Paulina Olowska
Selected Bibliography
Artist Books
2003
- Arriviste, on the occasion of an exhibition at Galerie Akinci, Amsterdam, The Netherlands
- Nova Popularna, with Lucy McKenzie, edited by Foksal Gallery Foundation, on the occasion of the exhibition Bar Nova Popularna, Warsaw, Poland
Books
2011
- B. Schwabsky (ed.), Vitamin P2: New Perspectives in Painting, Phaidon, New York, pp. 230-233.
2010
- P. Adler and D. McCorquodale (eds.), Contemporary Art in Eastern Europe, Black Dog Publishing, London, pp. 140-141.
- R. Gygax & H. Munder (eds.), Between Zones: On the Representation of the Performative and the Notation of Movement, JRP Ringier, Zürich, pp. 160-166.
2006
- U. Grosenick (ed.), Art Now, Vol. 2, Taschen, Cologne, pp. 368-371.
Catalogues
2011
- Ostalgia (New Museum, New York).
- The Power of Fantasy: Modern and Contemporary Art from Poland (BOZAR Palais des Beaux-Arts, Brussels).
2010
- Utopie und Monument II (Steirischer Herbst, Graz).
- While Bodies Get Mirrored: An Exhibition About Movement, Formalism and Space (Migros Museum für Gegenwartskunst, Zurich).
2009
- Modernologies - Contemporary Artists Researching Modernity and Modernism (Museum of Contemporary Art, Barcelona), pp. 168-173.
- Compass in Hand: Selections form the Judith Rothschild Foundation Contemporary Drawings Collection (Museum of Modern Art, New York), p. 210.
- Moby Dick (CCA Wattis Institute for Contemporary Arts, San Francisco), pp. 84-85.
2008
- When Things Cast No Shadow (5th Berlin Biennal for Contemporary Art, Berlin).
- Dark Continents (Museum of Contemporary Art - North Miami (MOCA), Miami), pp. 40-45.
2007
- Noël sur le balcon/ Hold the Color (Sammlung Goetz, Munich), pp. 143.
- Salty Water (Portikus, Frankfurt), pp. 40.
- Le nuage Magellan (Centre Pompidou - Musée National d ́Art Moderne, Paris), pp. 54-59.
2005
- 9th İstanbul Biennial (Istanbul Foundation for Culture and Arts, Istanbul), pp. 27-29.
2004
- Sie musste die Idee eines Hauses als Metapher verwerfen (Kunstverein Braunschweig, Braunschweig), pp. 21-32 (English); pp. 46-55 (Dutch).
- Who if not we should at least try to imagine the future of all this? Time and Again (Stedelijk Museum, Amsterdam).
- Prym (BWA Gallery, Zielona Góra).
2003
- Sztuka w miescie (Zacheta Gallery, Warsaw).
- Nova Popularna (Bar Nova Popularna, Warsaw).
- Je t’aime de loin (Institut Polanais, Paris).
- Architectures of Gender: Contemporary women's art in Poland (Sculpture Center, New York). Sztuka w miescie”: Zewnętrzna Galeria AMS / “Art in the City”: Retrospective of Open Gallery AMS (Zacheta National Gallery of Art, Warsaw).
- Ukryte w Słońcu/ Hidden in the Daylight (Foksal Gallery Foundation, Cieszyn). Nova Popularna (Foksal Gallery Foundation, Warsaw).
2002
- The Best Book About Pessimism I Ever Read (Kunstverein Braunschweig, Braunschweig).
- Germination XXIII (Ecole Nationale Superieure des Beaux-Arts, Paris).
- Open Studios (Rijksakademie Van Beeldende Kunsten, Amsterdam).
- Romancing with Avant-garde (National Gallery, Sopot).
- Dobrze - In Ordung (Kunstbüro, Vienna), pp. 18.
2001
- IV Krajowa Wystawa Malarstwa Młodych/IV Annual Exhibition of Painting (Gallery Awangarda, Wroclaw)
- Open Studio (Center for Contemporary Art, Kitakyushu).
- Maskarada/Mascarda (Contemporary Art Center, Poznan).
2000
- Marzenie Prowincjonalnej Dziewczyny/The Dream of Provincial Girl (Apartment Space, Sopot).
- Niebezpieczne Pędzle/Dangerous Brushes (National Museum, Warsaw).
1999
- 34 Biennale Malarstwa/The 34th Painting Biennial (National Gallery, Bielsko Biala).
Interviews
2009
- J. Decker and H. Liebs, ‘Ich kann Ihnen die Handlung Seite für Seite erzählen: Ein Interview mit Paulina Olowska,’ Süddeutsche Zeitun Magazin, No. 46 (13 November): 6-21.
2004
- D. van den Boogerd, ‘Interview met Paulina Olowska’, Stedelijk Museum Bulletin (May): 38-41.
- W. Cooreman, ‘Olowska and McKenzie’, Janus, No. 17: 60-63.
2001
- ‘Enigmatic Girls: Lucy McKenzie & Paulina Olowska in Conversation’, Untitled (Summer): 16-17.
Articles and Reviews
2012
- L. Muñoz-Alonso, ‘Paulina Olowska’s ‘Mother 200’ at Simon Lee Gallery’, Self-Selector (1 June)
2011
- G. Haagsma, ‘Paulina Olowska at Simon Lee Gallery’, ArtSlant (22 April)
- T. Williams, ‘Exhibition Reviews: Paulina Olowska at Metro Pictures’, Art in America (February): 98- 99.
- L. O'Neill-Butler, ‘Reviews: Paulina Olowska Metro Pictures’, Artforum (January): 220-221.
- M. Szalewicz, ‘A Tree Trunk Becoming a Face, A Face Becoming a Landscape’, Piktogram (October): cover, 90-91.
- S. Sherwin, ‘Artist of the week special: Paulina Olowska, Anna Molska and Jakub Julian Ziolkowski’, The Guardian Online (6 April).
2010
- C. Wood, ‘Painting: Performance and Masquerade’, Flash Art (May/June): 84-88.
2009
- M. Stará, ‘Paulina Olowska’, Labyrint Revue, No. 25-26: 111-121.
- C. Stewart, ‘A View Story: Paulina Olowska on the Ways We Create and Consume Art’, Tank Vol. 6, No. 1, 60-65.
- G. Sharpe, ‘London: Hed-Wig (Portrait of an Exhibition)’, MAP (Winter 2009/10): 84.
- H. Reckitt, ‘Who was that Woman?’ C Magazine, No. 104 (Winter): 30-40.
- ‘Questionnaire: Paulina Olowska’, Frieze (October): 236.
- D. Müller, ‘Sarah Crowner and Paulina Olowska at DAAD Galerie’, Artforum (March): 257-258.
2008
- J. Lavrador, ‘Qu’est-ce Que La Peinture Aujourd’hui?’, Beaux Arts: 124-125. I. Leaver-Yap, ‘And It Is Time’, MAP (Summer): 36-41.
- E. Krajewska, ‘Aritsts on Artists: Paulina Olowska’, Bomb, No. 103 (Spring): 52-53.
2007
- P. Olowska, ‘Top Ten’, Artforum (Summer): 223-224.
- R. Feinstein, ‘Paulina Olowska at Metro Pictures’, Art in America (June/July): 207-208. F. Üstek, ‘Time-Space Short Circuits’, Tema Celeste (March/April): 54-59.
- C. Berwick, ‘Paulina Olowska: Metro Pictures’, Art News (March): 144-145.
- M. Gronlund, ‘Future Greats: Paulina Olowska’, Art Review (March): 88.
- R. Smith, ‘Paulina Olowska: Review’, The New York Times (2 February): E35.
- B. Goodbody, ‘Paulina Olowska: Review’, Time Out New York (February 1-7): 69.
2006
- M. Szewczyk, ‘The Fantasy of Paulina Olowska’, A Prior, No. 13: 124-133.
- S. Crowner and P. Olowska, ‘Tete a Tete’, North Drive Press, No. 3: n.p.
- S. Tate, ‘Gender Genius’, Swingset, No. 7: 42-46.
- G. Charylo, ‘Review: Paulina Olowska’, Frieze (November/December): 167.
- E. Speers Mears, ‘Paulina Olowska: Cabinet Gallery’, Artforum (Summer): 370.
2005
- J. Verwoert, ‘Paulina Olowska's Metamorphosis in the Abteiber Museum’, Talking Pictures Magazine (Summer): 21.
- J. Di Blasi, ‘Paulina Olowska’, Kölner Stadtanzeiger (31 March): 25.
- J. Verwoert, ‘Certain Women’, Frieze (March): 109-114.
- F. Illies, ‘Paulina Olowskas Hochschule der Posen’, Monopol (February/March): 128-132
2004
- M. Barnas, ‘Gentle Distortions’, Metropolis M, No. 5: 114-122. O. Tepel, ‘Last Exit Avantgarde’, Spex (December): 65.
- S. Kleefeld, ‘Modell A’, Texte zur Kunst (September): 205-208.
- A. Szymczyk, ‘Aperto Poland’, Flash Art (July-September): 71-73.
- F. Shaw & L. Garulli, ‘Was will Europa’, Flash Art (July-September): 98-107. P. Ziegler, ‘Flanieren im Salon der Avantgarde’, FAZ (16 June): 41.
- L. Coelewij, ‘Time and Again’, Stedelijk Museum Bulletin (May): 27-31.
- D. Baumann, ‘The Visitor’, Pacemaker, no. 4: n.p.
- A. Viliani, ‘Paulina Olowska’, Flash Art (March-April): 103.
- L. Werner-Art, ‘Unbekannte Schwester, unbekannter Bruder’, Dresdner Neueste Nachrichten (8 January): 12
- F. Illies, ‘Die jungen Polen kommen!’, Monopol (March): 45-52.
2003
- M. Wolinski, ‘Ukryte w Sloncu’, Fluid 8, No. 33: 66-69.
- D. Smith, ‘Paulina Olowska – Cabinet’, Art Monthly: 32-33.
- A. Kempkes, ‘Hidden in Daylight. Hotel Pod Jeleniem, Cieszyn’. Frieze (October): 130. J. Verwoert, ‘50th Venice Biennale’, Frieze (September): 101.
- P. Olowska, ‘New Popular Project’, Issue Magazine (September): n.p.
- M. Dragowksa & M. Romaszkan, ‘Nova Popularna’, Issue Magazine (Fall): 144-149. S. O'Reilly, ‘Paulina Olowska - Cabinet Gallery, London’, Frieze (June-August): 117.
- L. McKenzie and P. Olowska, ‘Nova Popularna’, Metropolis M, no. 5: 71-74.
- P. Majson, ‘Nostalgia za nieustajacym wernisazem’, A4 Magazine (June): 90-93.
- M. Welish, ‘Architectures of Gender, Sculpture Center, New York’, Bomb (Summer): n.p.
2002
- L. Gorczyca, ‘Zewnetrzna Galeria AMS. Mloda Artystka Reklamuje Esperanto. Uwodzaje Utopie’, Machina: 72-73.
2001
- E. Mahoney, ‘The fine art of fulfilling hype’, The Sunday Times (22 April): 7
- E. Mahoney, ‘Heavy Duty. Inverleith House, Edinburgh’, The Guardian (17 April): 16.