Born in Newark, New Jersey, 1945. Education: Syracuse University,
Syracuse, New York, 1965. Parsons School of Design, NYC, NY, 1966.
Lives in New York City and Los Angeles, California.

Solo Exhibitions

Artists Space, NYC, NY.

Fischbach Gallery, NYC, NY.

John Doyle Gallery, Chicago, Illinois.

1979 Franklin Furnace Archive, NYC, NY.
Printed Matter, NYC, NY.

P.S. 1, Long Island City, New York.

1982 Larry Gagosian Gallery, Los Angeles, California.
CEPA/Hallwalls Gallery, Buffalo, New York.

1983 Institute of Contemporary Art, London, UK.
Larry Gagosian Gallery, Los Angeles, California.
Annina Nosei Gallery, NYC, NY.

1984 Kunsthalle Basel, Basel, Switzerland.
Kajima Gallery, Montreal, Canada.
Nouveau Musee, Lyon, France.
Watershed Gallery, Bristol, England.
Rhona Hoffman Gallery, Chicago, Illinois.
Crousel/Hussenot Galerie, Paris, France.
Annina Nosei Gallery, NYC, NY.

1985 Los Angeles County Museum of Art, Los Angeles, California.
Wadsworth Atheneum, Hartford, Connecticut.
Contemporary Arts Museum, Houston, Texas.

1986 Annina Nosei Gallery, NYC, NY.
Rhona Hoffman Gallery, Chicago, Illinois.
University Art Museum, University of California, Berkeley,
California.
Hillman/Holland Gallery, Atlanta, Georgia.
Krannert Art Museum, University of Illinois, Champaign, Illinois.

1987 Mary Boone Gallery, NYC, NY.
Crousel/Hussenot Galerie, Paris, France.
Monika Spruth Galerie, Koln, West Germany.

National Art Gallery, Wellington, New Zealand.

1989 Mary Boone Gallery, NYC, NY.
Galerie Bebert, Rotterdam, The Netherlands.
Fred Hoffman Gallery, Santa Monica, California.

1990 Duke University Museum of Art, Durham, North Carolina.
Monika Spruth Galerie, Koln, West Germany.
Rhona Hoffman Gallery, Chicago, Illinois.
Kolnischer Kunstverein, Koln, Germany.

Mary Boone Gallery, NYC, NY.

1992 Magasin, Centre National d'Art Contemporain, Grenoble, France.

Mary Boone Gallery, NYC, NY.

Museum of Modern Art at Heide, Melbourne, Australia.

1997 Mary Boone Gallery, NYC, NY.
18 Wooster Street/Deitch Projects, NYC, NY.

Parrish Art Museum, Southampton, New York.

Galerie Yvon Lambert, Paris, France.

Museum of Contemporary Art, Los Angeles, California.

South London Gallery, London, UK.

2001 Nauman Kruger Jaar

Palazzo delle Papesse, Siena, Italy.
South London Gallery, London, UK.

Spruth Magers Lee, London, UK.

Mary Boone Gallery, New York.
Spruth Magers, Munich.

Group Exhibitions

“1973 Biennial Exhibition”, Whitney Museum of American Art, NYC, NY.

1976 John Doyle Gallery, Chicago, Illinois.

“California Annual”, San Francisco Art Institute, San Francisco, California.

“False Face”, N.A.M.E. Gallery, Chicago, Illinois.

1979 “Imitation of Life”, University of Hartford, Hartford,
Connecticut.

1980 “Four Different Photographers”, Padiglione di Arte Contemporanea, Milan, Italy.

1981 “Nineteen Emerging Artists”, Solomon R. Guggenheim Museum, NYC, NY.
“Gender”, Group Material Gallery, NYC, NY.
“Pictures and Promises”, The Kitchen, NYC, NY.
“Love is Blind”, Castelli Photography Gallery, NYC, NY.
“Inespressionismo Americano”, Genoa, Italy.
“Biennial Photography”, Vienna, Austria.
“Public Address”, Annina Nosei Gallery, NYC, NY.

1982 “Documenta 7”, Museum Fridericianum, Kassel, West Germany.
“La Biennale di Venezia”, Venice, Italy.
“Image Scavengers”, Institute of Contemporary Art, Boston,
Massachusetts.
“Photographs In”, Daniel Wolff Gallery, NYC, NY.
“Frames of Reference”, Whitney Museum of American Art, NYC,
NY.
“The American Exhibition”, Art Institute of Chicago, Chicago,
Illinois.
“Art and Media”, Renaissance Society, University of Chicago,
Chicago, Illinois.
“Public Vision”, White Columns, NYC, NY.
“The Atomic Salon”, Ronald Feldman Gallery, NYC, NY.

1983 “Contemporary Photographers”, Cranbrook Academy of Art, Bloomfield
Hills, Michigan.
“The Revolutionary Power of Women's Laughter”, Protech/Mc Neil Gallery, NYC, NY.
“Starting Points of Young Critical Artists”, Kunstverein, Bonn, Germany.
“Artist-Critic”, White Columns, NYC, NY.
“Currents”, Institute of Contemporary Art, Boston, Massachusetts.
1983 “Group Show”, Young/Hoffman Gallery, Chicago, Illinois.
American Graffiti Gallery, Amsterdam, The Netherlands.
Mary Boone Gallery, NYC, NY.
“Contra Media”, Alternative Museum, NYC, NY.
“Fashion Fictions”, White Columns, NYC, NY.
“1983 Biennial Exhibition”, Whitney Museum of American Art, NYC, NY.
“Critical Content: Contemporary Perspectives”, Long Beach Museum of Art, Long Beach, California.
“Art and Social Change, U.S.A.”, Allen Memorial Art Museum,
Oberlin College, Oberlin, Ohio.
Times Square Spectochrome Sign, NYC, NY.

1984 “Private Symbol/Social Metaphor”, Biennial of Sydney, Sydney,
Australia.
“Sexuality and Representation”, Institute of Contemporary Art, London, England.
“Photography Used in Contemporary Art”, National Museum of Modern Art, Kyoto, Japan.
“El Arte Narrativo”, Museo Rufino Tamayo, Mexico City, Mexico.
“Ansatzpunkte kritischer Kunst heute”, Berlin, West Germany.
“Written Imagery Unleashed in the Twentieth Century”, Fine Arts Museum of Long Island, Hempstead, New York.
“Holzer/Kruger Prints”, Spirit Square Art Gallery, Charlotte,
North Carolina.
“Contemporary Perspectives 1984”, Bucknell University Art Gallery, Lewisburg, Pennsylvania.
“The Axis of Sexuality”, The Banff Art Center, Alberta, Canada.
“The Difference: On Representation and Sexuality”, The New Museum, NYC, NY.
“The Difference: On Representation and Sexuality”, Institute of Contemporary Art, London, England.
“Content: A Contemporary Focus”, Hirshhorn Museum, Washington, DC.
“Group Show”, Institute of Contemporary Art, Boston,
Massachusetts.

1985 “1985 Biennial Exhibition”, Whitney Museum of American Art, NYC, NY.
“New York, New Art”, ARCA, Marseille, France.
“Ecrans politiques”, Musee d'Art Contemporain, Montreal, Canada.
“Kunst mit Eigen-Sinn”, Museum fur Moderne Kunst, Vienna, Austria.
“Secular Attitudes”, Los Angeles Institute of Contemporary Art, Los Angeles, California.
“Subjects and Subject Matter”, London Regional Art Gallery,
London, Ontario, Canada.
“New York: Ailleurs et Autrement”, ARC, Musee d'Art Moderne,
Paris, France.
1985 “New Editions by Peter Blum”, Lorence/Monk Gallery, NYC, NY.
“New Art”, Modernism Gallery, San Francisco, California.
Monika Spruth Galerie, Koln, West Germany.
Center for Contemporary Art, Seattle, Washington.
“Talking Back to the Media”, Multi Media Project, Amsterdam, The Netherlands.
“June Group Show”, Nature Morte Gallery, NYC, NY.
Installation, AREA Nightclub, NYC, NY.

1986 “The Real Big Picture”, Queens Museum, Queens, New York.
“Admired Works”, John Weber Gallery, NYC, NY.
Light Gallery, NYC, NY.
Kunsthalle Dusseldorf, Dusseldorf, West Germany.
Metro Pictures, NYC, NY.
The Crescent Gallery, Dallas, Texas.
Postmasters Gallery, NYC, NY.
“Spectrum: In Other Words”, The Corcoran Gallery of Art,
Washington, DC.
“Maelstrom”, Emily Lowe Gallery, Hofstra University, Hempstead, New York.
“Painting and Sculpture Today: 1986”, Indianapolis Museum of Art, Indianapolis, Indiana.
“An American Renaissance: Painting and Sculpture from 1940 to the Present”, Museum of Art, Fort Lauderdale, Florida.
“Dissent: The Issue of Modern Art in Boston”, Institute of
Contemporary Art, Boston, Massachusetts.
“Surrealismo: La Dolce Vita 80's”, Barbara Braathen Gallery, NYC, NY.
“Ein Anderes Klima: Kunsterinnen gebrauchen neue Medien”,
Kunsthalle Dusseldorf, Dusseldorf, West Germany.
“Paravision”, Margo Leavin Gallery, Los Angeles, California.
“Products and Promotion”, San Francisco Camerawork, San Francisco, California.
“New Acquisitions from New York”, Memphis Brooks Museum, Memphis, Tennessee.
“Barbara Kruger and Jenny Holzer”, The Israel Museum, Jerusalem, Israel.
“Rooted Rhetoric”, Lia Rumma Gallery, Naples, Italy.
“American Myths”, Kent Fine Art, NYC, NY.
“El Arte y Su Doble”, Centro Cultural de la Fundacio Caixa de
Pensions, Barcelona, Spain.

1987 “1987 Biennial Exhibition”, Whitney Museum of American Art, NYC, NY.
“L'epoque, la mode, la morale, la passion”, Centre Georges
Pompidou, Paris, France.
“El Arte y Su Doble”, Fundacion Caja de Pensiones, Madrid,
Spain.
“Documenta 8”, Museum Fridericianum, Kassel, West Germany.
Los Angeles County Museum of Art, Los Angeles, California.
Moderna Museet, Stockholm, Sweden.

1987 “Emerging Artists 1978-1986: Selections from the Exxon Series”, Solomon R. Guggenheim Museum, NYC, NY.

1988 “Biennial of Sydney”, Sydney, Australia.
“Modes of Address: Language in Art Since 1960”, Whitney Museum of American Art Downtown at Federal Reserve Plaza, NYC, NY.

1989 “Making Their Mark: Women Artists Move Into the Mainstream, 1970-85”, Cincinnati Art Museum, Cincinnati, Ohio.
“Making Their Mark: Women Artists Move Into the Mainstream, 1970-85”, New Orleans Museum of Art, New Orleans, Louisiana.
“Prospect 89”, Frankfurt Kunstverein and Schirn Kunsthalle,
Frankfurt, Germany.
“Bilderstreit”, Rheinhalle, Koln, West Germany.
“A Forest of Signs: Art in the Crisis of Representation”, The
Museum of Contemporary Art, Los Angeles, California.
“Magiciens de la Terre”, Centre Georges Pompidou, Paris, France.
“Viennese divan: Sigmund Freud nowadays”, Museum of the 20th
Century, Vienna, Austria.
“Making Their Mark: Women Artists Move Into the Mainstream, 1970-85”, Denver Art Museum, Denver, Colorado.

1989 “Making Their Mark: Women Artists Move Into the Mainstream, 1970-85”, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania.
“The Desire of the Museum”, Whitney Museum of American Art
Downtown at Federal Reserve Plaza, NYC, NY.
“Image World: Art and Media Culture”, Whitney Museum of American Art, NYC, NY.
Castello di Rivoli, Turin, Italy.

1990 “The Decade Show”, Museum of Contemporary Hispanic Art/The New Museum of Contemporary Art/The Studio Museum in Harlem, NYC, NY.
“The Indomitable Spirit”, The International Center of Photography Midtown, NYC, NY.
“Opening Exhibition, 20th Century Pavilion”, The Israel Museum, Jerusalem, Israel.
“The Last Decade: American Artists of the 80's”, Tony Shafrazi Gallery, NYC, NY.
“Art et Publicite”, Musee National d'Art Moderne, Centre Georges Pompidou, Paris, France.
“The Charade of Mastery”, Whitney Museum of American Art Downtown at Federal Reserve Plaza, NYC, NY.
“Words as Symbols”, The Aldrich Museum of Contemporary Art,
Ridgefield, Connecticut.

1991 “Beyond the Frame: American Art, 1960-1990”, Setagaya Art Museum, Tokyo, Japan.
“Beyond the Frame: American Art, 1960-1990”, National Museum of Art, Osaka, Japan.

1991 “Beyond the Frame: American Art, 1960-1990”, Fukuoka Art Museum, Fukuoka, Japan.
“Words and #s”, Museum of Contemporary Art, Wright State
University, Dayton, Ohio.
“Buchstablich: Bild und Wort in der Kunst Heute”, Von-der-Heydt-Museum, Wuppertal-Elberfeld, Germany.
“Media Culture”, Studio Oggetto, Milan, Italy.
“Compassion and Protest”, San Jose Museum of Art, San Jose,
California.
“The Art of Advocacy”, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut.
“Aussenraum-Innenstadt”, Sprengel Museum Hannover, Hannover,
Germany.
“Transpositions”, University of South Florida Art Museum, Tampa, Florida.
“Objects for the Ideal Home”, Serpentine Gallery, London, England.
“Devil on the Stairs: Looking Back on the Eighties”, Institute of Contemporary Art, Philadelphia, Pennsylvania.
“Anni 80: Artisti a New York”, Palazzo delle Albere, Museo
Provinciale d'Arte Sezione Contemporanea, Trento, Italy.
“Power: Its Myths and Mores in American Art, 1961-1991”,
Indianapolis Museum of Art, Indianapolis, Indiana.

1992 “Power: Its Myths and Mores in American Art, 1961-1991”, Akron Art Museum, Akron, Ohio.
“Power: Its Myths and Mores in American Art, 1961-1991”, Virginia Museum of Fine Arts, Richmond, Virginia.
“Devil on the Stairs: Looking Back on the Eighties”, Newport
Harbor Art Museum, Newport Beach, California.
“Ars Pro Domo”, Museum Ludwig, Koln, Germany.
“Chaos to Order”, Art Museum of Southeast Texas, Beaumont, Texas.
“15th Anniversary Exhibition”, Rhona Hoffman Gallery, Chicago, Illinois.
“The Power of the City/The City of Power”, Whitney Museum of
American Art Downtown at Federal Reserve Plaza, NYC, NY.
“More Than One Photography: Works Since 1980 From the Collection”, The Museum of Modern Art, NYC, NY.
“Dissent, Difference and the Body Politic”, Portland Art Museum, Portland, Oregon.

1993 “Dissent, Difference and the Body Politic”, Otis Parsons School of Art and Design, Los Angeles, California.
“Photoplay”, Center for the Fine Arts, Miami, Florida.
“The Mediated Image: American Photography in the Age of
Information”, University Art Museum, Albuquerque, New
Mexico.
“Biennale d'Art Contemporain”, Lyon, France.
“Inside Out”, Centro per l'Arte Contemporanea Luigi Pecci, Prato, Italy.

1993 “Commodity Image”, International Center of Photography Midtown, NYC, NY.
“Image Makers”, Nassau County Museum of Art, Roslyn Harbor, New York.
“Die Sprache der Kunst - The Language of Art”, Kunsthalle Wien, Vienna, Austria.
“Ciphers of Identity”, Fine Arts Gallery, University of Maryland, Baltimore, Maryland.

1994 “Wall to Wall”, Serpentine Gallery, London, England.
“World Morality”, Kunsthalle Basel, Basel, Switzerland.
“Imprimatur”, Saidye Bronfman Centre for the Arts, Montreal,
Canada.
“Public Interventions”, Institute of Contemporary Art, Boston, Massachusetts.
“Inaugural Group Show”, Off Shore Gallery, East Hampton, New
York.
“New York ‘Unplugged'”, Gallery Cotthem, Knokke-Zoute, Belgium.
“Desire”, Charles Cowles Gallery, NYC, NY.
“Gewalte - Geschaefte”, Neue Gesellschaft fur Bildende Kunst,
Berlin, Germany.
“An American Century of Photography: From Dry-Point to Digital”, Nelson- Atkins Museum of Art, Kansas City, Missouri.

1995 “An American Century of Photography: From Dry-Point to Digital”, Mead Art Museum, Amherst, Massachusetts.
“An American Century of Photography: From Dry-Point to Digital”,
International Center of Photography, NYC, NY.
“An American Century of Photography: From Dry-Point to Digital”,
Auckland City Art Gallery, Auckland, New Zealand.
“An American Century of Photography: From Dry-Point to Digital”, Art Gallery of New South Wales, Sydney, Australia.
“An American Century of Photography: From Dry-Point to Digital”, National Gallery of Victoria, Melbourne, Australia.
“An American Century of Photography: From Dry-Point to Digital”, Museum of Photographic Arts, San Diego, California.
“Civil Rights Now”, Southeastern Center for Contemporary Art,
Winston-Salem, North Carolina.
“Civil Rights Now”, Cleveland Center for Contemporary Art,
Cleveland, Ohio.
“In a Different Light”, University Art Museum, University of
California, Berkeley, California.
“Paste-Up: Past & Present”, Kent Gallery, NYC, NY.
“Passions Privees”, Musee d'Art Moderne de la Ville de Paris,
Paris, France.

1996 “Nudo & Crudo”, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy.
“NowHere/Incandescent”, Louisiana Museum of Modern Art, Humlebaek, Denmark.
“Sexual Politics: Judy Chicago's ‘Dinner Party' in Feminist Art History”, Armand Hammer Museum of Art and Cultural Center, Los Angeles, California.
“Thinking Print: Books to Billboards, 1980-95”, The Museum of
Modern Art, NYC, NY.
“Is It Art?”, Katonah Museum of Art, Katonah, New York.
“The Mediated Object: Selections from the Eli Broad Q Collections”, Fogg Art Museum, Harvard University, Cambridge,
Massachusetts.

1997 “The Mediated Object: Selections from the Eli Broad Collections”, Forum for Contemporary Art, Saint Louis, Missouri.
“It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art”, Phoenix Art Museum, Phoenix, Arizona.
“Word to Word”, Linda Kirkland Gallery, NYC, NY.

1998 “Read My Lips: Jenny Holzer, Barbara Kruger, Cindy Sherman”,
National Gallery of Australia, Canberra, Australia.
“Inner Eye: Contemporary Art from the Marc and Livia Straus
Collection”, Samuel P. Harn Museum of Art, University of
Florida, Gainesville, Florida.
“Art and the American Experience”, Kalamazoo Institute of Arts, Kalamazoo, Michigan.

1999 “Inner Eye: Contemporary Art from the Marc and Livia Straus
Collection”, Knoxville Museum of Art, Knoxville, Tennessee.
“Inner Eye: Contemporary Art from the Marc and Livia Straus
Collection”, Georgia Museum of Art, Athens, Georgia.
“Inner Eye: Contemporary Art from the Marc and Livia Straus
Collection”, The Chrysler Museum of Art, Norfolk,
Virginia.
“Art at the End of the Century: Contemporary Art from the
Milwaukee Art Museum”, Birmingham Museum of Art,
Birmingham, Alabama.
“Veronica's Revenge: Photographies de la collection LAC-Suisse”, Casino Luxembourg and Musee national d'histoire et d'art, Luxembourg.
“Assumed Identity”, Fine Arts Gallery, Wake Forest University, Winston-Salem, North Carolina.
“Altered States”, Charles Cowles Gallery, NYC, NY.
“The American Century: Art and Culture 1950-2000”, Whitney Museum of American Art, NYC, NY.

2000 “Inner Eye: Contemporary Art from the Marc and Livia Straus
Collection”, Neuberger Museum of Art, Purchase, New York.
“Sentimental”, Galerie Yvon Lambert, Paris, France.
“Around 1984: A Look at Art in the Eighties”, P.S. 1 Contemporary Art Center, Long Island City, New York.
“Lux et Tenebrae: Peter Blum Edition”, Peter Blum/Blumarts, Inc., NYC, NY.
“Picturing Women”, Steven Scott Gallery, Baltimore, Maryland.
“S.O.S.: Scenes of Sounds”, The Tang Teaching Museum and Art
Gallery, Skidmore College, Saratoga Springs, New York.
Hypermental – Wahnhafte Wirklichkeit 1955 – 2000 von Salvodor Dali bis Jeff Koons
Kunsthaus Zürich, Zurich

2001 Daros Exhibitions, Zurich

Monika Sprüth / Philomene Magers, Köln
“Shopping”, Schirn Kunsthalle Frankfurt / Main, Germany
Monika Sprüth / Philomene Magers, München
Shopping; Tate Liverpool, Liverpool

2003 THE LAST PICTURE SHOW: ARTISTS USING PHOTOGRAPHY, 1960-1982
Walker Art Center, Minneapolis, MN
SANDRETTO RE REBAUDENGO COLLECTION
IVAM - Institut Valencià d'Art Modern, Valencia
Fondazione Sandretto Re Rebaudengo collection
Fondazione Sandretto Re Rebaudengo, Torino
Me & More
Kunstmuseum Luzern, Luzern
Independence
20th Anniversary Show, Spruth Magers, Cologne, Germany

2004 The Last Picture Show - Artists Using Photography, 1960-1982
UCLA Hammer Museum, Los Angeles, CA

2004 Sprüth Magers Lee, London

Public Projects

1985 Billboard project, Film in the Cities, Minneapolis, Minnesota.

1986 Billboard project, Art Angel, London, England.

1988 Billboard project, Wellington, New Zealand.
Billboard project, Adelaide and Melbourne, Australia.
“Picturing Greatness”, exhibition curated and designed for The Museum of Modern Art, NYC, NY.

1989 Billboard project, Public Art Fund, Manhattan and Queens, New
York.
Poster for “March on Washington, DC for Women's Reproductive
Rights”.
Billboard project, Art Against AIDS, San Francisco, California.
Op Ed page, THE NEW YORK TIMES, 7 May 1989.
Seattle Signage Project, Pier 62/63, Seattle, Washington;
collaboration with Smith-Miller & Hawkinson and Guy Nordenson.
1990 Billboard and subway posters for “Image World” exhibition,
Whitney Museum of American Art, NYC, NY.
Billboard project, Wexner Center for the Visual Arts, Columbus, Ohio.
Exterior wall project, Museum of Contemporary Art, Los Angeles, California.
Subway posters and electronic sign, Berlin, Germany.
Poster project, Warsaw, Poland.

1991 Bus shelter posters, Public Art Fund, NYC, NY.
Billboard project, Von-der-Heydt-Museum, Wuppertal-Elberfeld,
Germany.
Los Angeles Arts Park competition; project plan in collaboration
with Smith-Miller & Hawkinson and Nicholas Quennell.
Cover, BOMB MAGAZINE, Spring 1991.
Op Ed page, THE NEW YORK TIMES, 4 June 1991.

1992 Cover, MS. MAGAZINE, January/February 1992.
Poster project, Magasin, Centre National d'Art Contemporain,
Grenoble, France.
Billboard project, Museu de Arte Contemporanea, Sao Paulo, Brazil.
Cover and essay, ESQUIRE, May 1992.
Pro-choice poster project, NYC, NY.
Cover and editorial spread, NEWSWEEK, 8 June 1992.
Poster, Visual AIDS, NYC, NY.
Magazine projects, L'AUTRE JOURNAL, Paris, France.
Op Ed page, THE NEW YORK TIMES, 30 June 1992.
Billboard, bus shelter and bus placard project, Portland Art
Museum, Portland, Oregon.
Music video, Vanessa Williams, “Work to Do”.
Billboards and bus shelters, Women's Work Project on Domestic
Violence, Liz Claiborne, Inc., San Francisco, California.

1993 Billboards, products and radio spots, Women's Work Project on
Domestic Violence, Liz Claiborne, Inc., Boston,
Massachusetts and Miami, Florida.
Video spots, MTV, “Silence the Violence”.
Cover, THE NEW YORK TIMES BOOK REVIEW, 19 September 1993.
Umbrella edition for AMFAR, Barney's, NYC, NY.

1994 Editorial feature, HARPER'S BAZAAR, February 1994.
Billboard project, Malmo Konsthall, Malmo, Sweden.
Design for train station, Strasbourg, France.
Op Ed page, THE NEW YORK TIMES, 31 December 1994, p. 25.

1995 Design for outdoor theater, North Carolina Museum of Art, Raleigh, North Carolina; collaboration with Smith-Miller & Hawkinson and Nicholas Quennell.
Short film “Talk Show”, broadcast July 1995, KCET, Los Angeles, California.
Feature story illustration, DETAILS, October 1995.
Op Ed page, THE NEW YORK TIMES, 1 December 1995, p. A33.
Editorial feature, NEW YORK MAGAZINE, 25 December 1995, pp. 114-115.

1996 Full-page for editorial feature, ESQUIRE, June 1996.
Cover, exhibition catalogue “Thinking Print: Books to Billboards, 1980-95”, The Museum of Modern Art, NYC, NY.
Subway posters and bus placards in conjunction with “Thinking
Print: Books to Billboards, 1980-95”, The Museum of Modern
Art, NYC, NY.
Subway posters for “Monument et Modernite” exhibition, Paris,
France.
Works featured in Rage Against the Machine music video “Bulls on Parade”, MTV.
Artist in Residence, Wexner Center for the Arts, Ohio State
University, Columbus, Ohio.
Billboards and Public Service Announcements, Melbourne Festival, Melbourne, Australia.

1997 Op Ed page, THE NEW YORK TIMES, 7 January 1997, p. A17.
Op Ed page, THE NEW YORK TIMES, 11 October 1997, p. A11.
Cover, TIME OUT NEW YORK, 30 October-6 November 1997.
New York City/Queens Transit Line bus wrap, Public Art Fund, NYC, NY, November 1997.

1998 Floor mosaics in five locations, Fisher College of Business, Ohio State University, Columbus, Ohio.
Op Ed page, THE NEW YORK TIMES, 26 July 1998, p. WK15.

2000 Display windows, Saks Fifth Avenue, NYC, NY, July 2000.
“Untitled” (It's a small world but not if you have to clean it), banner billboards at Eighth Avenue/42 Street and Washington
Street/West Side Highway, co-produced by the Public Art Fund and the Whitney Museum of American Art, NYC, NY, July 2000.