| 2012 |
Painting in the paramodern continuum, Stavanger Art Museum, Norway |
| 2011 |
Self-Similar/seen somewhere else at the same time, curated by George Unsworth, Galerie de Expeditie, Amsterdam, The Netherlands |
| 2010 |
Newspeak: British Art Now, Part II, The Saatchi Gallery, Londres, UK
Another Face: Works from the Arts Council Collection, Hatton Gallery, Newcastle upon Tyne, U.K
Screenings, curated by Robin Footitt, 203-205 Brompton Road, London, UK
The Future Demands Your Participation: Contemporary Art from the British Council Collection. Minsheng Art Museum, Shanghai.
A Group Painting Show, Patrick Painter Inc, Santa Monica, US |
| 2009 |
Newspeak: British Art Now, The State Hermitage Museum, St Petersburg, Russia
The White Show, curated by Caroline Douglas, PM Gallery and House, London, U.K
Reframing, curated by Barry Schwabsky, CCA Andratx, Mallorca, Spain
Cui Prodest?, curated by Francseco Stocchi, New Galerie de France, Paris, France (cat.)
Natural Wonders: New Art from London, curated by Nick Hackworth, Baibakov Art Projects, Moscow,
Russia
Accrochage, Max Hetlzer, Berlin, Germany |
| 2008 |
RU(technhe) TH(episteme)8?, Hats Plus, London, U.K
Parkhaus, Kunsthalle Düsseldorf, Düsseldorf, Germany
Hamster Wheel, organised by Franz West, Malmö Konsthall, Malmö, Sweden
Thuring and Ziegler, 10 Vyner Street, London, U.K
Nature is a Workshop: selected from the Arts Council Collection, Turner Contemporary Project Space, Margate, U.K
35% Vrai 60% Faux, Simon Lee Gallery, London, U.K
Grotto, Museum 52, London, U.K |
| 2007 |
Hamster Wheel, organised by Franz West, Arsenale di Venezia, Venice, Italy; Festival Printemps de Septembre, Toulouse, France
Size Matters: XXL - Recent Large-Scale Paintings, Hudson Valley Centre for Contemporary Art,
Peekskill, U.S.A
Soufflé, curated by Franz West, Kunstraum Innsbruck, Austria (cat.)
How to Improve the World, Gas Hall, Birmingham Museum and Art Gallery, Birmingham, U.K
Recent Abstraction, British Art Display 1500 –2007, Tate Britain, London, U.K |
| 2006 |
Out of Place, The New Art Gallery, Walsall, U.K
Everybody Knows This Is Nowhere, curated by Barry Schwabsky, Asbæk, Copenhagen, Denmark
Archipenture: Painters Build Architecture, Camden Arts Centre, London, U.K, travelled to Le Plateau - FRAC d’Ile de France, Paris, France |
| 2005 |
The Future Lasts a Long Time, Le Consortium, Dijon, France
Ordering the Ordinary, curated by David Thorp, Timothy Taylor Gallery, London, U.K
Supernova, Bunkier SztU.Ki Gallery of Contemporary Art Poland, Krakow, Poland; travelled to Kunstihoone, Tallinn, Estonia; Contemporary Art, Vilnius, Lithuania; City Art Gallery, Prague, Czech Republic |
| 2004 |
Kingdom, The Market, Glasgow, U.K
Contrapop, Vamiali's, Athens, Greece
Expander, Royal Academy of Arts, London, U.K
John Moores 23, The Walker, Liverpool, U.K
The Future Lasts a Long Time, Tal Esther Gallery, Tel Aviv, Israel
Collection 1, curated by Stephen Hepworth, Isabella Brancolini Arte Contemporanea, Florence, Italy |
| 2003 |
Art Kliasma 2003, Moscow, Russia
EAST International, Norwich Gallery, U.K (cat.)
Civilia, Bluecoat Gallery, Liverpool, U.K
Creek, Cell Project Space, London, U.K |
| 2002 |
Project with Christopher Landoni & Oliver Michaels, King of Norway’s House, London, U.K
Hypnotising Chickens, One in the Other, London, U.K |
| 2001 |
Sages, Scientists and Madmen, One in the Other, London, U.K |