Simon Lee Gallery — Sherrie Levine

Sherrie Levine

Selected Bibliography

Books

2012

H. Singerman, Art History, After Sherrie Levine, University of California Press, Berkeley.

2011

N. Laneyrie-Dagen, Histoire de l’art pour tous, Hazan, Paris.
After Images, Musée Juif de Belgique, Brussels.
B. Nickas, Defining Contemporary Art – 25 years in 200 Pivotal Artworks, Phaidon, London.
J. Rondeau, Contemporary Collecting, The Judith Neisser Collection: Minimal and Postminimal Innovation, The Art Institute of Chicago, Chicago.

2010

M. Rijnders and P. Van Ulzen, Manieren van kijken: Inleiding kunstgeschiedenis 2, Open Universiteit, Herleen.
Q. Bajac, Aprés la photographie? De l’argentique a la revolution numériuque, Découvertes Gallimard.
G. Mercurio, Roy Lichtenstein: Meditations on Art, Skira Editore, Milan.
S. Wolf, The Digital Eye: Photographic Art in Electronic Age, Prestel Publishers, London.
M. Getlein, Living with Art, Ninth edition, McGraw-Hill Companies, New York.
H. Arnason and E. C. Mansfield, History of Modern Art, 6th edition, Prentice Hall, New Jersey.

2009

J. Schellmann, Forty are Better than One: Edition Schellmannm, Schellmann Art Production, New York
K. Higa, Living Flowers: Ikebana and Contemporary Art, Japanese American National Museum, Los Angeles
P. C. Marzio, Masterpieces from The Museum of Fine arts, Yale University Press, New Haven and London
C. Cotton, The Photograph as contemporary art, Thames and Hudson, London
C. Bonham-Carter and D. Hodge, The Contemporary Art Book, Goodman, London
C. Owens and D. Preziosi (ed.), The Art of Art History: A Critical Anthology, Oxford University Press, Oxford
D. Evans, Appropriation, Whitechapel Press, London

2008

E. Heartney, Art Today, Phaidon Press, New York, US.
A. Eshoo (ed), 560 Broadway: A New York Drawing Collection at Work, 1991-2006, Yale University Press, New Heaven.
J-L Cohen, New York, Citadelles & Mazenod, Paris
Blasted Allegories: Works from the Ringier Collection, JRP Ringier, Zurique
K. Congdon and K. K. Hallmark, Twentieth Century: United States Photographers, Greenwood Press, Westport
A. Eshoo (ed.), 560 Broadway: A New York Drawing Collection at Work, 1991-2006, Yale University Press, New Haven

2007

M. Katzeff, T. Lawson and S. Morgan (eds.), Real Life Magazine: Selected Writings and Projects 1979-1994, Primary Information, New York.
L. Westbrook, Take 2: Women Revisiting Art History, Mills College Art Museum, Oakland, US.
Art Works: The Progressive Collection, Art Publishers, New York, US.

2005

M.J. Taylor (ed.), The Downtown Book: The New York Art Scene, 1974-1984, Princeton University Press, Princeton, New Jersey, US.
B. Taylor, Art Today, Laurence King Publishing Ltd, London, UK.

2004

B. Lizawa (ed.) The Concise History of World Photograph, Bijutsu Shuppan-Sha Ltd., Tokyo, Japan. G. Perry and Paul Wood (eds.), Themes in Contemporary Art, Yale University Press; New
Heaven, US and London, UK.
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R Guggenheim Foundation, New York, US.
L. Valeriani, Dentro la Trasfigurazione, Meltemi editore, Rome, Italy.

2003

M. Buskirk, The Contingent of Comtemporary Art, The MIT Press, Massachusettes, US. DITS, Musée de Arts Contemporains de la Communauté Française de Belgique, Belgium.

2002

Art in Embassies Program: US Embassy – Paris, US Embassy in Paris, Washington DC, US. J.P. Ricco, The Logic of the Lure, The University of Chicago Press, Chicago, US and London, UK. C. Walter, Bilder Erzählen, VDG Verlag, Weimar, Germany.

2001

American Visionaries: Selection from the Whitney Museum of American Art, Whitney Museum of American Art, New York, US.
Camera Women: Women Photographers in the Collection of the Princeton University Art Museum, Princeton New Jersey, US.
U. Grosenick (ed.), Women Artists in the 20th and 21st Century, Taschen, New York, US. E. Heartney, Postmodernism, Tate Publishing, London, UK.
H.Reckitt (ed.), Art and Feminism, Phaidon Press, New York, US.

1999

The History of Western Art, Shogakukan, Japan.
Mondrian Foundation International 1999, Mondrian Foundation, Amsterdam, Netherlands. R. Krauss, Bachelors, MIT Press, Cambridge, UK.

1998

M. Assenmaker and others, Sherrie Levine, Museum Morsbroich and Musée d’art Moderne et Contemporain, Geneva, Switzerland.

1996

C. Ingraham and others, Sherrie Levine, Sculpture, Jablonka Galerie, Cologne, Germany and Margo Leavin Gallery, LA, US.
S. Levine, Sherrie Levine, Cathedrals, Jablonka Galerie, Cologne, Germany and Margo Leavin Gallery, LA, US.
S. Levine, Sherrie Levine, New Photography, Musée d’art moderne et contemporain, Geneva, Switzerland.
T. Crow, Modern Art in the Common Culture, Yale University Press, New Haven, US and London, UK.
T. De Duve, Kant after Duchamp, MIT Press, Cambridge, UK.
H. Foster, The Return of the Real, MIT Press, Cambridge, UK.

1995

A. Temkin and S. Levine, Newborn, Galerie Deux, Tokyo, Japan.

1993

A. Temkin and S. Levine, Newborn, Philadelphia Museum of Art, Philadelphia, US.

1991

J. Caldwell, New Work: Sherrie Levine, San Francisco Museum of Modern Art, San Francisco, US R. Krauss, The Picture After the Last Picture, Galerie Metropol, Vienna, Austria.
D. Deitcher and others, Sherrie Levine, Kunsthalle Zürich, Zürich, Switzerland.
B. Ferguson, Sherrie Levine: Fountain, Mary Boone Gallery, New York, US.

1989

R. Krauss, Sherrie Levine, Mary Boone Gallery, New York, US. B.O. Achille, Superart, Giancarlo Politi Editore, Milan, Italy.

1988

D. Schwartz, Sherrie Levine, Galerie Nächt St Stephan, Vienna, Austria.

1987

D. Barthelme, Sherrie Levine, Mary Boone Gallery, New York, US.
A. Miller–Keller, Sherrie Levine / Matrix 94, Wadsworth Atheneum, Hartford, Connecticut, US.
B. Wallis (ed.) Levine, Sherrie, Five Comments, Blasted Allegories, The New Museum, New York, US.

1985

D. Deitcher, The Best of Both Worlds: Sherrie Levine’s After Walker Evans, Mary and Leigh Block Gallery, Northwestern University, Evanston, Illinois, US.

Articles and Reviews

2013

‘Must See London- artguide’, ArtForum (8 January)

2012

C. Milliard, ‘ARTINFO UK’s Top 10 Exhibitions for the Festive Season’, Blouin Artinfo (6 December
‘Frieze Week Meme Watch: All the Skulls at Frieze New York’, Blouin Art Info (9 May).
‘Sherrie Levine: Whitney Museum of American Art’, ArtForum, (March).
M. Delisso, ‘Sherrie Levine: Worship at her Alter at Hiram Butler Gallery’, Houston Press, (16 January).
G.R. Denson, ‘Did Men Invent Art to Become Women? Must Women Become Men to Make Great Art?’, Huffington Post, (20 January).
Anon. Sherrie Levine at Paula Cooper Gallery New York’, Artdaily.com, (28 April).
M. Buskirk,’ Sherrie Levine: Whitney Museum of American Art’, ArtForum, (March): 272-273.

2011

C. Winant, ‘Sherrie Levine’s “Mayhem”: A retrospective Of the Original Fake at the Whitney’, Culture.wnyc.org (November).
D. Crimp, ‘Sherrie Levine: Mayhem’, Artforum (September): 158.
M. Herbert, ‘Now See This’, Art Review, no. 54 (November): 36.
S. P. Hanson, ‘Value Judgment: What Makes One Work of Art more Valuable than Another’, Art & Auction (October): 102-107, 122.
D. Crimp, ‘Sherrie Levine: Mayhem’, Artforum (September): 58.
D. Josehit, ‘Signal Processing: Difference and Repetition’, FlashArt (May-June): 138-141.
F. Mercker, ‘Merckers Gesetz: Appropriation - Art’, Monopol (April): 90.
S. Hodara, ‘Taking on the Role of Gender in Media’, The New York Times (March).
‘Profiles: 24 Artists: Sherrie Levine, The Art Economist (February): 36.
D. Riout, ‘ L’Or et L’Art, Nouvelles Affinités’, Arts Sacrés, no. 9 (January-February): 60-65.

2010

D. G. Roger, ‘Women Artists Sweep Best of 2010 NYC Artists’, The Huffington Post (December). ‘Sherrie Levine’, Time Out (December): 46.
Palais de Tokio Magazine (Fall): 40-41.
I. Phillips, ‘Where The Wild Things Are’, InteriorDesign.net (November): 186-193.
V. Gladstone, ‘Materials Take Spotlight at London Art Show’, The New York Times (July). A. Gordon, ‘Art Talk: It all Leads Back to Duchamp’, ArtNews, vol. 109 no. 1 (January): 19. S. Andrews, ‘Impossible D’Abandoner La Compéticion’, DADA BEN, no. 154: 30-31.

2009

J. Burton, ‘Not the Last Word’, Artforum (September): 270-271.
‘Sherrie Levine After Walker Evans Negative 1981-1990’, (September): 262-269.
H. Singerman, ‘Language Games’, Artforum, (September): 257-261.
T. Crow, ‘Acting the Part’, Artforum, (September): 226-230.
M. Durden, ‘Sherrie Levine’, Frieze, (September): 140.
A. Shaw, ‘Sherrie Levine: Re-make, Re-model’, Art World (August – September): 110-113.
M. Falconer, ‘The Picture Generation’, Art Monthly (June): 25-26.
M. Rappolt, ‘Sherrie Levine’, Art Review (Summer): 26.
A. Smart, ‘A Mistress of Disguise’, Seven, The Sunday Telegraph (May): p.20.
P. Schjeldahl, ‘The Art World, Alien Emotions’, The New Yorker, (May): 74.
Yablonsky, Linda ‘Photo Play’ Art in America, (April), pp.102-109.
F. Hirsh, ‘Voices from a Contenios Era’, Art in America, (April): 122-129.
K. Rosenberg, ‘Art Review “Cézanne and Beyond; Maverick, You Cast a Giant Shadow”’, The New York Times (March).
E. Sozanski, ‘Art: The Cézanne Stimulus’, The Philadelphia Inquirer (March).
‘Metropolitan Museum Announces the Pictures Generation, 1974-1984 Exhibition’, Artdaily (February), www.artdaily.org
Loviglio, Joann, ‘Philadelphia Exhibit shows Cezanne's lasting Power’, Examiner, (25 February 2009), www.examiner.com

2008

S. Reyburn, ‘Dennis Hopper, Arnault Browse FIAC as Galleries Fight for Sales’, Bloomberg (October)
J. Martin Prada, ‘Un Transfondo Critic’, Exit Express (October): 19-26.
J.C. Welchman, ‘Contra la Representación’, Exit, no. 38 (October): 27–30.
H. Bellet, ‘Transactions Mitigées au Grand Palais’, Le Monde (October).
P. Staple, ‘Switzerland’, Frieze, (June-July): 178, 180.
M. Seidel, ‘Schoenheit I, Kunst und Schoenheit: Schoenheit im Aufwind’, Kunstforum International, no. 191 (July): 46–53.
H. Singerman, ‘One and All One: Sherrie Levine and The Mother of Us All’, Artforum (Summer): 111- 114.
S. Canning, ‘Reviewer: Whitney Biennial’, Art Papers, (May-June): 50.
R. L. Goldberg, ‘Diary: Performance Anxiety: Political Currents at the Whitney Biennial, Modern Painters (May): 42-45.
‘Sherrie Levine’, The New Yorker (May): 13.
J. Thatcher, ‘Dada Daddy’, Art Monthly, no. 316 (May): 1-4.
R. Smith, ‘Sherrie Levine’, The New York Times (April 25, 2008): 29.
‘Medium Cool’, Time Out New York (April): 102.
‘Short List’, The New Yorker (April): 13.
‘The Borrower: Appropriate Behaviour’, New York Magazine (April): 96-97.
‘Sherrie Levine’, Time Out New York (April): 70-71.
J. Burton, ‘Primary Sources’, Artforum, no. 6-7 (April): 340-34.
B. Pollack, ‘Review: Archive Fever’ at the International Center of Photography’, ARTnews (March): 134.
P. Gopnik, ‘10 Others to Seek Out at the Whitney Biennial’, The Washington Post (March).
H. Halle, ‘Whitney Biennial 2008’, Time Out New York (March): 78.
K. Rosenberg, ‘Primary Season at the Modern’, The New York Times (March): E1, E5.
D. Cohen , ‘Whitney Biennial Has Adopted a Boho Vibe’, The New York Sun (March).
A. Stringfield, ‘Saturation Point’, Vogue (February): 250-253, 291-292.
R. Flood, ‘Looking Back: Solo Shows’, Frieze (January-February): 135.
C. Holland, ‘Well, It Looks Like Truth’, The New York Times (January): E31, E34.
P. Virno, ‘Jokes and Innovative Action: For a Logic of Change’, Artforum (January): 250-257, 301-304.

2007

‘Works on Paper’, Time Out New York (December): 218.
H. Hurt III, ‘Stiker Shock a Hazard, Even When the Artists Are Only Potential Stars’, New York Times (December): C5.
‘Best of 2007’, Artforum (December).
J. Burton, ‘Sherrie Levine’, Artforum, Best of 2007 (December): 326–327.
C. Vogel, ‘Whitney Biennial Stretches to Armory’, The New York Times (November): E23.
G. Reagan, ‘Whitney Biennial to Feature 81 Artists’, The New York Observer (November).
‘Sherrie Levine’, KultureFlash (October) www.kultureflash.net
A. Gartenfeld, ‘All In the Family – Breaking Down the 2008 Whitney Biennial’, Papermag.
B. Genocchio, ‘Sherrie Levine’, The New York Times (October).
J. McElheny, ‘Readymade Resistance’, Artforum (October): 327-335.
D. Saado, ‘Pyramid of Skulls’, Courrier International (October): 38-39.
J. Brener, ‘Minnesota Modern’, Art & Auction (September) : 122-127.
M. Herbert, ‘Sherrie Levine’, Time Out London (July): 40.
E. M. Wachter, ‘Sherrie Levine’, Artforum (July) www.artforum.com
C. Vogel, ‘In for a Penny, In for the Pounce’, The New York Times (June): E1, E5.
‘Still Life & Kicking’, The New Yorker (June): 24.
‘Sherrie Levine’, The New Yorker (May): 28.
‘Sherrie Levine: Stalker’, Santa Fe Trend, no. 1 (Spring): 44-45.
P. Taylor, ‘Sherrie Levine Plays with Paul Taylor’, Flash Art (March-April): 116-119.

2006

N. Exertier, ‘L’Angoisse Simulée de l’Influence (After Harold Bloom)’, Art Presence (December): 4.
E. Leffingwell, ‘Sherrie Levine at Paula Cooper,’ Art in America (June-July): 184.
I. Graw, ‘When Procedures Become Market Tools,’ Texte Zur Kunst (June).
‘An Ongoing Low-Grade Mystery,’ The New Yorker (June): 17.
K. Johnson, ‘An Ongoing Low-Grade Mystery,’ The New York Times (June): E22.
J. Burton, ‘Sherrie Levine,’ Artforum, (Summer 2006), p.351; Illus.
L. Zelevansky, ‘Flying Deeper and Farther: KUSma in 2005’, Afterall (Spring-Summer): 54-62.
Y. Hasegawa, ‘The Spell to Re-integrate the Self: The Significance of the Work of Yayoi KUSma in the New Era’, Afterall (Spring/Summer): 45-53.
‘Sherrie Levine’, The New Yorker (May): 20.
H. Cotter, ‘Experience Matters: Creators in Midcareer and Beyond’, The New York Times (April): E31, E39.
J. Szabo, ‘Art Meets Arf,’ New York Post (April).

2005

M. Spiegler, ‘Why Experience Pays Off’, The Art Newspaper (December): 1, 8.
R. Smith, ‘Postmodern Wandering in a Forest of Poses’, The New York Times (September): E29.
H. Cotter, ‘Walker Art Center Probes Creative Fringes and Finds New Stars’, New York Times (April): E31, 33.
V. Pecoli, ‘Abstraction and Appropriation’, Art Monthly (April): 7-10.

2004

H. Halle, ‘Creative Time’, Time Out New York, (December): 24-27.
C. Ratcliff, ‘Review of Books: Beyond Minimalism’, Art in America (December): 41-42
J. Slyce, ‘Exhibitions Reviews: Sherrie Levine’, Art Monthly (June): 32-33.
J. Estep, ‘The Last Picture Show’, Frieze (March): 98-98.
D. Deitcher, ‘The Last Picture Show’ Walker Art Center, Minneapolis’, Artforum (February): 144.
D. Mullin, ‘The Last Picture Show: Artists Using Photography, 1962-1980 at Walker Art Center, Minneapolis’ Art on Paper (January/February).
C. Vogel, ‘Inside Art: The Walker Reopening’, The New York Times (January): E35.
H. Singerman, ‘A la Manera de Sherrie Levine’, Otra Parte (Winter): 41-45.

2003

B. Hainley, ‘Best of 2003’, Artforum (December): 136.
R. Taplin, ‘Reviews: Sherrie Levine at PCG’, Art in America (July): 87.
H. Cotter, ‘Uptown, Too Has Heat and Light Aplenty’, The New York Times (May), pp.E31, E35; Illus.
J. Burton, Sherrie Levine at Paula Cooper Gallery’, Time Out New York (April): 17.
R. Smith, ‘Art in Review: Sherrie Levine at PCG’, The New York Times (April): E39.
H. Singerman, ‘Sherrie Levine talks to Howard Singerman’, Artforum (April): 190-191.
D. Hopkins, ‘The politics of Equivocation: Sherrie Levine, Duchamp’s ‘Compensation
Portrait’, and Surrealism in the US 1943-45’, Oxford Art Journal, no. 1: 45-68.

2002

S. Levine, ‘Pathos’, October, no. 101, (July): 85-95.
H. Singerman, ‘Sherrie Levine’s Art History’, October, no. 101 (July): 98-121.
M. Kerr, ‘From the Observatory’, Flash Art (May – June): 82.
J. Burton, ‘Sherrie Levine at Paula Cooper Gallery’, Time Out New York (April): 71.

2001

L. Attias, ‘A Wide Angle: Paris Photo shoots for a broader public’, Art and Auction, (December) : 62; 64.
R. Rubenstein, ‘Opening the Field’, Art in America (October): 57-61.
M. Carpo, ‘L’Oeuvre d’Art à l’Epoque de sa Reproduction... Anodisée’, L’Architecture d’Aujourd’hui (Sept– Oct) : 12.
C. Spaeth, ‘As Painting: Division and Displacement’, Dialogue (July-August): 17-20.
H. Meyers, ‘Furniture Finds New Form as Sculpture,’ The Los Angeles Times (July): 12.
M. Dailey, ‘Pictures at an Exhibition’, TimeOut (July): 60.
‘Goings On About Town,’ The New Yorker (June): 32.
R. Smith, ‘When Photography Became Postmodern’, The New York Times (June): E36.
D. Harvey, ‘Alias Garth Brooks (Good Ol’ Boy or Transgender Cyborg?)’, Art Issues (Summer): 15-18

2000

N. Exertier, ‘After Sherrie Levine’, Art Presence, no. 36 (October): 2-9.
H.M Sheets, ‘Baffled, Bewildered and Smitten’, ARTnews (September): 130-134.
‘Around 1984: A Look at Art in the 80’s’, PS1 (May-September).
T. DeCarlo, ‘Laying Bare the Uncertain Underside of the Truth’, The New York Times (April): E39-40.
D. Frankel, ‘Sherrie Levine and Joost van Oss’, Artforum (March): 129.
H. Steinbach, ‘L’arte Frammentata’, Tema Celeste, no 77 (January-February): 84 -85.

1999

R. Smith, ‘Jan Schoonhoven and Sherrie Levine/Joost Van Oss’, The New York Times, (November): E41.
‘Sherrie Levine and Joost van Oss’, The New Yorker (November): 28.
‘Recommend: Sherrie Levine and Joost van Oss’, New Art Examiner (November).
G. Glueck, ‘Duchamp’s Replications, Duchamp’s Replications’ The New York Times (October): B39
‘What’s New in the Galleries’, Dallas Museum of Art Agenda (August-September): 2.
HB, ‘Patchwork au Mamco’, Libération (July): 26.
MD ‘Expos’, L’Hebdo (July): 71.
E. Grandjean, ‘Passons l’été en Ford <<T>>’, Tribune de Genève (June).
E. Grandjean, ‘Le Mamco passe l’été au volant de sa Ford <<T>>’, Tribune de Genève (June).
P. Mathonnet, ‘Le Musée d’Art Moderne et Contemporain de Genève se Montre plus vif que Jamais’, Le Temps (June).
R. Smith, ‘The Modern Looks at Artists Looking at Museums’, The New York Times,
(March): E37, E40.
L. Ollman, ‘After the Fact’, Los Angeles Times (January): F27.
R. Albetini, ‘Technological Rituals: Stories from the Annenberg Dialogues’, University of Southern California, Annenberg Center for Communication.

1998

S. Kandel, ‘Art/Text’, no 9 (November-January): 66-70.
‘Manifestos’, New York Arts, no 24 (September): 19.
J. Grigg, ‘Report from London’, Afterimage (January-February): 4.
V. Rutledge, ‘Sherrie Levine at Margo Leavin’, Art in America (January): 106.

1997

S. Kandel, ‘Sherrie Levine: Stalker’, Art/Text (November): 66-70.

1996

M. Buskirk, ‘Interview with Sherrie Levine, The Duchamp Effect’, MIT Press: 176—181. T. Martin, ‘Sherrie Levine’, Frieze (November): 85.
K. McKenna, ‘Sherrie Levine’, Los Angeles Times (November): 16.
M. Durden, ‘Sherrie Levine’, Art Monthly, (October 1996), pp.50—51.
J. Ippolito, ‘Where has all the Uncertainty Gone?’ Flash Art (Summer).
C. Wylie, ‘Sequential Geometry: Prints by Judd, Kelly, Levine & Schuyff’, The Print Collector’s Newsletter, no 6 (January-February): 201 – 204.
I. Jeffrey, ‘Sherrie Levine’, Untitled (Winter).

1995

S. Kandel, ‘Sherrie Levine’, Art Issues (Summer): 41.
S. Levine, ‘Born Again’, Original Symposium, Salzburger Kunstverein, Reine Cantz : 121—129. D. Pagel, ‘Sherrie Levine’s Copies of Copies’, Los Angeles Times (March): F6.
P. Frank, ‘Art Picks of the Week’, LA Weekly (March).

1994

M. Buskirk, ‘Interview with Sherrie Levine’, October (Fall): 99—103. D. Blair, ‘Sherrie Levine’, Flash Art International (Summer): 123.
D. Rimanelli, ‘Sherrie Levine’, Frieze (May): 59.
D. Spears, ‘Sherrie Levine’, Galeries Magazine (Spring): 103.
R. Smith, ‘Sherrie Levine’, New York Times (March).
N. Smolik, ‘Meine Absicht is es Nicht, ein Kunstwerk zu Kopieren, Sondern es zu Erfahren, interview with Sherrie Levine’, Kunstforum International (January-February): 286- 291.
H. Singerman, ‘Seeing Sherrie Levine’, October (Winter): 78-107.

1993

S. Levine, ‘Farnsworth House/Seagram Building’, Assemblage (August).
C. Lewallen, ‘Sherrie Levine, interview with Sherrie Levine’, Journal of Contemporary Art (Winter): 59-83.

1992

D. Soutif, ‘Sherrie, Copies non Conformes’, Libération (July): 32. E. Franz, ‘Presence Withdrawn’, Parkett (June): 95–98.
D. Salvioni, ‘The Transgression of Sherrie Levine’, Parkett (June): 82–84.
H. Singerman, ‘Looking After Sherrie Levine’, Parkett (June): 101–104.
S. Levine, ‘Insert’, Grand Street 42 (Summer): 81-83.
H. Halle, ‘Fountain and La Fortune’, Grand Street, no. 42 (Summer): 81–95.
M. Kremer, ‘Een Spiritueel Reservoir’, Metropolis M (February): 18–21.

1991

J. Decter, ‘Sherrie Levine’, Flash Art (October): 137.
J. Siegel, ‘Uncanny Repetition: Sherrie Levine’s Multiple Originals’, Arts Magazine (September): 31–35.
J. R. Wolin, ‘Fountain, Field and Pool’, Artscribe (September): 83.
E. Hayt–Atkins, ‘Sherrie Levine’, Galeries Magazine, (August–September 1991), p.104.
K. Levin, ‘Sherrie Levine’, The Village Voice (June): 115.
R. Smith, ‘Sherrie Levine’, The New York Times (May): C26.
M. Porges, ‘Sherrie Levine’, Artforum (April): 131–132.
C. Francblin, ‘Sherrie Levine–l’âge d’or de la Reproduction’, Art Press (March): 33–37.

1990

G. Magnani, ’Thomas Ruff und Sherrie Levine’, Texte zur Kunst (November): 183–184.
R. Krauss, ‘Bachelors’, October (Spring): 52–59.
M. Lovejoy, ‘Art, Technology and Postmodernism: Paradigms, Parallels and Paradoxes’, College Art Association Art Journal (September): 257–264.
S. Morgan, ‘Etwas + Nichts’, Durch (September): 182–187.
N. Princenthal, ‘Irrepressible Vigor: Printmaking Expands’, ARTNews (September): 134–141
K. Levin, ‘Transparent Contradictions: New Glass in New York’, Glass Magazine (June): 34–43.
J. Miller, ‘The Weather Is Here, Wish You Were Beautiful’, Artforum (May): 152-159.
S. Tallman, ‘Meltdown’, Arts Magazine (April): 25–26.
A. Temkin, ‘Cumulus from America’, Parkett (April): 136–141. R. Kalina, ‘Sherrie Levine’, Tema Celeste (January): 66–67.

1989

D. Kuspit, ‘Sherrie Levine’, Contemporanea (December): 90–91.
H. Cotter, ‘Sherrie Levine’, Art in America (November): 187.
K. Harrison, ‘Sherrie Levine’, Flash Art (November): 133.
E. Heartney, ‘Sherrie Levine’, ARTNews (November): 162.
P. Schjeldahl, ‘Paperweight’, Seven Days (October): 67.
K. Levin, ‘Sherrie Levine’, The Village Voice (October): 99.
R. Smith, ‘Subtle Ways to Eat Your Cake and Have It Too’, The New York Times (October): H35–H36.
R. Smith, ‘Sherrie Levine Enters the World of Sculpture’, The New York Times (September): C23.
R. B. Woodward, ‘Comics as Inspiration: Are We Having Fun Yet?’, The New York Times (April): 1, 22.
D. Salvioni, ‘Sherrie Levine’, Flash Art (March): 109.