João Penalva

  • Crashed (III), 2015 |Chromogenic print on Fuji Flex dry-mounted on Alu-Dibond, acrylic glass and wood frame. |91.8 x 71.8 cm (36 1/8 x 28 1/4 in.)
  • Crashed (II), 2015 |Chromogenic print on Fuji Flex dry-mounted on Alu-Dibond, acrylic glass and wood frame. |99.8 x 70.8 cm (39 1/4 x 27 7/8 in.)
  • W2 2DS, 2015 |Archival pigment printing on linen dry-mounted on Alu-Dibond |226 x 150 cm (89 x 59 1/8 in.)
  • W1W 8QN, 2015 |Archival pigment printing on linen dry-mounted on Alu-Dibond |226 x 150 cm (89 x 59 1/8 in.)
  • W1H 4LL (2), 2015 |Archival pigment printing on linen dry-mounted on Alu-Dibond |226 x 150 cm (89 x 59 1/8 in.)
  • W2 2BS (2), 2014 |Archival pigment printing on linen dry-mounted on Alu-Dibond |107 x 72 cm (42 1/8 x 28 3/8 in.)
  • Five light bulbs, clear and blue, 2013|Chromogenic print dry-mounted on Alu Dibond, oak frame and museum glass|Unframed: 44 7/8 x 35 3/8 in. (114 x 90 cm)|Framed: 45.66 x 36.29 in. (116 x 92.2 cm)|Unique
  • Three light bulbs, green, pearl and pink, 2013|Chromogenic print dry-mounted on Alu Dibond, card, oak frame and museum glass|Unframed: 19 5/8 x 16 1/8 in. (50 x 41 cm)|Framed: 28.34 x 24.40 in. (72 x 62 cm)|Unique
  • Three light bulbs, yellow, 2013|Chromogenic print dry-mounted on Alu Dibond, card, oak frame and museum glass|Unframed: 21 1/4 x 18 1/2 in. (54 x 47 cm)|Framed:30 x 26.57 in. (76 x 67.5 cm)|Unique
  • Four light bulbs, yellow and clear, 2013|Chromogenic print dry-mounted on Alu Dibond, card, oak frame and museum glass|Unframed: 23 1/4 x 16 7/8 in. (59 x 43 cm)|Framed: 31 7/8 x 25 in. (81 x 63.5 cm)|Unique
  • Men Asleep, 2012|Single screen, double 35mm slide projections with dissolve system controlled by real time generated dissolve cues and surround sound|TRT: 112 minutes, 8 seconds, looped|Installation dimensions variable|Edition 2 of 2 (+1 AP)
  • A snow covered road, 2010|Silver bromide print on Ilford Glossy Unglazed paper and pigment print on Hahnemühle Photo Rag Bright|White 310g paper mounted on Dibond,  paint, lacquered maple frame and Plexiglass|45 5/8 x 38 1/4 x 1 5/8 in. (116 x 97 x 4 cm)|Edition of 3 + 1 AP
  • H.S. Telephone, (1), 2010|Pigment print with Cannon Lucia inks on Innova Fine Print Gloss paper, 300g/sqm, dry-mounted on Dibond and oak frame| 80 1/8 x 60 1/2 x 2 3/8 in. (203.6 x 153.6 x 6 cm)|Edition 1 of 3 + 1 AP
  • H.S. Telephone, (2), 2010|Pigment print with Cannon Lucia inks on Innova Fine Print Gloss paper, 300g/sqm, dry-mounted on Dibond and oak frame|80 1/8 x 60 1/2 x 2 3/8 in. (203.6 x 153.6 x 6 cm)|Edition 1 of 3 + 1 AP
  • H.S. Telephone, (3), 2010|Pigment print with Cannon Lucia inks on Innova Fine Print Gloss paper, 300g/sqm, dry-mounted on Dibond and oak frame|80 1/8 x 60 1/2 x 2 3/8 in. (203.6 x 153.6 x 6 cm)|Edition 1 of 3 + 1 AP
  • G.L. Chair (4), 2010|Piezo pigment print with Roland pigment inks on BFK Rives paper, 250  g/sqm, painted wood frame and Plexiglass|32 3/4 x 26 1/8 in. (83.3 x 66.5 cm)|Edition of 3 (+1 AP)
  • G.L. Chair (3), 2010|Piezo pigment print with Roland pigment inks on BFK Rives paper, 250  g/sqm, painted wood frame and Plexiglass|32 3/4 x 26 1/8 in. (83.3 x 66.5 cm)|Edition of 3 (+1 AP)
  • G.L. Chair (2), 2010|Piezo pigment print with Roland pigment inks on BFK Rives paper, 250  g/sqm, painted wood frame and Plexiglass|32 3/4 x 26 1/8 in. (83.3 x 66.5 cm)|Edition of 3 (+1 AP)
  • G.L. Chair (1), 2010|Piezo pigment print with Roland pigment inks on BFK Rives paper, 250  g/sqm, painted wood frame and Plexiglass|32 3/4 x 26 1/8 in. (83.3 x 66.5 cm)|Edition of 3 (+1 AP)
  • Boo!, 2010|Selenium toned silver bromide fibre print on Ilford Glossy Unglazed paper  mounted on Dibond, lacquered maple frame and museum glass|16 1/4 x 12 1/4 x 1 1/8 in. (41.2 x 31.2 x 3 cm)|Edition of 3 (+1 AP)
  • The Toshiba Book of Happiness, 2009|Epson Micro Piezo TFP printing with UltraChrome K3 inks on Moab Legion|Entrada Rag Natural 300g paper|24 pages; 15 1/2 x 12 1/4 in. (39.5 x 31 cm) |Edition of 3 (+1 AP)
  • Table settings, 2009|Epson Micro Piezo TFP printing with UltraChrome K3 inks on Moab Legion|Entrada Rag Natural 300g paper|56 pages; 15 1/2 x 12 1/4 in. (39.5 x 31 cm)|Edition of 3 (+1 AP)
  • Sumiko, 2009|Pigment prints on Hannemüle DFA Photo Rag 308g paper|Dry-mounted on Dibond, paint, glass, oak frames|50 3/8 x 31 7/8 x 20 7/8 in. (128 x 81 x 3 cm)|Edition of 3 (+1 AP)
  • Bruno Matthsson's Eva chair 1934, 2009|Epson Micro Piezo TFP printing with UltraChrome K3 inks on Moab Legion|Entrada Rag Natural 300g paper|40 pages; 15 1/2 x 12 1/4 in. (39.5 x 31 cm)|Edition of 3 (+1 AP)
  • The shutoko lights, 2008|Pigment prints on Innova Natural White, 310 g paper|Dry-mounted on Dibond, wood, paint, acrylic glass, oak frames|90 5/9 x 59 4/5 x 2 in. (230 x 152 x 5 cm)|Edition of 3 (+1 AP)
  • The girl from Reading, 2008|Pigment prints on Innova Natural White, 310 g paper|Dry-mounted on Dibond, wood, paint, acrylic glass, oak frames|90 1/2 x 59 7/8 x 2in. (230 x 152 x 5 cm)|Edition of 3 (+1 AP)
  • She had no idea, 2008|Pigment prints on Innova Natural White, 310 g paper|Dry-mounted on Dibond, wood, paint, acrylic glass, oak frames|90 1/2 x 59 7/8 x 2in. (230 x 152 x 5 cm)|Edition of 3 (+1 AP)
  • Either a face or udders, 2008|Pigment print on Innova Natural White 310 g paper dry-mounted on Dibond, acrylic glass, lacqured ash frame|59 7/8 x 44 1/8 x 1 1/8 in. (152.2 x 112.2 x 3 cm)|Edition of 3 (+1 AP)
  • Pavlina, 2007|Synchronized slide projection and video projection of a super 16mm film transferred to DVD, small standing screen, chairs|DVD: 10 minutes, colour, sound|Installation dimensions variable|Edition of 2 (+1 AP)
  • In a Swedish office, 2007|Epson Micro Piezo TFP printing with UltraChrome K3 inks on Moab Legion|Entrada Rag Natural 300g paper|64 pages;15 1/2 x 12 1/4 in. (39.5 x 31 cm)|Edition of 3 (+1 AP)
  • Yusuke’s sheepskin coat, 2006|Pigment prints on Innova Natural White, 310g paper|Dry-mounted on Dibond, wood, paint, acrylic glass, oak frames|90 1/2 x 59 7/8 x 2in. (230 x 152 x 5 cm)|Edition of 3 (+1 AP)
  • They are nobodies, only stuntmen, 2006|Pigment prints on Innova Natural White, 310 g paper Dry-mounted on Dibond, wood, paint, acrylic glass, oak frames|90 1/2 x 59 7/8 x 2in. (230 x 152 x 5 cm)|Edition of 3 (+1 AP)
  • The 4th or the 5th?, 2006|Pigment prints on Innova Natural White, 310 g paper Dry-mounted on Dibond, wood, paint, acrylic glass, oak frames|90 1/2 x 59 7/8 x 2in. (230 x 152 x 5 cm)|Edition of 3 (+1 AP)
  • Tears at Nihonbashi Bridge, 2006|Pigment prints on Innova Natural White, 310 g paper Dry-mounted on Dibond, wood, paint, acrylic glass, oak frames|90 5/9 x 59 4/5 x 2 in. (230 x 152 x 5 cm)|Edition of 3 (+1 AP)
  • Looking up in Osaka — Chiko 4 cho-me (#5), 2005-2006|Archival pigment print on Innova Smooth Cotton High White 315 gsm|drymounted on Alu Reynobond, acrylic glass, oak frame|79 3/4 x 60 1/8 x 2 1/4 in. (202.7 x 152.7 x 5.7 cm)
  • The White Nightingale, 2005|Single video projection|42 minutes, colour, sound|Edition of 5 (+1 AP)
  • <i>Stop, Stand, Stay, No</i>, 2005|Four channel video installation|2 minutes, 23 seconds, colour, sound|Edition of 3 (+1 AP)
  • Between 2 and 3, 2005|Single video projection|20 minutes, 51 seconds, colour, sound|Edition of 5 (+1 AP)
  • A Harangozó (The Bell-Ringer), 2005|Single video, projection|53 minutes, colour, sound|Edition of 5 (+1 AP)
  • Kapitän, 2004|Single back-projection and wall vinyl text|Projection: 13 minutes, 28 seconds, colour, sound|Installation dimensions variable|Edition of 5 (+1 AP)
  • Item 74C, 2004|Silver bromide photograph on fibre paper mounted on Dibond, museum  board, oak frames and museum glass|13 1/4 x 16 3/8 in. (33.5 x 41.5 cm)|Edition of 2 +1 AP
  • Hermitage Pier, 2004|3 simultaneous single video projections|15 minutes, colour, silent|Edition of 5 (+1 AP)
  • Violette Avéry, 2003|5 video projections, 2 slide projections|Installation dimensions variable|Edition of 3 (+1 AP)
  • Reeds (II), 2003|Solarised silver gelatin print on fibre paper|15 3/4 x 19 7/8 in. (40 x 50.5 cm)
  • Reeds (I), 2003|Solarised silver gelatin print on fibre paper|15 3/4 x 19 7/8 in. (40 x 50.5 cm)
  • If we are not to disturb the glow, 2003|Piezo pigment print and graphite pencil on paper|20 1/2 x 16 1/2 in. (52 x 42 cm)
  • The Prize Song (#8), 2001|Pigment print on Hahnemühle German Etching paper, 310g|36 5/8 x 27 7/8 in. (93 x 70.8 cm)|Edition of 5 (+1 AP)
  • The Prize Song (#5), 2001|Pigment print on Hahnemühle German Etching paper, 310g|36 5/8 x 27 7/8 in. (93 x 70.8 cm)|Edition of 5 (+1 AP)
  • The Prize Song (#3), 2001|Pigment print on Hahnemühle German Etching paper, 310g|36 5/8 x 27 7/8 in. (93 x 70.8 cm)|Edition of 5 (+1 AP)
  • The Prize Song (#29), 2001|Pigment print on Hahnemühle German Etching paper, 310g|36 5/8 x 27 7/8 in. (93 x 70.8 cm)|Edition of 5 (+1 AP)
  • The Prize Song (#26), 2001|Pigment print on Hahnemühle German Etching paper, 310g|36 5/8 x 27 7/8 in. (93 x 70.8 cm)|Edition of 5 (+1 AP)
  • <i>Lake View</i>|<i>Man with Fire</i>, 2001|Two single video projections, each 27 min., colour, sound|Edition of 6 (+1 AP)
  • Mister, 1999|Video,|25 minutes, colour, sound|Edition of 5 (+1 AP)
  • Wallenda (Cabinet Version), 1998|Single video projection, 16 sec., colour, silent, looped; single video projection, 30 mmin. 7 sec., colour, looped; 153 framed paper collages, 11 framed solarised b&w and colour photographs, vinyl wall text|The installation occupies approx. 500 sqm|Edition of 3 (+1 AP)
  • 336 PEK (336 Rivers), 1998|Single video projection,|59 minutes, colour, sound|Edition of 3 (+1 AP)
  • The weeds from Hiroshima (Setaria Faberi Herrman, II), 1997|Solarised photogram / Silver gelatin print on fibre paper|23 7/8 x 19 7/8 in. (60.5 x 50.5 cm)
  • Small Weeds from Hiroshima (IV), 1997|Solarised photogram. Silver gelatin print on fibre paper|16 x 12 in. (40.5 x 30.5 cm)
  • Small Weeds from Hiroshima (III), 1997|Solarised photogram. Silver gelatin print on fibre paper|16 x 12 in. (40.5 x 30.5 cm)