| 2008 |
2008 Photography on Photography: Reflections on the Medium since 1960, Metropolitan Museum of Art, New York
Prefab, Gagosian Gallery, New York
Wood, Paula Cooper Gallery, New York
Color Chart: Reinventing Color, 1950 to Today, Museum of Modern Art, New York
Whitney Biennal 2008, Whitney Museum of American Art, New York
Art of this Century, Gavin Brown’s Enterprise, New York
Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography, New York, NY
The Cult of Personality – Portraits and Mass Culture, Galerie Erna Hecey, Brussels
7th Gwangju Biennale, Gwangju Biennale, Gwangju
Facebook : Images of People in Photographs from the Collection, The Frances Lehman Loeb Art Center, Poughkeepsie
REAL- Fotografien aus der Sammlung der DZ-BANK, Stadel Museum, Frankfurt/Main
Meet Me Around the Corner – Works from the Astrup Fearnley Collection, Astrup Fearnaly Museet for Moderne Kunst, Oslo
Blasted Allegories – Werke aus der Sammlung Ringier, Kunstmuseum Luzern, Luzern
35% Vrai 60% Faux, Simon Lee Gallery, London
Martian Museum of Terrestrial Art, Barbican, London
Entre Temps, FRAC – Poitoux-Charentes, Angouleme
Art Metropole : The Top 100, MSVU Art Gallery, Halifax |
| 2007 |
2007 Take 2: Women Revisiting Art History, curated by Janet Bishop, Mills College of Art Museum, Oakland, CA
Kunsthaus Aarau, Aarau, Switzerland
Living in the Material World – ‘Things’ In Art of the Twentieth Century and Beyond, The National Art Center, Tokyo, Japan
Real Life Magazine, curated by Kate Fowle, Artists Space, New York, NY
What does the jellyfish want? Fotografien von Man Ray bis James Coleman, Ludwig Museum, Cologne, Germany
Still Life & Kicking, a collaboration with Vogue, curated by Dodie Kazanjian, Paula Cooper Gallery, New York, NY
From Chelsea to Caochangdi, Chambers Fine Art – Beijing, Beijing
Fit To Print : Printed Media In Collage, Gagosian Gallery – Madison Avenue, New York
Face to face – The daros Collections, Part 1, Daros Exhibition, Zurih
More Than the World – Works from the Astrup Fearnley Collection, Astrup Fearnley Museet for Moderne Kunst, Oslo
A New Reality : Black and White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, New Brunswick
Sculpture, James Kelly, Contemporary, Santa Fe
Theme and Variations in painting and Sculpture, MFAH – Museum of Fine Art Houston, Houston
This Place is Ours! Recent Acquisitions at the Academy, Pennsylvania Academy of the Fine Arts, Philadelphia
What is Painting? Contemporary Art from the Collection, MoMA – Museum of Modern Art, New York
Someone else with my Fingerprints, Galerie Chantal Crousel, Paris
Rocker Island – Olbricht Collection, Museum Folkwang Essen, Essen
Scenes and Sequences – Peter Blum Edition, New York, Aagauer kunsthaus, Aarau
Beneath the Underdog, Gagosian Gallery, Madison Avenue, New York
PURE, Sean Kelly Gallery, New York
Al Otro Lado del Espejo, CEART, Centro de Arte Tomas y Valiente, Madrid
Half Square Half Crazy, Villa Arson, Nice
REALLIFE 1979-1990, Artists Space, New York |
| 2006 |
The Downtown Show, The New York Art Scene 1974-1984, curated by Carlo McCormick, The Grey Art Gallery, New York, NY
Singular Multiples: The Peter Blum Edition Archive 1980-1994, Museum of Fine Arts, Houston, TX
An Ongoing Low-Grade Mystery, organized by Bob Nickas, Paula Cooper Gallery, New York, NY
Seeing Double, The Art Galleries, Ramapo College of New Jersey, Mahwah, NJ
Figures in the Field: Figurative Sculpture and Abstract Painting from Chicago
Collections, Museum of Contemporary Art, Chicago, IL
Glass: Material Matters, Los Angeles County Museum of Art, Los Angeles, LA
Freud and Contemporary Art: The Collection of The Sigmund Freud Museum Vienna, Austrian Cultural Forum, New York, NY
Magritte and Contemporary Art: The Treachery of Images, Los Angeles County Museum of Art, Los Angeles, CA
The Gold Standard, organized Bob Nickas and Walead Beshty, P.S. 1 Contemporary Arts, Queens, NY
On Second Thought, Perry Rubenstein Gallery, New York, NY
Quartet – Barney, Gobert, Levine, Schutte, Walker Art Center, Minneapolis
A Show of Prints, James Kelly – Contemporary, Santa Fe
Magritte and Contemporary Art : The Treachery of Images, Los Angeles County Museum of Art- LACMA, Los Angeles
The Gold Standart, PS1 Contemporary Art Center, Long Island
Egon Schiele, Vorbild und Widersacher in der Zeitgenossischen Kunst, Osterreichische Galerie Belvedere, Vienna
Nach Schiele, Augarten Contemporary (vormals Atelier Augarten), Vienna |
| 2005 |
The Downton Show: The New York Art Scene, 1974-1984, curated by
Carlo McCormick, The Grey Art Gallery, New York University, New York, NY
Suspended Narratives, Lora Reynolds Gallery, Austin,TX
Logical Conclusions: 40 Years of Rule-based Art, Pace Wildenstein, New York, NY
Seeing Double, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Quarter: Barney, Gober, Levine, Walker, Walker Art Center, Minneapolis, MN
Flashback – Revisiting The Art of The Eighties, Museum fur Gegenwartskunst – Emmanuel Hoffman- Stiftung
Dessins de la Collection, Musee d’Art Contemporain de Montreal, Montreal
For Representation and Display – Some Art of The 80’s, Princeton University Art Museum, Princeton
The Last Picture Show – Artists using Photography 1960-1982, Miami Art Central, Miami
Just do it!, die Subversion der Zeichen von Marcel Duchamp bis Prada Mienhof, Lento Kunstmuseum Linz, Linz
Atlantic and Bukarest, Photography, Films and Video : New Acquisitions, Kunstmuseum Basel, Basel |
| 2004 |
Off the Wall: Selections from the JPMorgan Chase Art Collection, Bruce Museum, Greenwich, CT
About Painting, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Spring, New York, NY
The Fifth International Biennial Exhibition, Disparities and Deformations: Our Grotesque, curated by Robert Storr, SITE Santa Fe, NM
La Lettre Volée, F.R.A.C. Franche-Comté Musée des Beaux-Arts de Dole, France
Last one on is a soft Jimmy, Paula Cooper Gallery, New York, NY
Wide Open Spaces, PS1 Contemporary Art Center, Long Island
VIP 2 Die Neuen, Museum Morsbroich, Leverkusen
Close Up – Contemporary US Art, Listasafn Reykyavik Art Museum, Reykyavik
Support – Die Neue galerie als Sammlung 1950 Heute, Neue galerie Graz am Landesmuseum Joanneum, Graz
The Reality of Things, Triple Candie, New York
Singular Froms (Sometimes Repeated)- Art from 1951 to the present, Solomon R.Guggenheim Museum, New York
The Last Picture Show – Artists Using Photography 1960-1982, UCLA Hammer Museum, Los Angeles |
| 2003 |
After Shock, Dickison Roundell Inc., New York, NY
Influence, Anxiety and Gratitude (Toward an Understanding of Transgenerational Dialogue as a Gift Economy), M.I.T. List Visual Arts Center, Cambridge, MA
Living with Duchamp, The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, NY
Stranger in the Village, Guild Hall, East Hampton, New York, NY
The Last Picture Show: Artists Using Photography 1960-1982, Walker Art Center, Minneapolis, MN
Crimes and Misdemeanors – Politics in US Art of The 1980s, CAC, Cincinati Contemporary Arts Center, Cincinati
The Unhomely, Kettle’s Yard, Cambridge, Cambridgeshire
Women in Italian Collections, Fondazione sandretto rebaudengo, Turin
The Real Thing, Steven Wolf Fine Art, San Francisco
Everyday Aesthetics-Works from the Astrup Fearnley Collection, Astrup Fearnley Museet for Modern Kunst, Oslo
Accessoiremaximalismus, Kunsthalle zu Kiel der Christian Albrechts Universitat, Kiel
American Tableaux – Many voices, Many Stories, MAM, Miami Art Museum, Miami
ReProduktion 2, Georg Kargl Fine Art, Vienna |
| 2002 |
But is it real?, Williams College Museum of Art, Williamstown, MA.
From the Observatory , Paula Cooper Gallery, New York, NY
New Acquisitions, Walker Art Center, Minneapolis, MN
Painting on the Move, Museum of Contemporary Art, Basel, Switzerland
Regarding Landscape II, Centre des Arts Saidye Bronfman, Montreal, Canada
System Order Nature, Devin Borden Hiram Butler Gallery, Houston, TX
Living Room, Jablonka Galerie, Koln, Cologne
Andy Warhol – Portrait Drawings/Sherrie Levine – Skulls, Jablonka Galerie-Koln, Cologne
Photography Transformed, The Cleveland Museum of Art, Cleveland |
| 2001 |
As Painting: Division and Displacement, The Wexner Center for the Arts, The Ohio State University, Columbus, OH
Postmodern Americans: a selection, The Menil Collection, Houston, TX
Picturing Media: Modern Photographs from the Permanent Collection, Metropolitan Museum of Art, New York, NY
Recent Acquisitions, Kunstsammlung NRW, Dusseldorf Museum of Our Whishes, Ludwig Museum, Koln
Mythic Proportions: Painting in the 1980s, Museum of Contemporary Art, Miami, FL
About Face, The Museum of Modern Art, New York, NY
Parkett Collaborations, Museum of Modern Art, New York, NY
Selections from the Permanent Collection and Recent Acquisitions, Miami Art Museum, Miami, FL
Pictures at an Exhibition, Artists Space, New York, NY
Sculpture Prototypes, The Getty Research Institute, Los Angeles, CA
Beautiful Productions, art to play, art to wear, art to own, Whitechapel Art Gallery, London
Bogus: Counterfeit Images and Contemporary Art, Castle Gallery, The College of New Rochelle, New Rochelle, NY
A Work in Progress – Selections from the New Museum Collection, New Museum Contemporary Art, New York, NY
Greed and Other Recent Acquisitions, ICP – International Center of Photography, New York, NY
Pictures, Artists Space, New York, NY |
| 2000 |
Séquences, Galerie Roger Pailhas, Marseille, France
Examining Pictures: Exhibiting Paintings, UCLA Armand Hammer Museum, Los Angeles, CA
The American Century, Art & Culture 1900 – 2000, Whitney Museum of American Art, New York, NY
Open Ends, Museum of Modern Art, New York, NY
One Thing after Another, Museum of Modern Art, New York, NY
Actual Size, Museum of Modern Art, New York, NY
Aspectos de la Colección, Fundation “La Caixa” Madrid
Around 1984, P.S.1 Contemporary Art Center, Long Island City, NY
Century of Innocence - The History of the White Monochrome, Rooseum-Center for Contemporary Art, Malmo, Sweden
Liljevalchs Konsthall, Stockholm, Sweden
Library, Margo Leavin Gallery, Los Angeles, CA
Peter Halley/Alex Katz/Sherrie Levine, galerie Wilma Tolksdorf – Frankfurt/Main
Veronica’s Revenge, Museum of Contemporary Art Sydney, Sydney
Around 1984 – A look at Art in the Eighties, PS1 Contemporary Art Center, Long Island
Art at Work : Forty Years of the Chase Manhattan Collection, Queen Museum of Art, New York, NY
150 Years of Photography, Davison Art Center, Middletown
Fact/Fiction – Contemporary Art That Walks the Line, San Francisco Museum of Modern Art, San Francisco
Careless Exhibition of Twentieth Century Product design, LAC, Los Angeles Contemporary Exhibition, Los Angeles
Rot Grau-Basler Malerei, Kunsthalle Basel, Basel |
| 1999 |
The American Century, Part Two, The Whitney Museum of American Art, New York, NY
Art at Work, Forty Years of The Chase Manhattan Collection, Contemporary Arts Museum, Houston, TX
Wallworks, Paula Cooper Gallery, New York; Museum Villa Stuck, Munich
Sightgags: Humor, Satire and Grotesque in Modern Art and Contemporary Drawing, Museum of Modern Art, New York, NY
Museum as Muse, Museum of Modern Art, New York, NY
Veronica’s Revenge, Photographies de la collection LAC-Suisse, Casino Luxembourg et Musée National d’Histoire et d’Art, Luxembourg
Die Erste Sammlung zu Gast, Kunsthaus Murzzuschlag, Austria
Hamburg, Germany
Switzerland
Careless Exhibition of Twentieth Century Product Design / Poetic Installation of Works by Constantin Brancusi, Ann Hamilton, Bertrand Lavier, Sherrie Levine and Haim Steinbach, Los Angeles Contemporary Exhibitions, Los Angeles, CA
Marcel Duchamp: The Art of Making Art After Marcel Duchamp in the Age of Mechanical Reproduction, Achim Moeller Fine Art, New York, NY
Apro Pos of Marcel the Art of Making Art After Marcel Duchamp in the Age of Mechanical Reproduction, Curt Marcus Gallery, New York, NY
Originale echt falsch: Nachahmung, Kopie, Zitat, Aneignung, Fälschung in der
Gegenwartskunst, Neues Museum Weserburg, Bremen, Germany.
Not There,” Rena Bransten Gallery, New York, NY
Examining Pictures, Whitechapel Art Gallery, London, England. Travelled to Museum of Contemporary Art, Chicago, IL
Sherrie Levine/Joost van Oss, Paula Cooper Gallery, New York, NY
Original echt/falst, Neues Museum Weserburg Bremen, Bremen
Sherrie Levine/Joost van Oss – New Sculpture- 1996-1999, Mamco, Musee d’Art Moderne et Contemporain, Geneva
Sherrie Levine/Joost van Oss, Jablonka Galerie, Koln, Cologne
Tete a tete-Face to face, Musee d’Art Contemporain de Montreal, Montreal
Art at Work – Forty Years of the Chase Manhattan Collection, Contemporary Arts Museum Houston, Houston |
| 1998 |
100 Years of Sculpture, From the Pedestal to the Pixel, Walker Art Center, Minneapolis, MN
Collection, un autre regard, capc Musée d’art contemporain, Bordeaux, France
The Art of the 80’s, Culturgest, Lisbon, Portugal
Centenial Exhibition, Vienna Secession, Vienna; Rudolfinum, Prague, Czech Republic
Take Two, Hamburger Kunstverein, Hamburg, Germany
XXIV Bienal de Sao Paulo, Sao Paulo, Brazil
Sammlung Goetz, Emotion, Deichtorhallen, Hamburg, Germany
Parkett-Kunstlereditionen, Museum Ludwig, Cologne, Germany
Sculpture, Paula Cooper Gallery, New York, NY
Recycling Art History, Pittsburgh Center for the Arts, Pittsburgh, PA
Painting – Now and Forever, Part 1, Mattew Marks Gallery – 522 West 22th Street, New York, NY
Tilbaka till Attiotalet- Redan? Isn’t It Too Early for the Eighties yet?, Rooseum Center for Contemporary Art, Malmo
Fast Forward-2, Abschnitt : FFWD Trade Marks, Kunstverein in Hamburg, Hamburg
L’Hypothese du Tableau Vole, Mamco, Musee d’Art Moderne et Contemporain, Geneva
Fast Forward-1 Abschnitt : FFWD image, Kunstverein in Hamburg, Hamburg |
| 1997 |
Mutiple Identity: Amerikanische Kunst 1975-1995 Aus Dem Whitney Museum of Art,National Gallery and Alexandros Soutzos Museum, Athens, Greece; Museo d’Art Contemporani, Barcelona, Spain; Kunstmuseum, Bonn, Germany
Views from Abroad, American Realities, Tate Gallery, London; Whitney Museum, New York, NY
Homage to George Herriman, Campbell-Thiebaud Gallery, San Francisco, CA
Gerrit Rietveld and Sherrie Levine, Galerie Ulrich Fiedler, Cologne, Germany; Foundation for the Arts,Sigmund Freud Museum, Vienna, Austria
Modernist French Design and Sherrie Levine, Margo Leavin Gallery, Los Angeles, CA
Maxwell’s Demon, Margo Leavin Gallery, Los Angeles, CA
Critique of Pure Abstraction, Frederick Weisman Art Museum, Minneapolis |
| 1996 |
Rational and Irrational, Whitney Museum, New York, NY
Abstraction, Pure and Impure, Museum of Modern Art, New York, NY
Private Passions, City Museum of Modern Art, Paris, France
Everything New, Deste Foundation, Athens, Greece
The Mediated Object: Selections from the Eli Broad Collections, Fogg Art Museum, Cambridge
New Art on Paper 2, Philadelphia Museum of Art, Philadelphia, PA
Thinking Print, Museum of Modern Art, New York, NY
Museum Vitale, Museum Morsbroich, Leverkusen
Painting into Photography, Museum of Contemporary Art, Miami, FL
Face and Figure, Contemporary Art, Museum of Fine Arts, Boston, MA
Making Pictures, Women and Photography, 1975 – Now, Nicole Klagsbrun, New York, NY
L’Oeil du Collectionneur, Musee d’Art Contemporain de Montreal, Montreal
Womens’s Work, The Greene Naftali Gallery, new York, NY |
| 1995 |
Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, Houston, TX; Illingworth Kerr Gallery, Alberta College of Art, Calgary, Alberta, Canada;
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; The Lowe Museum, University of Miami, Coral Gables, FL; Frederick R. Weisman Museum, University of Minnesota, Minneapolis, MN
Pittura Immedia, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
In a Different Light, University Art Museum, Berkeley, CA
L’Immagine Reflessa, Centro per l’Arte Contemperanea, Luigi Pecci, Prato, Italy
Temporarily Possessed, The New Museum, New York, NY
25 Years, Margo Leavin Gallery, Los Angeles, CA
Album :The Photographic Collection of museum Bojimans-van Beuningen Rotterdam, Museum Bojimans van Beuningen, Rotterdam |
| 1994 |
Pictures of the Real World (In Real Time), Paula Cooper Gallery, New York, NY
“After Art: Rethinking 150 Years of Photography,” Henry Art Gallery, University of
Washington, Seattle, WC
Group Exhibition, Musée d'art moderne et contemporain, Geneva, Switzerland
The Ruse of the Aura, Vienna Secession, Vienna, Austria
Die Erste Sammlung, Akademie der bildenden Künste, Vienna, Austria
Duchamp’s Leg, Walker Art Center, Minneapolis, MN
Untitled (Reading Room), Margo Leavin Gallery, Los Angeles, CA
25 Years: an Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA |
| 1993 |
The Elusive Object, Whitney Museum of Art at Champion, Stamford, CT
Konstruction/Zizat: Kollektive Bilder in der Fotografie, Sprengel Museum Hannover, Hannover, Germany
Photoplay, Center for Fine Arts, Miami; Museo Amparo, Puebla, Mexico; Museo de Arte
Contemporáneo de Monterrey, Monterrey, Nuevo Leòn, Mexico; Centro Cultural Consolidado, Caracas, Venezuela;
Museu de Arte de São Paulo, São Paulo, Brazil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile |
| 1992 |
Allegories of Modernism: Contemporary Drawing, Museum of Modern Art, New York, NY Inscapes, De Appel, Amsterdam, The Nederlands
Repetition/Transformation, Centro Reina Sofia, Madrid, Spain |
| 1991 |
The Picture After the Last Picture, Galerie Metropol, Vienna, Austria
Beyond the Frame: American Art, 1960–1990, Setagaya Art Museum, Tokyo, Japan; National Museum of Art, Osaka, Japon; Fukuoka Art Museum, Fukuoka, Japan
Aspects de l’art du XXe siècle: le chef–d’oevre à l’épreuve de sa copie, Abbaye Saint–André, Centre d’Art Contemporain, Meymac, France
Devil on the Stairs: Looking Back on the Eighties, Institute of Contemporary Art, Philadelphia, PA
Oeuvres originales, F.R.A.C. de Pays de la Loire, Gétigné–Clisson, France
Work on Paper, Jack Hanley Gallery, San Francisco
Inscapes, De Appel, Amsterdam
Transendent Pop, Jack Hanley Gallery, San Francisco |
| 1990 |
Culture and Commentary, Hirshhorn Museum, Washington, D.C.
With the Grain: Contemporary Panel Painting, The Whitney Museum of American Art,
Fairfield County, Stamford, CT
Life Size, The Readymade and After, The Israel Museum, Jerusalem, Israel
Un art de la distinction?, Abbaye Saint–Andre, Centre d’Art Contemporain, Meymac, France
Affinitées selectives V: Sherrie Levine/Bertrand Lavier, Palais des Beaux-Arts, Brussels, Belgium
The Charade of Mastery, The Whitney Museum of American Art at Federal Reserve Plaza, New York, NY
Feux pâles, capc Musée d’art contemporain, Bordeaux, France
Tryk ok Multiples, Gallerie Susanne Ottesen, Copenhagen |
| 1989 |
Prospect 89, Kunstverein and Schirn Kunsthalle, Frankfurt, Germany
Bilderstreit, Rheinhalle, Cologne, Germany
The Whitney Biennial, The Whitney Museum of American Art, New York, NY
A Forest of Signs: Art in the Crisis of Representation, The Museum of Contemporary Art, Los Angeles, CA
Confronting the Uncomfortable: Questioning Truth and Power, Yale University Art Gallery, New Haven, CT
What is Contemporary Art?, Rooseum, Malmö, Sweden
Image World: Art and Media Culture, The Whitney Museum of American Art, New York, NY
Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria |
| 1988 |
Cultural Geometry, Deste Foundation, Deka Foundation of Cyprus, Athens, Greece
The Image of Abstraction, The Museum of Contemporary Art, Los Angeles, CA
Carnegie International, Carnegie Museum of Art, Pittsburgh, PA
L’objet de l’exposition, Centre National des Arts Plastiques, Paris, France
Hover Culture, Metro Pictures Gallery, New York, NY |
| 1987 |
New York Art Now, The Israel Museum, Jerusalem, Israel
Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles, CA
Photography and Art 1946-1986, Los Angeles County Museum of Art, Los Angeles, CA
Post–Abstract Abstraction, Aldrich Museum of Contemporary Art, Ridgefield, CT
Implosion: A Postmodern Perspective, Moderna Museet, Stockholm, Sweeden |
| 1986 |
The Sixth Biennial, Art Gallery of New South Wales, Sydney , Australia
Abstract Appropriations, Grey Art Gallery, New York, NY
Political Geometries, Hunter College Art Gallery, New York, NY
As Found, Institute of Contemporary Art, Boston, MA
Tableaux abstraits, Villa Arson, Nice, France
Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN
Endgame: Reference and Simulation in Recent Painting and Sculpture,ICA, Boston, MA
Europa-Amerika, Museum Ludwig, Cologne, Germany
Art and Its Double: A New York Perspective, Fondació Caixa de Pensions, Barcelona, Spain
Sherrie Levine and Haim Steinbach, Jay Gorney Modern Art, New York, NY
Signs of Painting, Metro Pictures Gallery, New York, NY
Group Show, Metro Pictures Gallery, New York, NY |
| 1985 |
The Whitney Biennial, The Whitney Museum of American Art, New York, NY
Vernacular Abstraction, Wacoal Art Center, Tokyo, Japan
Correspondences, La Fôret Museum, Tokyo, Japan
Talking Back to the Media, Foundation de Appel, Amsterdam, The Nederlands
Repetitions: A Postmodern Dynamic, Hunter College Art Gallery, New York, NY
Progressive Collecting, The Photography Gallery, La Jolla, CA
|
| 1984 |
Difference: On Sexuality and Representation, The New Museum, New York; Renaissance Society, Chicago; ICA, London, England
Ailleurs et Autrement, ARC Musée d’art moderne de la ville de Paris, Paris, France
Between Here and Nowhere, Riverside Studios, London, England
Artists Space Tenth Anniversary Show, Artists Space, New York, NY
Hirshhorn Tenth Anniversary Show, Hirshhorn Museum, Washington, D.C.
Drawings After Photography, Allen Memorial Art Museum, Oberlin College, Oberlin, OH
Mannerism: A Theory of Culture, The Vancouver Art Gallery, Vancouver, Canada
Image Scavengers, Institute of Contemporary Art, Philadelphia, PA
Art and Politics, Allen Memorial Art Museum, Oberlin College, Oberlin, OH |
| 1983 |
Seventy–Fourth American Exhibition, Chicago Art Institute, Chicago, IL |
| 1982 |
Documenta 7, Museum Fridericianum, Kassel
Art and Social Change, Allen Memorial Art Museum, Oberlin College, Oberlin, OH
Mannerism: A Theory of Culture, Vancouver Art Gallery, Vancouver, Canada |
| 1981 |
Inespressionismo Americano, Museo di S. Agostino, Genoa, Italy
Couches, Diamonds and Pie, P.S.1, New York, NY
Erweiterte Fotografie, 5. Wiener Biennale, Wiener Secession, Vienna, Austria
Photo, Metro Pictures Gallery, New York, NY |
| 1980 |
Pictures and Promises, The Kitchen, New York, NY
Remembrances for Tomorrow, New 57 Gallery, Edinburgh, UK
Horror Pleni, Padiglione d’Arte Contemporanea, Milan, Italy
Open group Show, Metro Pictures Gallery, New York |
| 1977 |
“Pictures,” Artist Space, New York, NY |