CHRISTOPHER WOOL
| | BIBLIOGRAPHY
ARTIST'S BOOKS
Absent Without Leave. Berlin: DAAD, 1993.
Artists' Books, revisited. Toronto: Art Metropole; Vienna: Secession, 2005.
Black Book. Cologne: Galerie Gisela Capitain and New York: Thea Westreich, 1989.
Cats In Bag Bags In River. Rotterdam: Boymans-van Beuningen, 1991. (With accompanying text
by Glenn O'Brien)
Christopher Wool. Los Angeles: Museum of Contemporary Art; Zurich: Scalo, 1998. Edited by
Ann Goldstein. Texts by Thomas Crow, Ann Goldstein, Madeleine Grynsztejn, Gary
Indiana, Jim Lewis.
Christopher Wool. Vienna: Secession, 2001.
Crosstown Crosstown. Dundee: Dundee Contemporary Arts, and Dijon: Le Consortium, 2003.
(Texts by Xavier Douroux, Katrina M. Brown, and Anne Pontegnie)
East Broadway Breakdown. Berlin: Holzwarth Publications, 2003.
East Broadway Breakdown. New York: self published, 2002. (Photocopy version, Edition of 18).
Incident On 9th Street. special issue of Fama & Fortune Bulletin 18. Vienna: Pakesch and
Schlebrugge, 1996.
Maybe, Maybe Not. Kusnacht: Inktree Editions, 2001.
Pass The Bitch Chicken. With Harmony Korine. Berlin: Holzwarth Publications, 2001.
Untitled. Cologne: Galerie Gisela Capitain, 1988.
Wool, Christopher. Shut Up Stupid I'm Working - The Complete Letters And Poems (a.k.a. The
Peter Problem). New York: 1995.
Wool, Christopher. 99 Drawings Of Beer On The Wall. New York: 1984.
Wool, Christopher. 2004 Drawings Of Beer On The Wall. New York: 2004. (Edition of 44).
Wool, Christopher. East Broadway Breakdown. New York: 2003.
Wool, Christopher. Focus. New York: 1999.
Wool, Christopher. Low And Slow. Rome: 1991.
ARTIST'S PROJECTS
Artscribe International. no. 74 (March/April 1989): pp.54-58.
Bald Ego. vol. 1, no. 1 (2002): pp.207-213.
Die Tageszeitung. 7 (May 1993): pp.1, 17-19, 21, 23.
Issue 1. (1999): pp.90-93.
Issue 2. (2000): pp.102-107.
ID. no.196 (April 2000): p.195.
Je Veux. One Star press, (2003): p.125
Jahresring. no. 38 (1991): pp.375-389.
Journal of Contemporary Art. 1 (Fall/Winter 1988): pp.7-16.
NOEMA. .(May/June 1990): Cover, pp.41, 49.
Parkett. no. 33 (Fall 1992): pp.3, 4, 31, 116, 117.
Parkett. no. 22 (December 1989): Insert: pp.113-128.
Purple Fashion. no. 2 (Fall/Winter 2004/05): pp.422-431
The Paris Review. 31 (Spring 1989): pp.Cover.
White Walls. no. 17 (Autumn 1987): pp.25-29 and cover.
BOOKS AND EXHIBITION CATALOGUES
2005
Artists' Books, revisited. Toronto: Art Metropole; Vienna: Secession, 2005. Edited by Matthias
Herrmann. Texts by AA Bronson, Matthias Herrmann.
The Bi-national: American Art of the Late 80s. Institute of Contemporary Art Boston, MA and
Museum of Fine Arts Boston, MA. (exhibition catalog) (Texts by Trevor Fairbrother, David
Joselit, and Elisabeth Sussman).
Big Bang Destruction and Creation in the art of XXth Century. Centre Pompidou, Paris, France
(exhibition catalog).
Bits & Pieces Put Together to Present A Semblance of a Whole: Walker Art Center Collections.
Minneapolis: Walker Art Center, 2005. Edited by Pamela Johnson, Kathleen McLean.
Text by Max Andrews.
Cap Collection. Dublin: CAP Art Limited, 2005. Texts by Arlene Bonnant, David Breuer-Weil.
Contemporary Voices. Works from the UBS Art Collection. Ed. AnnTemkin. New York:
Thames&Hudson and Museum of Modern Art, New York, NY: p.126-133 (exhibition
catalog).
Drawing from the Modern, 1975-2005. New York: Museum of Modern Art, 2005. Edited by Libby
Over the Limit: Christopher Wool & George Condo, Athens: Portalakis Collection, Athens
(catalog).
Hurska. Text by Jordan Kantor, Gary Garrells, Glenn D. Lowry.
Private View: 1980-2000. Collection Pierre Huber. Zurich: les editions JRP/ Ringier, 2005. Edited by
Yves Aupetitallot.
Willem de Kooning. Vienna: BA-CA Kunstforum and Edition Minerva (exhibition catalog).
Works on Paper. Galerie Max Hetzler, Berlin, Germany (exhibition catalog).
2004
Artists Builders 25 Years of MOCA 1979-2004. The Museum of Contemporary Art, Los Angeles,
CA (exhibition catalog).
Christopher Wool., Luhring Augustine Gallery, New York, NY (exhibition catalog).
Christopher Wool 2004. Camden Arts Centrem, London, UK (exhibition catalog).
Coetzee, Mark. Not Afraid. New York: PHAIDON and Rubell Family Collection, Miami, FL
(exhibition catalog).
Monument To Now. Ed. Jeffrey Deitch. DESTE Foundation for Contemporary Art, Athens, Greece
(exhibition catalog) (Texts by Dan Cameron, Jeffrey Deitch, Alison M. Gingeras,
Massimiliano Gioni, and Nancy Spector).
Malerei: Herbert Brandl, Helmut Dorner, Adrian Schiess, Christopher Wool. ZKM, Karlsruhe,
Germany (exhibition catalog).
Taschen Collection. Cologne: Taschen, and Museo Nacional de Arte Reina Sofia, Madrid, Spain
(exhibition catalog).
2003
An International Legacy: Selections from the Carnegie Museum of Art. New York: American
Federation of Arts, 2003. Edited by David Frankel. Texts by Richard Armstrong, Sheryl
Conkelton, Elizabeth Thomas.
Berlin 1994-2003. Galerie Max Hetzler, Berlin, Germany (exhibition catalog).
Crosstown Crosstown. Dundee: Dundee Contemporary Arts; Dijon: Le Consortium, 2003. Texts
by Xavier Douroux, Katrina M. Brown, Anne Pontegnie.
Family Ties. A Contemporary Perspective. Peabody Essex Museum, Salem, MA. (exhibition
catalog) (Texts by Dan L. Monroe, John R. Grimes, and Trevor Fairbrother.)
Ice Hot - Recent Painting from the Scharpff Collection. Hamburger Kunsthalle, Hamburg,
Germany (exhibition catalog).
Museum of Art, Reno; Mobile Museum of Art, Alabama. New York: American Federation of Arts.
(exhibition catalog) (Texts by Richard Armstrong, Sheryl Conkelton, Elizabeth Thomas)
Waters, John, and Hainley, Bruce. Art - A Sex Book. London: Thames & Hudson.
7th Biennale d'Art Contemporain De Lyon. Dijon: Les presses du reel/ Fage editions (exhibition
catalog).
Flower Power. Dijon: Les Presses du Reel / Janvier / Fage Editions, les artistes (exhibition
catalog).
2002
Ahead of the 21st Century - The Pisces Collection. Ostfildern-Ruit, Germany: Hatje Cantz.
(exhibition catalog) (Text by Simon de Pury and Margit Brehm)
Imagine You Are Standing Here in Front of Me. Caldic Collectie. Museum Bijmans Van
Beuningen, Rotterdam, Netherlands. (exhibition catalog) (Texts by Brooke Alexander,
Joop van Caldenborgh, Chris Dercon, Jannet de Goede, Boris Groys, and Sven
Lutticken)
Painting On the Move. Kunstmuseum, Basil, Switzerland; Museum fur Gegenwartskunst, Basil,
Switerland and Kunsthalle Basel, Basil, Switzerland. (exhibition catalog) (Text by Mendes
Burgi, Thierry de Duve, et al.)
The Logan Collection: A Portrait of Our Time. The Logan Collection, Vail, CO (exhibition catalog).
To Be Looked At: Painting and Sculpture from The Museum Art, New York. Ed. Kynaston
McShine and Anne Umland. New York: Distributed Art Publishers and the Museum of
Mdern Art, New York, NY (exhibition catalog).
W. Musee des Beaux Arts, Dole, France (exhibition catalog).
We Love Painting: The Contemporary American Art from Misumi Collection. Museum of
Contemporary Art, Tokyo, Japan (exhibition catalog).
2001
A Creative Legacy: A History of the National Endowment for the Arts Visual Artists' Fellowship
Program. New York: Harry N. Abrams. (Texts by Jennifer Dowley, Bill Ivey and Nancy
Princenthal)
American Visionaries: Selections From The Whitney Museum of American Art. New York:
Whitney Museum of American Art; Harry N. Abrams, 2001. Text by Maxwell Anderson.
Art Now, Icons Series. Ed. Grosenick, Uta. Cologne: Taschen.
Guide de la Collection, Carre d'Art, Musee d'art Contemporain de Nimes. Paris: Reunion des
Musees Nation aux Caree d'Art, Musee d'Art Contemorain de Nimes, 2001. Edited by
Dominique Royer. Texts by Anne Bertrand, Isabelle Marcade, and Guy Tosatto.
Mythic Proportions. Painting in the 1980's. Miami: Museum of Contemporary Art, 2001.
Patterns: Between Object and Arabesque. Kunsthallen Brandts Klaedefabrik Odense, Denmark
(exhibition catalog).
Trauma. London: Hayward Gallery Publishing (exhibition catalog).
9th Street Rundown. Paris: Edition 7L.
2000
A Thousand Hounds. Ed. Raymond Merritt, and Miles Barth. Cologne: Taschen.
Art at Work. Fourty Years of the JP Morgan Chase Collection. The Chase Manhattan
Corporation, New York, NY (exhibition catalog).
Food for the Mind: Die Sammlung Udo und Anette Brandhorst. Ostfildern, Germany: Hatje Cantz
and Staatsgalerie Moderner Kunst, Munich, Germany (exhibition catalog).
Kertess, Klaus. oo: Drawings 2000 at Barbara Gladstone Gallery. Barbara Gladstone Gallery,
New York, NY (exhibition catalog).
Mixing Memory and Desire. New Museum of Art Lucerne, Lucerne, Switzerland (exhibition
catalog).
Ryan, Susan Elizabeth. Robert Indiana: Figures of Speech. New Haven and London: Yale
University Press (exhibition catalog).
1999
Art At The Turn Of The Millennium. Burkhard Riemschneider and Uta Grosenick. Cologne:
Taschen (exhibition catalog).
Bloom: Contemporary Art Garden. Milan (exhibition catalog).
Collection Frac Nord - Pas de Calais. Een keuze. Bruxelles: BBL Zetel Kortrijk, 1999. Edited by
Anne Petre. Text by Katia Baudin, Veerle Van Durme.
Colombo, Paolo .The Passion and the Waves: 6th International Istanbul Biennial.: Istanbul
Foundation for Culture and Arts, Istanbul, Turkey (exhibition catalog).
Once Upon A Time In America: The Mottahedan Collection. London: Christie's Books Ltd. (Texts
by Mohammed Mottahedan, Tony Godfrey, and Karsten Schubert)
The American Century: Art and Culture 1950-2000. Ed. Phillips, Lisa. Whitney Museum of
American Art New York, NY (exhibition catalog).
The American Art Book. New York: Phaidon Press Limited.
1999 Focus. Centre d'Art Contemporain, Geneva, Switzerland (exhibition catalog).
1998
Art of the 20th Century. Ed. Ingo F Walther. Cologne: Taschen.
Christopher Wool. Los Angeles: Museum of Contemporary Art; Zurich: Scalo, 1998. Edited by
Russel Ferguson. Texts by Thomas Crow, Ann Goldstein, Madeleine Grynsztejn, Gary
Indiana, Jim Lewis.
Christopher Wool: Ophiuchus Collection. The Hydra Workshop, Hydra, Greece (exhibition
catalog).
Perez, Pilar. Double Trouble, The Patchett Collection. The Museum of Contemporary Art, San
Diego, CA (exhibition catalog).
Jean Bernier Gallery 1977-1998. Athens: Agra Publications, 1998. Text by Marina Eliades.
Typography When, Who, How. Koln; Milan: Konemann, 1998. Edited by Sally Bald. Texts by
Friedrich Friedl, Nicolaus Ott, Bernard Stein.
Veronica's Revenge; Contemporary Perspectives on Photography. Ed. Elizabeth Janus, and
Marion Lambert. Zurich: Scalo Publishers and LAC Switzerland, Zurich, Switzerland
(exhibition catalog).
1997
American Realities. Views from Abroad: European Perspectives on American Art 3. Whitney
Museum of American Art New York, NY. (exhibition catalog) (Texts by Andrew Brighton
and Peter Wollen)
Birth of the Cool: American Painting from Georgia O'Keeffe to Christopher Wool. Kunsthaus
Zurich, Zurich, Switzerland. (exhibition catalog) (Texts by Bice Curiger, Zdenek Felix, Jeff
Perrone, Carter Ratcliff, Allan Schwartzman and Beat Wyss)
Family Values: American Art in the Eighties and Nineties. Hamburger Kunsthalle, Hamburg,
Germany. (exhibition catalog) (Texts by Christoph Heinrich, Stephan Schmidt-Wulffen,
and Uwe M. Schneede)
Ideal Standard Life. Spiral Garden, Tokyo, Japan (exhibition catalog).
On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection. The
Museum of Modern Art, New York, NY. (exhibition catalog) (Texts by Robert Storr and
Kirk Varnedoe)
The Hirshhorn Collects: Recent Acquisitions. Hirschhorn Museum, Washington, DC (exhibition
catalog).
1996
Everything That's Interesting Is New: The Dakis Joannou Collection. Ostfildern, Germany: Hatje
Cantz and DESTE Foundation for Contemporary Art, Athens, Greece (exhibition catalog).
Museum fur Gegenwartskunst Zurich. Zurich: Museum fur Gegenwartskunst Zurich, 1996. Edited
by Birgid Uccia. Text by Arina Kowner.
New Art on Paper, 2. Philadelphia Museum of Art, Philadelphia, PA (exhibition catalog) (Texts by
Martha Chahroudi, Susan Dackerman, John Ittman, Ann Percy, and Innis Howe
Shoemaker)
The Sense of Order. Museum of Modern Art, Ljubljana, Slovenia (exhibition catalog).
This Is About Who We Are: The Collected Writings of John Caldwell. Ed. Thea Westreich. San
Francisco Museum of Modern Art, San Francisco, CA (exhibition catalog) (Introduction by
Jim Lewis.)
Wye, Deborah. Thinking Print: Books to Billboards, 1980-95. The Museum of Modern, Art New
York (exhibition catalog).
1995
The Carnegie Museum of Art Collection Highlights. Pittsburgh: The Carnegie Museum of Art,
1995. Edited by Gillian Belnap. Text by Phillip M. Johnston.
Collection Modern Art Museum Boymans-Van Beuningen Museum Rotterdam. Ed. Jacqueline
Rapmund and Karel Schampers. Museum Boymans-Van Beuningen, Rotterdam,
Netherlands (exhibition catalog).
Notes on Print With and After Robert Morris. Geneve: Cabinet des Estampes du Musee d'art et
d'histoire, 1995. Edited by Christophe Cherix. Texts by Lionel Bovier, Christophe Cherix,
Rainer Michael Mason.
PaineWebber Art Collection. New York: Rizzoli and PaineWebber. (exhibition catalog) (Texts by
Monique Beudert, Jack Flam, Louise Lawler, Donald B. Marron, and Jennifer Wells).
Ross Bleckner, Peter Cain, Christopher Wool. Galleri K, Oslo, Norway (exhibition catalog).
Sobel, Dean. 25 Americans: Painting in the 90s. Milwaukee Art Museum, Milwaukee, WI
(exhibition catalog).
Smith, Stephanie. Wallpaper Works. Contemporary Arts Museum, Houston, TX (exhibition
catalog).
Weibel, Peter. Pittura Immedia: Malerei in den 90er Jahren. Neue Galerie am Landesmuseum
Joanneum, Graz, Austria and Kunstlerhaus Graz, Austria (exhibition catalog).
1994
Contemporary Art from the Collection of the Federation of Migros Cooperatives. Zurich: Museo
Cantonale d'Arte, 1994.
Herbert Brandl, Albert Oehlen, Christopher Wool. National Gallery Prague, Prague, Czech
Republic. (exhibition catalog) (Text by Jana and Jiri Sevcik).
Images Pour la Lutte Centre le Sida. Paris: Artis, Association loi 1901, 1994. Texts by Francois
Barre, Bruno Ughetto.
The Use of Pleasure. San Francisco: Terrain Gallery, 1994.
Violence/ Business - Gewalt/Geschaefte. Neue Gesellschaft fuer Bildende Kunst, Berlin,
Germany (exhibition catalog).
1993
A Collection Made In The USA. Rotterdam: Caldic Collection. (exhibition catalog) (Text by Yvette
van Caldenborgh and Macha Roesink)
A History of the Renaissance Society, The First Seventy Five Years. Chicago: The Renaissance
Society at The University of Chicago, 1993. Edited by Joseph Scanlan. Texts by
Susanne Ghez, Thomas C. Heagy, Richard Kostelanetz, Anne Rorimer, Joseph
Scanlanm, John Vinci.
Die Sprache der Kunst. Ostfildern, Germany: Hatje Cantz. (Texts by Eleonora Louis and Toni
Stooss).
Drawing the Line Against AIDS. New York: AMFAR, 1993. Texts by Dr. Mathilde Krimm, Miss
Elizabeth Taylor, Archille Bonito Oliva.
New York Painters. Sammlung Goetz, Munich, Germany. (exhibition catalog) (Texts by Arthur C.
Danto, et al).
The Rome Studio. Providence: Brown University. (Texts by Barbara Gladstone, Diane L.
Johnson, and Thea Westreich).
Zeitspruenge: Collection of Rudolf & Ute Scharpff. Wilhelm-Hack-Museum, Ludwigshafen am
Rhein, Germnay (exhibition catalog).
1992
American Art of the 80's. Milan: Electa, 1992. Text by Gabriella Belli, Jerry Saltz.
Dickhoff, Wilfried. Ars Pro Domo: Contemporary Art from Cologne Private Collections. Museum
Ludwig, Cologne, Germany (exhibition catalog).
Dark Décor. New York: Independent Curators Incorporated. (exhibition catalog) (Texts by Janine
Cirincione, Tina Potter, and Kim Levin).
Dirty Data: Collection of Wilhelm Schürmann. Ludwig Forum für Internationale Kunst, Aachen,
Germany. (exhibition catalog) (Texts by Jeanne Dunning and Hirsch Perlman, Ann
Goldstein, and John Miller).
Documenta IX. Stuttgart: Edition Cantz and New York: Harry N. Abrams, Inc. (exhibition catalog)
(Texts by Bart De Baere, Cornelius Castoriadis, Claudia Hestatt, Jan Hoet, Heiner Müller,
Joyce Carol Oates, Paul Robbrecht and Hide Daem, Jacques Roubaud, and Denys
Zacharopoulos).
Drawing In The Nineties. New York: Independent Curators Incorporated (exhibition catalog).
Faust, Wolfgang Max. On Kawara: Again and Against. Portikus, Frankfurt, Germany(exhibition
catalog).
Georg Herold, Albert Oehlen, Christopher Wool: Works on Paper. Jack Hanley Gallery, San
Francisco, CA (exhibition catalog).
Kachur, Lewis PhD. Word-Image in Contemporary Art. The James Howe Gallery at Kean College
of New Jersey, Union, New Jersey (exhibition catalog).
Oh! Cet Echo. Centre Culturel Suisse, Paris, France (exhibition catalog).
Robert Gober, On Kawara, Christopher Wool. Max Hetzler/Thomas Borgmann, Cologne,
Germany (exhibition catalog) (Texts by Jean-Christophe Ammann and Jerry Saltz).
Rose, Bernice. Allegories of Modernism: Contemporary Drawing. The Museum of Modern Art,
New York, NY (exhibition catalog).
The Existential Runner: Ueber die Demokratie In Amerika. Eggingen, Germany: Edition Klaus
Isele.
1991
A Duke Student Collects, Contemporary Art From The Collection Of Jason Rubell. Durham: Duke
University Museum of Art, 1991. Texts by Jason Rubell, Michael P. Mezzatesta.
Carnegie International 1991. New York: Rizzoli and The Carnegie Museum of Art Pittsburgh, PA.
(exhibition catalog) (Texts by Lynn Cooke, Mark Francis, Fumio Nanjo, and Zinovy Zinik)
Deitch, Jeffrey. Strange Abstraction. The Tokyo Museum of Contemporary Art, Tokyo, Japan
(exhibition catalog).
Herbert Brandl, Albert Oehlen, Christopher Wool. Galerie Peter Pakesch, Vienna, Austria
(exhibition catalog).
Loock, Ulrich. Jahresbericht des Vereins Kunsthalle Bern. Kunsthalle Bern, Bern, Switzeerland
(exhibition catalog).
Metropolis, International Art Exhibition Berlin 1991. Berlin: Martin-Gropius-Bau, 1991. Edited by
Wolfgang Max Faust. Texts by Christos M. Joachimides, Norman Rosenthal, Wolfgang
Max Faust, et al.
The Museum of Natural History. Amsterdam: Galerie Barbara Farber, 1991.
Words & #'s. Dayton, Ohio: Wright State University Press, 1991. Texts by Barry A. Rosenberg
and Carol A. Nathanson.
1990
Caldwell, John. New Work: A New Generation. San Francisco Museum of Modern Art, San
Francisco, CA (exhibition catalog).
Christopher Wool: Works on Paper. Luhring Augustine Gallery, New York, NY (exhibition
catalog).
Cooke, Lynn. Michael Craig-Martin, Gary Hume, Christopher Wool: A Paintings Show. Karsten
Schubert Ltd, London, UK (exhibition catalog).
Donald Baechler, Günther Förg, Christopher Wool. Galerie Max Hetzler, Cologne, Germany
(exhibition catalog).
New Art. New York: Harry Abrams, Inc.
1989
Abstraction in Question. The John and Mable Ringling Museum of Art Sarasota, FL. (exhibition
catalog) (Texts by Bruce Ferguson, Joan Simon, and Roberta Smith)
Caldwell, John. Christopher Wool: New Work. San Francisco Museum of Modern Art, San
Francisco, CA (exhibition catalog).
Förg, Iglesias, Spalletti, Vercruysse, West, Wool. Joost Declercq, Ghent; Max Hetzler, Cologne;
Luhring Augustine, New York; Peter Pakesch, Vienna; Marga Paz, Madrid and Mario
Pieron, Rome(exhibition catalog).
Georg Herold, Albert Oehlen, Christopher Wool. The Renaissance Society at The University of
Chicago, Chicago, IL (exhibition catalog) (Texts by Ian Brunskill, Stephen Ellis, Gary
Garrels, Karen Marta, and Glenn O'Brien).
Gober, Halley, Kessler, Wool: Four Artists from New York. Kunstverein München, Munich,
Germany. (exhibition catalog) (Texts by Zdenek Felix, Kay Heymer, Christoph Schenker,
and Noemi Smolik).
Horn of Plenty: Sixteen Artists from NYC. Stedelijk Museum, Amsterdam, Netherlands. (exhibition
catalog) (Texts by Dan Cameron and Gosse Oosterhof).
Prospect 89: eine internationale Ausstellung aktueller Kunst. Frankfurter Kunstverein, Frankfurt,
Germany (exhibition catalog).
Whitney Biennial. Whitney Museum of American Art, New York, NY. (exhibition catalog) (Texts by
Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips)
Yau, John. Repetition. Hirschl and Adler Modern, New York, NY (exhibition catalog).
1988
Indiana, Gary. Robert Gober and Christopher Wool: A Project. 303 Gallery, New York, NY.
Information as Ornament.: Feature Gallery and Rezac Gallery, Chicago, IL (exhibition catalog)
(Texts by Kevin Maginnis and David Robbins)
SmithKline & French Research & Development Art Collection. SmithKline & French Laboratories,
Inc (exhibition catalog).
The Light from the Other Side. Monika Sprüth Galerie, Cologne, Germany and PPS Galerie,
Hamburg (exhibition catalog).
1987
Oliva, Achille Bonito. New Territories in Art: Europe/America. Milan: Nuova Prearo Editore.
1986
Beyond Boundaries: New York's New Art. New York: Alfred van der Marck Editions. (Texts by
Peter Halley, Jerry Saltz, and Roberta Smith).
1983
Belag, Andrea. Selected Drawings: An Exhibition of Works by Sixteen Contemporary Artists.
Jersey City Museum, Jersey City, NJ (exhibition catalog).
An International Legacy: Selections from Carnegie Museum of Art. Oklahoma City Museum of
Art, Oklahoma City, OK (exhibition catalog).
PERIODICALS
2006
Pagel, David. “Around the Galleries: Making a big deal of a minor work,” Los Angeles Times,
March 17, 2006.
Sanders, Mark. “Good on Paper.” Another Magazine, 10th Issue, Bi-Annual Spring/Summer 2006:
p.126.
2005
Goodbody, Bridget. “Christopher Wool at Luhring Augustine.” Art on Paper, January/February
2005: p.80.
Kawachi, Taka. Studio Voice, vol. 352, April 2005: pp.40-41.
O'Brien, Glenn. “Art is a Joke.” BlackBook, Spring 2005: pp.82-86.
Pollack, Lindsay. “A More Democratic Cast.” ArtNews. May/June 2005: p.88.
“Tipográfica,” NEQ2, 52, (two images) pp. 90-91.
Samet, Jennifer Sachs. “Many Styles, Drawn Together.” The New York Sun, 17 February 2005.
Wool, Christopher. Text- Revue 1. October 2005: Cover.
2004
Conti, Andrew. “Artist Christopher Wool Brings a Vision of New York City's Streets to Taka Ishii
Gallery.” Metropolis Tokyo, December 2004.
Dannatt, Adrian. “Benedikt Taschen Reveals his Contemporary Art.” THE ART NEWPAPER, No.
151, October 2004, p.32.
Ebony, David. “Auction Houses in Full Boom.” Art in America, September 2004, no. 8: pp.37-39.
Good, Regan. “Framing the Future. Shared Passion.” Robb Report Worth, August 2004, volume
13, no. 8: pp.66-72.
“Goings on About Town.” The New Yorker, December 6, 2004: p.33.
“Hard Attack”. The Village Voice, December 8-14, 2004: p. 78.
“I am The Walrus.” The New York Times, Friday June 25, 2004, E33.
Pollack, Barbara. “I am the Walrus.” Time Out New York, no. 457, July 1-8, 2004: p.54.
Rimanelli, David. “East Broadway Breakdown.” Bookforum, issue 3, vol. 11 (October/November
2004): 50.
Searle, Adrian. “Northern Lights.” The Guardian, Thursday February 5, 2004.
“The Artists' Artists.” Artforum. (December 2004): p.76.
“Wandering the Night Away Along Baleful City Streets.” The New York Times, Friday July 2,
2004, E31.
Johnson, Ken. “Wandering the Night Away Along Baleful Streets.” The New York Times, 2 July
2004.
Wool, Christopher. “What's so Funny About Contemporary Art?” Artnews, September 2004,
volume 103, n. 8: pp.114-117.
2003
Allen, Dave and Raimer Stange. “Christopher Wool.” Frieze, issue 74 (April 2003): p.94.
Bird, Nicky “Christopher Wool.” Art Monthly, no. 266, May 2003: 35-36.
Brown M., Katrina. “Christopher Wool.” Contemporary, winter 2003, Issue 58: pp.118-121
Conti, Samantha. “G Spot,” W Magazine ,May 200: 198.
“Christopher Wool at Galerie Max Hetzler, Berlin.” Texte Zur Kunst, March 2003: pp.168-171.
Graw, Isabell. “Hot Shots.” Tate Arts and Culture, September/October 2003, issue 7: pp.31-32.
Jeffrey, Moira. “Visions of mean streets.” The Herald, 4 April 2003.
Williams, Gregory. “The Happy End of Kippenberger's America.” Artforum, February 2003: p.101.
2002
Adler, Dan. “Christopher Wool at Luhring Augustine.” Art in America, no. 1, January 2002: p.107.
Galanternick, Mery. “Brazil's Power Buyer.” Artnews, October 2002: p.78.
Griffin, Tim. “Time Warp Again: MoMa Queens Location Makes the Past Seem Futuristic”, Time
Out New York, 18-25 July 2002: p.77.
Hirsch, Arthur. “Drawing a Reaction: A Word's Power Is Revealed When It, Alone, Becomes Art.”
The Baltimore Sun, 28 January 2002.
Sartwell, Emma. “Museum Shouldn't Apologize For it's Provocative Artwork.” The Baltimore Sun,
29 March 2002.
2001
“Christopher Wool.” The New York Times, 18 May 2001: E29.
Lehner, Adam. “Moving Pictures: Adam Lehner on the Art in the Aftermath.” Artforum. November
2001: pp.35-39.
McNatt, Glenn. “In a Word, Painting Proves Controversial.” The Baltimore Sun, 22 October 2001.
Moreno, Gean. “Mythic Proportions,” Flash Art, May/ June 2001: p.146.
Scott, Andrea K. “Review, Christopher Wool.” Time Out New York, 14 - 21 June 2001: 55.
Scarcella, Michael. “BMA Pulls Art Bearing word ‘Terrorist.'” The Baltimore Sun, 19 September
2001, sec. B:1-14.
Scarcella, Michael. “Sensitivity Led to Removal of ‘Terrorist' Art, BMA Says.” The Baltimore Sun,
18 September 2001.
“Snapshots of Grieving Nation.” The Associated Press, 17 September 2001.
“The Mood Across the Arts Spectrum.” Chicago Tribune, 4 November 2001.
Thomas Devine, Kelly. “ Aftershocks.” Artnews, November 2001: p.150-155.
Wortech, Edward. “BMA Mistaken in Removing Artwork.” The Baltimore Sun, 1 October 2001.
Yablonsky, Linda. “Luhring Augustine Gathers New Wools.” Art and Auction, May 2001: p.217.
Zinnes, Harriet. NY Arts, June 2001: p.85.
Zoo Magazine 8, March 2001: pp.78-79.
2000
“Marketplace.” Art & Auction,15 April 2000: p.49.
Moron, Robert C. “Istanbul and the Biennial Paradigm,” NYArts, 2000.
“Working Proof.” Art on Paper, July/ August 2000: p.55.
1999
Artforum, January 1999: p.36.
“Christopher Wool.” Flash Art, January-February 1999: p.111.
Hogrefe, Jeffrey. “Who Played the Fool? Young, Art-Thirsty Storm Christie's.” The New York
Observer, 7 June 1999: p.25.
Johnson, Ken. “Art in Review: Christopher Wool.” The New York Times, 17 March 1999, sec. E:
37.
Mack, Gerhard. “Hommage an Dada und Pop Art.” Art Das Kunstmagazin, April 1999: pp.98-99.
Mahoney, Robert. “Christopher Wool at Luhring Augustine Gallery.” Contemporanea 21, October
1990: p.101.
Paparoni, Demetrio. “Matissiana.” Tema Celeste , May/ July 1999: p.56 -71.
Perrella, Christina. “Istanbul, sull'onda dell passioni.” Alias, September 1999.
Rubin, Marilyn McDevitt. “Sunday Brunch with Friends and Sweets.” Pittsburgh Post-Gazette, 3
January, 1999, 14.
Thomas, Mary. “Marvelous diversity on display in local art scene.” Pittsburgh Post-Gazette, 23
January 1999, sec. C: 7.
Vogel, Carol. “Records Set for 11 Artists in Contemporary Sale.” The New York Times, 20 May
1999 , sec. B: 7.
1998
Artnews (Summer 1998): p.148.
“Exploiting the Abstract.” Flash Art, Summer 1998: p.63.
Ferguson, Bruce W. “Christopher Wool.” The Contemporary, Summer 1998: pp.4-6.
Harvey, Doug. “Christopher Wool.” Art Issues, September/October 1998: p.42.
Hickey, Dave. “Christopher Wool.” Artforum, October 1998: pp.114-116.
Johnson, Ken. “Real Stories.” The New York Times, 13 February 1998.
Knight, Christopher. “Misstep in Mid-Career MOCA Show.” Los Angeles Times, 23 July 1998: 54-
56.
Lewis, Jim. “Wool Power.” Harper's Bazaar, August 1998: p.98.
Myers, Terry R. “The Hawk and the Dove.” LA Weekly, 21-27 August 1998: p.59.
Neuhoff, Tony. “Christopher Wool.” New Art Examiner, November 1998.
Rubin, Marilyn McDevitt. “Didn't Take Long to Become His Died-in-the-Wool Fan.” Pittsburgh
Post-Gazette, 13 December 1998.
Sevastopoulou, Stella. “Weaving the Wool of the Art World.” 18 August 1998: p.11.
Shearing, Graham. “Drop Dead.” Pittsburgh Tribune- Review, 29 November 1998.
Silva, Arturo. “Bless this mess of interconnections.” The Japan Times, 11 January 1998: p.15.
Shearing, Graham. “Drop Dead.” Pittsburgh Tribune- Review, 29 November 1998.
“Summer Preview.” Artforum, May 1998: p.51
Thomas, Mary. “Wool Exhibit Protest Unravels. Christopher Wool gives texture, meaning to
writing on the wall.” Pittsburgh Post-Gazette, 28 November 1998, sec. D: 10.
“Traveling Exhibitions.” Artforum, September 1998.
Tribune-Review, 20 December 1998, sec. E, 3.
Tribune-Review, 31 December 1998: p.13.
Wakefield, Neville. “Paintings Marked by Confrontation and Restraint.” Elle Decor
(February/March 1999): 58.
Wilson, Ellen S. “Christopher Wool: Painting about Painting.” Carnegie Magazine, November/
December 1998: pp.38-39.
1997
Liebman, Lisa. ”And Cool Off Here.” Interview, June 1997: p.68.
Smith, Roberta. “On the History of Cool, A Show is Hip to America.” The New York Times, 17
August 1997, 35.
Smith, Roberta. “Art in Review: Christopher Wool.” New York Times, 21 November 1997, sec. E,
43.
Schwendener, Martha. “Christopher Wool.” Time Out New York, 18 December 1997: p.46.
Testino, Mario. “Chic.” Visionaire, no. 22, September 1997.
1996
Temin, Christine. “Thank you, PaineWebber.” The Boston Globe, 14 March 1996.
Westerbeck, Colin. “Christopher Wool at Robbin Lockett Gallery.” Artforum 25, September 1986:
p.139.
1995
Ardenne, Paul. “Christopher Wool at Galerie Samia Saouma.” Artpress, no. 207, November 1995:
pp.66-67.
Decter, Joshua. “Reviews: Christopher Wool at Luhring Augustine Gallery.” Artforum 34,
September 1995: p.89.
Guequierre, Nathan. “Slavishly Hip, Strangely Satisfying.” Shepherd Express, 12 October 1995.
Heartney, Eleanor. “Christopher Wool at Luhring Augustine Gallery.” Art in America 83,
December 1995: p.90.
Relyea, Lane. “967-Wool.” Frieze, no. 20, January/February 1995: pp.41-43.
Vannucci, Delfina. “Wallpaper As Wall Hanging.” Public News, 29 November 1995: pp.12-13.
1994
Messler, Norbert. “Christopher Wool.” Kunstforum International 125, January/February 1994:
p.350.
Princenthal, Nancy. “Artist's Book Beat.” The Print Collector's Newsletter, vol. XXV, no. 4,
September/October 1994: pp.151-152.
1993
Avgikos, Jan. “Christopher Wool at Luhring Augustine Gallery.” Artforum 31, January 1993: p.83.
Bass, Ruth. “Christopher Wool at Luhring Augustine Gallery.” ARTnews 92, January 1993:
pp.140, 143.
Myles, Eileen. “Prints of Woods.” The Print Collector's Newsletter, vol. XXIV, no. 4, September/
October 1993: pp.132-135.
“New of the Print World: People & Places.” The Print Collector's Newsletter, no. 2, vol. XXIV,
May/ June 1993: p.58.
Ribettes, Jean-Michel. “Collections: Untitled.” Galleries Magazine, no. 54 (April/ May 1993): 90-
97.
Smith, Roberta. “A Remembrance of Whitney Biennials Past.” The New York Times, 28 February
1993, 1, 31.
1992
Diederichsen, Diedrich. “Here Is Something You Can't Understand.” Parkett, no. 33, Fall 1992:
pp.108-115.
Fleck, Robert. “Spielholle: Asthetik und Gewalt.” Rogue Magazine, no.16, December/ January
1992: pp.17-32.
Graw, Isabelle. “Christopher Wool at Gisela Capitain.” Flash Art, no. 25, October 1992: pp.106-
107.
Hixson, Kathryn. “Dirty Data: Irrevererent Wunderkammer.” Flash Art, vol. XXV, no. 166, October
1992: p.95.
Kunz, Martin. “USA - Blickpunkt Eastcoast. Neue Leitsterne - neue Wertungen.” Kunstforum
International, no. 119: p.170-171.
Lewis, Jim. “Cave Canem.” Parkett, no. 33, Fall 1992: p.78-85.
Levin, Kim. “Voice Choices: Christopher Wool.” Village Voice, 3 November 1992: p.79.
Marcus, Griel. “Wool's Word Paintings.” Parkett, no. 33, Fall 1992: p.86-99.
Morgan, Stuart. “Documenta IX:Three Perspectives Body Language.” Frieze, issue 6, September/
October 1992: p.28-34
Perrone, Jeff. “In the Shadow of Painting.” Parkett, no. 33, Fall 1992: p.100-107.
Politi, Giancarlo. “Bonito Oliva, Documenta, and the Biennial.” Flash Art, vol. XXV, no.166,
October 1992: p.87- 89.
“Prints & Photographs Published.” Print Collector's Newsletter, no. 6, January/ February 1992:
p.215.
Saltz, Jerry. “Lufthansa Was Half The Fun.” Galeries, no. 50, August/ September 1992: pp.77-
79, 88.
Smith, Roberta. “From New York Painters, Work That Takes Time.” The New York Times, 1 May
1992, sec. C,31.
Tully, Judd. “Impressionist, Modern and Contemporary Sales.” Art & Auction, November 1992:
p.125.
Wool, Christopher. New Art Examiner 19, January 1992: Cover.
1991
Dubrow, Norman. “The Neo Tendencies of the Late 1980s.” Drawing, March/ April 1991: p.124.
Ermen, Reinhard. “Christopher Wool.” Kunstforum International, July/August 1991: pp.357-358.
Ferguson, Bruce W. “Patterns of Intent.” Artforum 30, September 1991: p.95-98.
Johnson, Ken. “Vogue Arts.” Vogue, August 1991: p.142-150, 222.
Johnson, Ken. “Christopher Wool at Luhring Augustine.” Art in America 79 (October 1991). p.143.
Larson, Kay. “The Subplot Thickens.” New York Magazine, May 27, 1991: pp.67-68.
Levin, Kim. “Voice Choices: Christopher Wool.” Village Voice, 15 May 1991: pp.104-105.
Messler, Norbert. “Christopher Wool.” NOEMA, April 1991: p.78.
Myers, Terry R. “New York Review: Christopher Wool.” Arts Magazine 66, September 1991: p.76.
Van der Ploeg, Kees. “Christopher Wool: The Complexity of Form and Meaning.” Flash Art, no.
157, March/April 1991: p.94-96.
Wagemans, Fred. “Christopher Wool...different voices in a room.” Metropolis M, no. 2, April 1991:
p.28-30.
1990
Borum, Jenifer P. “Christopher Wool at Luhring Augustine Gallery.” Artforum 29 (November
1990): pp.166-167.
Caldwell, John. “Christopher Wool, New York.” Noema (May/June 1990): pp.35-38.
Cameron, Dan. “Unfixed States: Notes on Christopher Wool's New Editions.” Print Collector's
Newsletter, no.21 (March/April 1990): pp.13-15.
Faust, Wolfgang Max. “Wenn Woerter sich zu Bildern fuegen.” Art, November 1990: pp.80-95.
Jan, Alferd. “Audience Response to ‘New Work: A New Generation'.” Visions, Summer 1990:
pp.24-26.
Marta, Karen. “A Conversation with Jutta Koether, Karen Marta and Christopher Wool.” NOEMA,
May/June 1990: pp.35-38.
Raynor, Vivien. “Medium and Message Blend in ‘Language and Art' Aldrich.” The New York
Times, 4 November 1990, sec. C: 26.
1989
Artnerer, Alan G. “Renaissance show a challenging trilogy.” Chicago Tribune, 7 April 1989, sec.
7: p.48.
Baker, Kenneth. “S.F. Museum Show Toys with ‘Art'.” San Francisco Chronicle, 22 February
1989 , sec. C: 3.
Cotter, Holland. “A Bland Biennial.” Art In America, September 1989: p.87.
Decter, Joshua. “Christopher Wool.” Arts Magazine 63, February 1989: p.104
Koether, Jutta. “Christopher Wool at Galerie Max Hetzler, Cologne.” Flash Art, no. 149,
November/December 1989: p.147.
Liu, Catherine. “Christopher Wool: At the Limits of Image Making and Meaning Production.” Flash
Art, no. 145 (March/ April 1989): p.106.
Messler, Norbert. “Christopher Wool at Gisela Capitain.” Artscribe International, no. 74,
March/April, 1989: p.87.
Parkett, no. 22, December 1989: insert, p.112-128.
Smith, Roberta. “More Women and Unknowns in the Whitney Biennial.” The New York Times, 28
April 1989, sec. C: 32
Solnit, Rebecca. “One-Liner Invitations to Theory.” Artweek 20, 26 August 1989: p.7.
The Print Collector's Newsletter, no.5, vol. XX, November/ December 1989.
Van Nieuwenhuyzen, Martijn. “Horn of Plenty.” Flash Art, March/ April 1989: p.102.
Von Kunstadt, Theodor. “The 1989 Whitney Biennial.” Flash Art, Summer 1989: p.139.
1988
Evans, Steven. “Robert Gober and Christopher Wool.” Artscribe International, no. 72
November/December 1988: p.80.
Journal Of Contemporary Art, vol. 1, 2 November 1988: p.7-15.
Robbins, David. “Information as Ornament.” Feature (July 1988).
Saltz, Jerry. “This is the End: Christopher Wool's Apocalypse Now.” Arts Magazine 63,
September 1988: p.19- 20
1987
“Chronicle in Black and White.” Village Voice, 31 March 1987: p.89.
Gardner, Colin. “The Art Galleries.” Los Angeles Times, 7 August 1987, part VI: p.16.
Knight, Christopher. Los Angeles Herald, 31 July 1987.
Smith, Roberta. “Where to see the Newest of the New American Art.” The New York Times, 1
May 1987.
1986
“Art: Christopher Wool.” Village Voice, 25 February 1986: p.68.
Artner, Alan G. “New Antiques: Christopher Wool.” Chicago Tribune, 23 May 1986, sec. 7: p.45.
Bulka, Michael. “Christopher Wool at Robbin Lockett Gallery.” New Art Examiner 13, Summer
1986: p.46.
Lurie, David. “Art Reviews: Christopher Wool.” Arts Magazine 60, April 1986: p.133.
1985
Indiana, Gary. “The Age of Silver.” The Village Voice, 17 December 1985, p.107.
1984
Smith, Roberta. “Around Town.” The Village Voice, 4 September 1984.
1983
Cohen, Ronnie. “Group Show: Delahunty.” Art News, September 1983.
Glueck, Grace. “Reviews: Big American Figure Drawings.” The New York Times, 18 March 1983. |
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