECTED BIBLIOGRAPHY

BOOKS & CATALOGUES

2007
George Condo, Simon Lee Gallery, London, UK, 2007.

2006
40 ans : Galerie Daniel Templon, Paris: Communicart, 2006. pp. 359-360, 476. Existential Portraits, New York: Luhring Augustine & Gottingen, Germany: Steidl, 2006. Infinite Painting: Contemporary Painting and Global Realism. Codroipo, Italy: Villa Manin Centro d’Arte Contemporanea, pp. 54-55. Over the Limit: Christopher Wool & George Condo. Athens: Portalakis Collection, Athens, Greece (exhibition catalog). Richer, Francesca and Matthew Rosenzweig, No.1: First Works by 362 Artists, d.a.p., New York Vous êtes ici (You are here). Auvergne: FRAC (Fonds Régional d’Art Contemporain d’Auvergne. (exhibition catalog). Pp. 86-89.

2005
Binstock, Jonathan P. Scmidt, Stacey. Closer To Home. The 4th Corcoran Biennal. Corcoran Gallery of Art, 2005, pp.36-39, 86. Kellein, Thomas. George Condo. One Hundred Woman. Bielefeld: Kunstahall Bielefeld, Ostfildern-Ruit: Hatje Cantz Publishers. Post Modern Portraiture from the Logan Collection. Vail: The Logan Collection Vail, pp. 42-43, 92-93, 150-151 (exhibition catalogue).

2004
A New Modernism for a New Millennuim: Abstraction and Surrealism Are Reinvented in the Internet Age. The Logan Collection Vail, 2004. Cameron, Dan. Liza Kirwin,. Alan W. Moore. East Village USA. New Museum of Contemporary Art, p.26. Coetzee, Mark. Not Afraid. Rubell Family Collection. PHAIDON, pp. 50-51. Fleissig, Peter. George Condo. Memories of Manet and Velazquez. Galerie Jerome de Noirmont, Paris, France. Perspective@25. A Quarter Century of New Art in Houston. Contemporary Arts Museum Houston, 2004.

2003
Kellein, Thomas. George Condo: Sculpture. Zurich: Caratsch de Pury & Luxembourg, Galerie Bruno Bischofberger. Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art. Contemporary Arts Museum Houston, p. 93.

2002
Ahead of the 21st Century: The Pisces Collection. Hadjie Cantz Publishers, 2002, pp. 43-53 (exhibition catalogue). Rugoff, Ralph. The Imaginary Portraits of George Condo. New York: PowerHouse Books. The Broad Art Foundation catalogue.

2001
Condo Televised Silkscreens. Abaton Book Company, Newton, NJ. George Condo. Physiognomical Abstraction. Galerie Jerome De Noirmont, Paris, France. Mythic Proportions. Painting in the 1980’s. Museum of Contemporary Art, North Miami, FL.

2000
Dickhoff, Wilfried. After Nihilism: Essays on Contemporary Art. Cambridge: Cambridge University Press. 00: Drawings 2000 at Barbara Gladstone Gallery. Barbara Gladstone Gallery, New York, NY. George Condo: Portraits Lost In Space. PaceWildenstein and Deitch Projects, New York, NY.

1998-97
“William Borroughs George Condo Collaborations 1988-1996,” Pat Hearn Gallery.

1998
Fitzgerald, Michael. “George Condo: Collage Paintings,” PaceWildenstein,1998,interview with the artist. Matthew Collings. “It Hurts: New York Art from Warhol to Now,“ 21 Publishing, pp. 139-143. Ruiz Picasso, Bernard. Pages de Garde/End Papers, PaceWildenstein, poems by Ruiz Picasso, illustrations by Condo.

1997
Davvetas, Demosthenes. “Dialogues, France: Au Même Titre”, published by Jouve. Ginsberg, Allen. “Selected Poems, New York,” Harper Collins (Cover portrait by George Condo).

1996
Le Thorei-Daviot, Pascale, “Petit dictionnaire des artistes contemporains,” Paris, Bordas. “Myths and Magical Fantasies,” California Center for the Arts Museum, Escondido.

1995
Kuspit, Donald. “George Condo: Paintings and Drawings,” PaceWildenstein, New York.

1994
Burroughs, William S., George Condo. “Recent Paintings,” The Pace Gallery, New York.

1993
Drawing the Line Against AIDS, American Foundation for AIDS Research (AmFAR) International. Wilson, Adolfo and Namia Mondolfi. “Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional,” Galería Namia Mondolfi, Caracas.

1992
Bonet, Juan Manuel and Gorge Condo. “George Condo,” Galeria Salvador Riera, Barcelona, Spain. Condo, George. “La Línea Quebrada y Extractos de ‘El Gran Jefe’,” George Condo: Obra 1990-1992. Galeria Soledad Lorenzo, Madrid, Spain. Dickhoff, Wilfried and Reiner Speck. “Ars Pro Domo,” Gesellschaft für Moderne Kunst am Museum Ludwig, Cologne, May. Le Portrait Dans L’Art Contemporain. Musée d’Art Moderne et d’Art Contemporain, Nice, France. Rose, Bernice. “Allegories of Modernism: Contemporary Drawing.” The Museum of Modern Art, New York, NY.

1991
Burroughs, William S., and George Condo. “Ghost of a Chance,” Whitney Museum of American Art, New York. Cervantes, Miguel, Charles Merewether, Francesco Pellizzi, Alberto Ruy Sánchez, Peter Schjeldahl, and Edward J. Dickhoff, Wilfried. “In Ictu Oculi: The Post-Nondeconstructive Paintings of George Condo”,” George Condo: Recent Paintings,” The Pace Gallery, New York, NY. George Condo. Art Random, Kyoto Shoin International, Co., Ltd., Kyoto, Japan. Honnef, Klaus. “Kunst der Guegenwart”. Taschen. Riley, Charles A. II. Sélection. Musée d’Art Contemporain, Pully/Lausanne, Switzerland Gallery, New York, NY. Sullivan. “Mito y Magia en América: Los Ochenta,” Museo de Arte Contemporaneo de Monterrey, Spain. Weinberg, Adam D. Aldo Crommelynck Master Prints with American Artists. Whitney Museum of American Art at Equitable Center, New York, NY.

1989
”George Condo,” Waddington Galleries, London.

1987
Armstrong, Richard, John Hanhardt, Richard Marshall and Lisa Phillips. Biennial Exhibition, Whitney Museum of American Art, New York, NY. Dickhoff, Wilfried. “Expanding Canvas or The Alter-Ego Strikes Back,” “George Condo: Paintings & Drawings 1985-1987,” Edition Gallery Bruno Bischofberger, Zurich. “George Condo: Gemälde/Paintings 1984-1987”, Kunstverein München, Excerpts from the novel Orest and interview with the artist by Demosthenes Davvetas.

1986
Dickhoff, Wilfried. “The Being of Nothingness - Notes on the existential abstraction in George Condo’s paintings,” George Condo, Barbara Gladstone Gallery, New York, NY. Dickhoff, Wilfried. “Primer Salòn Irrealiste,” Tenerife. Galeria Leyendecker, Santa Cruz de Tenerife, Spain Dickhoff, Wilfried. “What It Is,” Tony Shafrazi Gallery, September-October 12, exhibition catalog, published by Wilfried Dickhoff & Tony Shafrazi Gallery New York, NY. “George Condo,” Akira Ikeda Gallery, Tokyo, Japan. Godfrey, Tony. “The New Image, Paintings in the 1980’s”. New York, NY. Saltz, Jerry. “Beyond Boundaries”. New York, NY. Thomas, Karin. Bis Heute. Cologne, Germany.

1985
Dickhoff, Wilfried. “Vor-Schein oder Aschenglanz,” Künstliche Paradiese. Kunstverein München and Museum Folkwang, Essen, Germany. Dickhoff, Wilfried W. and Wolfgang Drechsler, “Phase II.” Steirischer Herbst ‘85. Stadtmuseum Graz, Austria. Flood, Richard. “Das Veritgo Paradigma,” Künstliche Paradiese. Kunstverein München and Museum Folkwang, Essen, Germany.

1984
Dickhoff, Wilfried, et al. “Nouveau Boheme”. Cologne, Germany. “Perspective 1984,” Basel Art Fair, Basel, Switzerland.

PUBLICATIONS BY THE ARTIST

1991
Burroughs, William S. and George Condo. “Ghost of Chance,” Whitney Museum of American Art, New York, NY. Condo, George. “Art Random,” Kyoto Shoin, Kyoto, Japan.

1987
Condo, George. Mark Dagley. Tony Shafrazi Gallery, New York, NY.

PERIODICALS

2007
“Under the Influence – George Condo on Traditional Musical Instruments”, ArtReview, Dispatches, January 2008, p. 28. “Masterpiece Theatre”, Photographed by Mario Testino, Vogue, December 2007, pp. 362-379. Fiac 2007, Art Press, Paris, October 2007. “George Condo: le come-back”, Le Point, Spécial Fiac 2007, October 18 2007, pp. 123-124 . Higgie, Jennifer, “Time’s Fool”, Frieze, May 2007, pp.110-117. “George Condo”, Artkrush, www.artkrush.com, February 2007 Lind, Alexander, “New Luxury Condos”, Art+Action, May 2007, p.203. Gleadell, Colin, “Breaking Records”, Art Monthly, April 2007. “George Condo”, Art Review, April 2007, pp.136-137. Ward, Ossian, “Curious George”, Time Out, February 2007. “I like art that take risks”, interview by Louisa Buck, The Art Newspaper, February 2007, pp.36-37. “George Condo’s sweet smell of success”, The Art Newspaper, February 2007.

2006
Art, no. 12, December 2006. p. 123 Brooks, Richard. “Nightmare of the Cabbage Patch Queen,” The Sunday Times, October 22, 2006. p.3 Chang, Richard. “George Condo & Nigel Cooke at Blum & Poe,” ARTnews, Volume 105/Number 5, May 2006, pp. 176-177 Cohen, David. “Latter-Day Surrealists on the Comeback Trail,” The New York Sun, Arts & Letters, page 15. “Conference Highlights,” The Record, Columbia University in the City of New York, Vol. 31. No. 12, April 12, 2006, page 7. Hope, Bradley. “It’s My First Opera. I’m Going To Stay for the Whole Thing.” THE NEW YORK SUN, Tuesday, September 26, 2006, pp. 1, 4, 14, & 17

Kalm, James. “George Condo,” THE BROOKLYN RAIL, Artseen, brooklynrail.org, June 2006. Kazanjian, Dodie. “Paging Picasso: Pablo on my mind,” VOGUE, September 2006, pp. 673-674. Gordon, A.L. “Collector’s Night In,” THE NEW YORK SUN, April 11, 2006, pp. image detail front page, 13, 18. Mueller, Stephen. “Funny, Elegant, And Frightening,” GAY CITY NEWS, 1-7 June 2006, page 22. Tomkins, Calvin. “Studio Visit. The Queen, Continued,” THE NEW YORKER, October 23, 2006, pg. 35 Vogel, Carol. “Where Bel Canto Meets Paintbrush. At New Met Opera Gallery, Artists Create Images of Heroines,” The Arts, THE NEW YORK TIMES, Tuesday, August 15, 2006, E1. Wright, Karen (interviewer). “Kerouac & Me,” MODERNPAINTERS, April 2006, pp. 72-79.

2005
Atwood, Roger. “The 48th Corcoran Biennial,” ARTNEWS, Volume 104 Bellini, Andrea. “The East Village Revisited,” FLASH ART, Mart-April 2005, pp. 60-63. Koeppel, Fredric. “Brush in a Rush,” THE COMMERCIAL APPEAL, Art. Books, Culture section, Sunday, March 20, 2005, p. A18. MODERN PAINTERS, October 2005, pp. 100-103 O’Sullivan, Michael. ”The Corcoran in Earnest,” THE WASHINGTON POST WEEKEND, Friday, March 25, 2005 p.47 Smith, Roberta. “George Condo,” NEW YORK TIMES, Friday, May 27, 2005 p.E34.

2004
Hrbacek, Mary. “George Condo, Biggs Robinson,” THE NEW YORK ART WORLD. COM, November 2004, p. 12. Johnson. “George Condo, Paintings From the Eighties,” THE NEW YORK TIMES, Friday, November 5, 2004 (exhibition review). The Oxford American, Issue 52, Winter 2006, page 93. Sanders, Mark. “George Condo. The Condo Effect”, ANOTHER MAGAZINE, Autumn/Winter 2004, pp. 410-423. Smith, Roberta. ‘Looking Back At the Flurry On the Far Side,” THE NEW YORK TIMES, Weekend Fine Arts Leisure section, pp. E.35- E36 (exhibition review). Skupin, Bernd. “Mein Bild Von Ihr,” GERMAN VOGUE, October 2004, pp. 514-527.

2003
Colpitt, Francis. “Learning From Comics,” ART IN AMERICA, October 2003, pp. 64-67. Hopkins, Randi. “Artists & Antipodes,” THE BOSTON PHOENIX, October 3, 2003, p. 3. Wilder, Matthew. “George Condo and Nigel Cooke”, ARTFORUM.COM, October 2003, (exhibition review).

2002
Cotter, Holland. The New York Time, Friday November 29, 2002, p. E36, exhibition review. Kino, Carol. “Back on the Radar,” ART & AUCTION, December 2002, p.141. “Review of reviews: Art, Where to Buy... A Selected Exhibition In a Private Gallery,” The Week, December 20 2002, p. 27.

2001
“A Few Galleries Slated for Art Basel/Miami Beach”, Fine Magazine, Premiere Issue, pp. 116-117. Glaser, Sheila F. “The Arts,” Madison, November/December, pp. 110-115. “George Condo: The Art of the Deal. In the Renaissance, new money bought lasting beauty,” The New York Times Magazine, September 19, pp. 84-85.

2000
Bensinger, Ken. “Artifact... Painter George Condo,” The Wall Street Journal, March 10, p. W16. Campbell, Bob. “Portrait of an Artist Yields Dreary Canvas,” Newhouse Newspapers, March 4 Dannatt, Adrian. “NY artist Q & A: George Condo,” The Art Newspaper (London), January 2000, pp. 73-74. Fine, Marshall. “Condo Painting’ A Portrait In Incomprehensibility,” Cannett Syndicate (The Journal News), March 4. Frimbois, Aurore. “Imaginer, Coller!” Art Actuel (Paris), January-February. “Studios By the Sea,” Vanity Fair, August, pp. 138-154, illustration.

1999
Anton, Saul. “All That Jazz,” Time Out New York, December 16-30, 1999, p. 120. “Arts & Leisure Guide: George Condo,” The New York Times, November 28, p. 47. “Condo Painting,” Bomb, Winter, p. 19. Johnston, Andrew. “Condo Painting,” Time Out New York, March 9-16, p. 85. Kelly, Brett. “Running Time: The Unbearable Lightness of Painting,” New York Magazine, March 13, p.103. Kino, Carol. “George Condo at PaceWildenstein and Deitch Projects,” Art In America, April, pp. 154-155 Knight, Christopher. “Paintings Take a Serious Look at Cartoonish Human Nature.” [http://www.latimes.com/print/calendar/20001215/t000119614.html]. December . Scott, A. O. “Film Review: Letting an Artist Explain, Whether It Helps or Not,” The New York Times, March 10. Seymour, Gene. “Realism, as the Painter Sees It,” Newsday, March 10, pp. B7, B11. Winter, Jessica. “Flaming Creatures: Kitsch or Kill,” Village Voice, March 14, p. 130.

1998
Dietsch, Scott. “Familiar Faces from TV at Sandra Gering Gallery,” The Villager, December 9, 1998. Griffin, Tim. “George Condo and William Burroughs: Collaborative Works, 1988-1996,” Time Out New York, January 8-15, p. 51. Levin, Kim. “George Condo,” The Village Voice, exhibiton review, February 11-17, p. 74. MacAdam, Barbara. “William Burroughs and George Condo,” ARTnews, April, p. 180. “Mondo Condo,” TimeOut, exhibiton review & listing, January 29-February 5, p. 48. Pedersen, Victoria. “Foreign Body’s,” Gallery Go’Round, Paper Magazine, exhibition review at Pat Hearn Gallery. Pedersen, Victoria. “Gallery Go’Round,” Paper Magazine, exhibition review, February, p. 104. Pinchbeck, Daniel. “Our Choice of New York Contemporary Galleries,” The Art Newspaper, (London), December. Schjeldahl, Peter. “Dumb and Smarter,” The Village Voice, exhibition review, February 24, p. 143. “Talent Condo,” New York, exhibiton review, p. 70, February 16. Tomkins, Calvin. “High Styles,” The New Yorker, February 9, p. 64. Smith, Roberta. “George Condo,” The New York Times, exhibiton review, February 13, p. E39 Sparrow, “Condo’s Abstract Cartoons,” New Rennaisance, Vol. 8, No. 2, Winter, p. 31. “Why Monaco’s Caroline Likes NYC ‘Condo,’” Daily News, May 20, p. 39.

1997
Johnson, Ken. “George Condo and William Burroughs: Collaborations 1988 -1996,” The New York Times, December 19, p. E40. Lemon, Brendan. “By George, He’s Got It,” Interview, December, p. 36. Martin, Schaub. “Allen Ginsberg’s Letzte Worte,” Tages, Anzeiger, September 19.

Pederson, Victoria. “Gallery Go ‘Round,” Paper Magazine, December 19, p. 132. Steuer, Joseph. “October Shows Off its Condo,” The Hollywood Reporter, May 13, p. 8.

1996
Chateau, Dominique. “Kant Goes Condo: A Short Critique of Pure Aesthetics,” artpress (Paris), May, pp. 42-45. D’Annunzio, Grazia. “George Condo,” L’Uomo Vogue (Italy), July - August, pp. 396-403. Griffin, Tim. “George Condo and Peter Hartman, Screaming Heads, Grating Bodies,’” Time Out New York, May 1-8, p. 23.

1995
Brown, Glenn. “A Brush With Genius: 20, Glenn Brown on George Condo’s Clownmaker,” Guardian, November 16, p. 9. Cheung, XiangXiang. “Galleries Test Taiwan Art Fair,” ARTnewsletter, December 12, pp. 4-5. Codrington, Andrea. “George Condo at Bischofberger,” Art & Auction, March, 1995, p. 64. “Goings on About Town: Art, Galleries Uptown,” The New Yorker, September 18, p. 27; September 25, p. 139; October 9, p. 19; October 16, p. 30. Goodwin, Betty. “Gallery Party Leaves ‘Em Out on the Streets,” Los Angeles Times, October 2. Karmel, Pepe. “Art in Review,” The New York Times, October 6, p. C32. Newhall, Edith. “Preview: Art, Galleries,” New York Magazine, September 11, p. 60; September 18, 1995, p. 98; September 25, p. 139. Pedersen, Victoria. “Gallery Go ‘Round: Senses and sensibilities,” Paper Magazine, exhibiton review, October 1995, p. 131.

1994
Ashenburg, Katherine. “Having Your Fill of New York’s Art,” The New York Times, June 12, pp.14, 35. Condo, George. “Harvest,” from “Young at Art: Miro at 100,” Artforum, January, p. 81. Cotter, Holland. “George Condo at Bruno Bischofberger,” Art in America, February, p. 111. Jones, K. Marriott. “George Condo/Pace Gallery,” Artforum, November, p. 85. Levin, Kim. “Voice Choices: Art,” The Village Voice, June 7, p. 71. Picasso, Sydney. “Condo sur tous les tableaux,” Vogue, February, pp. 56-57. Saltz, Jerry. “A Year in the Life: Tropic of Painting,” Art in America, October, pp. 90-101.

1993
Condo, George and William Burroughs. “Interaction Between Artists and Writers,” Art Journal, Winter,p. 78. Killer, Peter. “Br¸der im Geis,” Tages Anzeiger, Zritip, September, p. 34. Kurjakovic, Daniel. “George Condo - Bruno Bischofberger,” Flash Art, November/December, p. 120 Morera, Daniela. “Personal Diary by George Condo December 10, 1957,” Vogue Italia, August, pp. 102-109, 197. Ricard, Rene. “Retro Activist.” Vogue, May, p. 140. Smith, Roberta. “Classics From the Whitney Permanent Collection,” The New York Times, November 19. Textor, Ingrid. “George Condo,” Voir, November/December/January, p. 40. Schwartzman Allen, “Can I Interest You In a Schnabel, Mr. Oritz?,” The New York Times Magazine, Front Cover, October 3, pp. 31-50.

1992
Bonet, Juan Manuel. “George Condo y el desasosiego,” ABC de las Artes (Madrid), March 20. Bonney, Anney. “George Condo,” Bomb Magazine, Summer, pp. 34-39. Clements, Marcelle. “SoHo on the Seine,” Esquire, October. Danvilla, Jose Ramun. “Im•genes e ideas confrontadas,” Guia del Ocio (Madrid), no. 849, March. Danvilla, Jose Ramun. “George Condo, la memoria compartida,” El Punto de las Artes (Madrid), March 13-19. Fernandez-Cid, Miguel. “Un di•logo dr•stico,” Diario 16 (Guia de Madrid), no. 208, April 3-9.

Kalina, Richard. “George Condo at Pace,” Art in America, February, p. 113. Karcher, Eva. “Am¸siertes Genie,” Pan, March, pp. 61-66. Kimmelman, Michael. “Just What Is a Drawing? Definitions, Definitions,” The New York Times, February 21, p. C29 Larson, Kay. “Drawing Conclusions,” New York, March 2, pp. 60-61. Luna, Concha. “En El Punto de la Noticia,” El Punto de las Artes, March 20-26. Perl, Jed. “Breakthrough, idyll, icon, allegory,” The New Criterion, May, pp. 48-53. Schjeldahl, Peter. “Drawing Blood,” The Village Voice, March 3, p. 85. Serraller, F. Calvo. “M•s all•de la apropriacion y el eclecticismo,” El Pais (Madrid), March 16. Tully, Judd. “Where’s Baghoomian,” Art & Auction, May, pp. 22-24. Zaya, Octavio. “‘En mi pintura, la simultaneidad y el ritmo juegan un papel especial,” Diario 16 (Madrid), March 14.

1991
Bouzerand, Jacques. “Arts: Special New York,” Le Point, May 13. Cameron, Dan. “Good-bye to All That?” Art & Auction, Januar.y “Goings On About Town: Galleries,” The New Yorker, May 27, pp. 14-15. Jones, Bill. “American Artists of the ’80s,” Tema Celeste, January-February, p. 84. Kuspit, Donald. “Tart Wit, Wise Humor,” Artforum, January, pp. 93-101. Leimbach, Dulcie. “Currents: A Coloring Book Fit for an Artist,” The New York Times, November 21. Levin, Kim. “Choices: Art,” The Village Voice, May 21, p. 110. Michard-Pellissier, Florence. “Condo entre deux escales,” Vogue (French edition), October, p. 71. Pedersen, Victoria. “Reviews: George Condo,” Flash Art, October, p. 138.. Pergament, Annika. “Student art collector presents his collection at DUMA,” Chronicle (Union College), March 1. Picasso, Sydney. Contemporaine, April 1991. Picasso, Sydney. “Derriere la toile, la musique...,” Art, April, p. 238. Rimanelli, David. “George Condo,” Artforum, September. Picasso, Sydney. “DerriËre la toile, la musique...,” Art, April, p. 238. Rimanelli, David. “George Condo,” Artforum, September.

1990
“Expos: Portrait Of An American Gallery,” Kiosque, June 1990. “Goings On About Town,” The New Yorker, August 20, 1990. Bataillon, Francoise. “George Condo: Purger la peinture,” Beaux Arts, May 1990. Dagen, Philippe. “Peinture de memoire,” Le Monde, May 6-7, 1990, p. 11. Godard, Agathe. “Alain Senderens cuisine en Technicolor pour George Condo.” Paris-Match, May 24. Goy, Bernard. Journal of Contemporary Art, May. Hahn, Otto. “Les stimuli du simili,” Paris L’Express, May 18-24, pp. 67-68. Kolokithas, Dawn. “Artists for the 90’s,” Paris Passion, May, p. 19-21. Legros, Herve. “La Peinture Recitee,” Panorama du Medecin, May 22. Lloyd, Jill. “Power and the Cult of Fragments,” ArtInternational, Autumn, pp. 72-74. Moody, Tom. “Putting Ideas on Display,” The Dallas Morning News, October 25. Pradel, Jean-Louis. “George Condo: Scattered Bum Heads,” L’evenement du Jeudi, May 17-23, p.138. Schels, Evelyn. “Der Impulsive George Condo,” Elle, (Germany), June. Raynor, Vivien. “George Condo,” The New York Times, April 11. Spazio Uomo, no. 4, October/December, pp. 64/85. Zaya. “George Condo y Milan Kunc,” Diario, Madrid, June, p. 4. Guattari, Félix. “Introduction” and “Discussion,” George Condo, Galerie Daniel Templon, Paris, PHARMAKON ‘90. Tokyo.

1989
“Bilderstreit,” Museum Ludwig, Cologne. “George Condo”. Waddington Galleries, London. “1979-1989 American, Italian, Mexican Art From th ecollection of Francesco Pellizzi”, exhibiton catalog, Hofstra Museum, Hofstra University, Hempstead, NY, illustrations.

1988
Geldzahler, Henry. “On George Condo,” George Condo: Paintings and Drawings. The Pace. Huff, T.J. “George Condo at the Carpenter Center for the Visual Arts,” www.arteditor.com, October 24, 2003. “George Condo. Painter,” VES Faculty Courses, Department of Visual and Environmental Studies, Harvard University, p.12. Yablonsky, Linda. “George Condo,” ART & AUCTION, September 2003, pp. 22-26. Enright, Robert. “The Undiscovered Familiar: The Art of George Condo,” BORDERCROSSINGS, Volume 22, Issue 86, pp. 18-34. La Placa, Joe. “Top Man. Simon Lee Has Got It All: A Stunning New Gallery, Powerful Partners and Artists To Die For. And He’s Only Just Getting Started,” ARTREVIEW, International Edition, pp. 70-71 (mention). “January Picks,” NY ARTS International Edition, January, p. 57. Lebowitz, Cathy interviewing Josefina Ayerza. “George Condo,” Lacanian Ink, Volume 21, pp. 106-109.

1985
Becker, Robert. “George Condo and David Bowes,” Interview, May. Beyer, Lucie. “We Light the Candle in the Cave,” Flash Art, Summer. Beyer, Lucie. George Condo. “Nous allumons une bougie dans une caverne,” Poeme ecrit par un Americain (...)”, Flash Art, No. 9, Fall, French edition, p. 20-21. Collings, Mathew. “Nothing is Important,” Artscribe, No. 55, December 1984/January 1985. Dickhoff, Wilfried. Review. Wolkenkratzer, No. 6Domus, October. Evans Clark, Phillip. Review, Art Press, February. Evans-Clark, Phillip. “Neo-Surrealism, or the Archetype of the Artist as an Ostrich,” Arts Magazine, Decembre, Volume 60, No. 4, pp. 26-31. Indiana, Gary. “George Condo at Barbara Gladstone and Pat Hearn,” Art in America, May 1985, p.175. “La Casa di Maria,” Domus, December 1985. Mouffarage, Nicolas. Review, Flash Art, March. Nemeczek, Alfred. “Neue Aktualitat des Portraits,” Art, No. 1, January 1985. “GMHC Art Auction,” Sotheby’s, New York. Pincus-Witten, Robert. “Entries: Analytical Pubism,” Arts Magazine. Pohlen, Annelie. “Nouveau Boheme,” Kunstforum, January/February 1985. “Portfolio ‘Heads’,” Paris Review, no. 98, Winter 1985. Trebay, Guy, ed. “An Opinionated Review of the Week’s Events,” The Village Voice, January 1985. Van Nieuwenhuyzen, Martijn. Museum Journaal 1, 1985. Trebay, Guy, ed. “An Opinionated Review of the Week’s Events,” The Village Voice, January 1985. Vettese, Angela. “Europe and America: Two Aspects of the New Surreal,” Flash Art , No.122, April/May 1985. Vettese, Angela. “ Europe et Amerique: Deux aspects du nouveau surreel,” Flash Art, No. 9, Fall, French edition, illustration (Contol Findings, 1984).

1984
Beyer, Lucie. Review, Flash Art, May. Glueck, Grace. Review, The New York Times, December. Koether, Jutta. “25 bilder von George Condo,” Wolkenkratzer, April/May.

1983
Glueck, Grace. “Intoxication,” The New York Times, December. Pincus-Witten, Robert. L.A. Times. Review, Arts Magazine. Sussler, Betsy. Bomb Magazine.

PRIVATE COLLECTIONS

The Pisces Collection, Donaueschingen, Switzerland The Broad Art Foundation, Santa Monica, CA

PUBLIC COLLECTIONS

Albright-Knox Art Gallery, Buffalo, New York Fonds National d’Art Contemporain, Ministère de la Culture, Paris, France Fonds Regional d’Art Contemporain, Ile de France, Paris, France Museu d’Art Contemporani, Barcelona, Spain Norton Gallery, Palm Beach, Florida The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York, New York The Solomon R. Guggenheim Museum, New York Whitney Museum of American Art, New York, New York