| 2011 |
Untitled (Painting) and Tulsa, 1968: A film by Larry Clark, Luhring Augustine, New York
L’insoutenable légèreté de l’être, Galerie Yvon Lambert, Paris |
| 2009 |
1968. The Great Innocents, Kunsthalle Bielefeld, Bielefeld, Germany |
| 2008 |
The Stain Upon the Silence, Central Saint Martins College of Art and Design, London, UK
De lo humano. Fotografia internacional 1950-2000, Centro Andaluz de Arte Contemporaneo, (CAAC), Sevilla, Spain
Lost Paradise – Der Blick des Engels, Zentrum Paul Klee, Bern, Switzerland
Las implicaciones de la Imagen (The implications of Image), Centro Universitario de Ciencias y Arte – MUCA, Mexico City, Mexico (cat.)
Sgozzata, Peres Projects-Berlin, Berlin, Germany
Body Work, Le Case d’Arte, Milan, Italy
Art Metropole: The Top 100, MSVU Art Gallery, Halifax, US
Darkside – Photographic Desire and Sexuality Photographed, Fotomuseum Winterthur, Zurich, Germany (cat.)
Leica + Hasselblade : A Selection of Classical Cameras from the David Whitmire Hearst Jr.Foundation Collection, UCR, California Museum of Photography, Riverside, US (cat.)
Unmasked & Anonymous: Shimon & Lindemann Consider Portraite, The Milwaukee ArtMuseum, Milwaukee, US (cat.) |
| 2007 |
IN MY SOLITUDE, AEROPLASTICS Contemporary, Brussels, Belgium
Ten Years, Emily Tsingou Gallery, London, UK
15 anos tiene mi amor, Galerio espacio minimo, Madrid, Spain
American Beauties – Amerikanische Lebenswelten in der Fotografie, Deichtorhallen, Hamburg, Germany
Refugees of Group Selection, Franklin Parrasch Gallery, New York, US
BODY POLITICX, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
People Take Pictures of Each Other, LaMontagne Gallery, Boston, US
Wanted, Museum fur Fotografie – Helmut Newton Stiftung, Berlin, Germany
What’s up? Musik und Popkultur, Museum der Stadt Ratingen, Ratingen, Germany
Modern Photographs: The Machine, the Body and the City. Selection of Charles Cowles
Collection, Miami Art Museum, Miami, US
Lights, Camera, Action: Artists’ Films for the Cinema, Whitney Museum of American Art, New York, US
Into Me/Out of Me, MACRO Future, Museum of Contemporary Art, Rome, Italy
Art Metropole: The Top 100, The National Gallery of Canada, Ottawa, Ontario, Canada |
| 2006 |
Into Me/Out of Me, KW Institute for Contemporary Art, Berlin, Germany
Americans: Masterworks of American Photography 1940 to present, Kunsthalle Wien,
Vienna, Austria
Slices of Life – Contemporary Photography, Ferenbalm Gurbru Station, Karlsruhe, Germany
Will Boys be Boys? – Questionaing Adolescent Masculinity in Contemporary Art, Indianapolis, Museum of Art (IMA), Indianapolis, US
Destricted, Tate Modern, London, UK; (travelling), Galerie Kamel Mennour, Paris, France
Portraits of Artists: A selection of photographic works from the collection of Rex Capital,
Rhode Island - In collaboration with Olivier Renaud-Clement, Luhring Augustine, New
York, US
Seven Documentarians: Berenice Abbott, Larry Clark, Jim Dow, Walker Evans, Danny
Lyon, Gary Winogrand, and Jay Wolke, List Art Center, Providence, US
Surprise, Surprise, Institute of Contemporary Arts, The Mall, London, UK
Harold Hunter Tribute Exhibit, The Canal Chapter, New York, NY
American Icons, Corkin Shopland Gallery, Toronto, Canada
Tiefenscharfe – Bilder vom Menschen, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
Will Boys be Boys? Gulf Coast Museum of Art, Largo, US
School of Hard Knocks, Monte Clark Gallery- Vancouver, Vancouver, Canada
Screened and Selected, Middlebury College Museum of Art, Middlebury, US
Portrait und Menschenbild, SK Stiftung Kultur, Cologne, Germany
Into Me / Out of Me, P.S.1 Contemporary Art Center, Queens, US
Hessel Museum opening at Bard’s Center for Curatorial Studies, Annandale-on-Hudson, US
The Other Side, Tony Shafrazi Gallery, New York, US
Yes, Yes, Yes, Museum Morsbroich, Leverkusen, Germany (cat.)
Art Metropole: The Top 100, The National Gallery of Canada, Ottawa, Canada (cat.) |
| 2005 |
Beautiful Losers – Contemporary Art and Street Culture, University of South Florida Contemporary Art Museum, Tampa, FL and Contemporary Museum, Baltimore, Baltimore, US
Private Pictures – Photography from Arizona Collections, Scottsdale Museum of Contemporary Art – SmoCA, Scottsdale, US
Oog in Oog, Groninger Museum, Groningen, The Netherlands
From the Source, Fashion Photographs, Corkin Shopland Gallery, Toronto, US
Summer Exhibition 2005, Stedelijk Museum Amsterdam, Amsterdam, The Netherlands
Trials and Terrors, (Untitled (KIDS), 1995 on view), curator Dominic Molon, Museum of
Contemporary Art, Chicago, US
Real Pictures. Photographs from the Collection of Claudia Beck and Andrew Gruft, Vancouver Art Gallery, Canada
Pillish: Harsh Realities and Gorgeous Destinations, Museum of Contemporary Art, Denver, US
Kramlich Collection, The Fabric Workshop and Museum, Philadelphia, US
My So-Called Life, Monte Clark Gallery-Toronto, Toronto, US
Exposed! – Thirty Years of collecting Photography, Neuberger Museum of Art, Purchase, US
Edizione Straordinaria – Le case d’Arte 1985-2005, Assab One, Milan, Italy
Will Boys Be Boys? Museum of Contemporary Art, Denver, US
The Friedrich Christian Flick Collection in Hamburger Bahnhof, Hamburger Bahnhof, Berlin, Germany
La photographie a l'epreuve (The proof in photography). Photography in the context of
Modern and Contemporary art, Institut d’Art Contemporain, Villeurbanne-Lyon, and Musee d’Art Moderne, Saint-Etienne, France |
| 2004 |
LOVE/HATE From Magritte to Cattelan, Masterpiece from the Collection of the Museum of Contemporary Art, Chicago, US
Beautiful Losers, Organized in collaboration with Iconoclast, the Cincinnati
Contemporary Arts Center, the Yerba Buena Center for the Arts, San Francisco (Opening
in Cincinnati), US |
| 2003 |
Biennale d’Art Contemporain de Lyon 2003, Lyon, France
Leisure, Aerolith, New York, US
My People Were Fair and Had Cum in their Hair (but Now They’re Content to Spray Stars
from your Boughs), Team, New York, US
A Clear Vision - Photographic Works from the F.C. Gundlach Collection, Internationales
Haus der Photographie Deichtorhellen Hamburg, Germany
Micro Politicas. Arte en Contidianida 2001- 1968. Art and Everyday Life 2001 - 1968,
EACC ESPAI d’Art Contemporani de Castello, Valencia, Spain
Pictures from Within: American Photographs, 1958-2002, Whitney Museum of
American Art, New York, US
The Forth Sex. Adolescent Extremes, Fondazione Pitti Immagine Discovery, Stazione
Leopolda, Florence , Italy |
| 2002 |
2002 Session The Bowl 2002, Deitch Projects, New York, US
Aquisitions 1995, Museum Folkwang, Fotografische Sammlung, Essen, Germany
Roma Roma Roma, Rome, Italy
Copy, Roth Horowitz, New York, US
Overnight to Many Cities: Tourism and Travel at Home and Away, The Photographers’
Gallery, London, UK
Kids, Galerie Karl Pfefferle, Munich, Germany
Another Day in Paradise, Galerie Karl Pfefferle, Munich, Germany
Bully, Galerie Karl Pfefferle, Munich, Germany |
| 2001 |
Television, Kunst Sieht Fern, Kunsthalle, Vienna, Austria
Walther Konig’s Buchermarket, teste aus Unserem Lager, screening of Kids, Koln,
Germany
Naked Since 1950, C & M Arts, New York, US
Overnight to Many Cities, 303 Gallery, New York, US
The Film-Makers’ City, CCCB, The Centre for Contemporary Culture in Barcelona, Barcelona, Spain |
| 2000 |
Presumed Innocent, Contemporary Art and Childhood, CAPC Musée d’Art
Contemporain, Bordeaux, France |
| 1999 |
Couples, Cheim & Read, New York, US
The American Century: Art & Culture 1950-2000, Whitney Museum of American Art,
New York, US (cat.)
Larry Clark, Bruce Weber, Corvi-Mora, London, UK
Larry Clark, Gregory Crewdson, Eleni Koroneou Gallery, Athens, Greece
Black or White, Malca Fine Art, New York, US
Rearview Mirror- Automobile Images and American Identities, UCR/California Museum of Photography, University of California, Riverside, US (cat.)
Save the Day !, Museum fur Moderne Kunst Frankfurt am Maim, Germany (cat.) |
| 1997 |
Mysterious Voyages: Exploring the Subject of Photography, curated by Gary Sangster,
Contemporary Museum, Baltimore, US
Multiple Exposure: The Group Portrait in Photography, Curated by Leslie Tonkonow, travelled to Chelsea Art Gallery, New York, US
Knowing Children, curated by Anne Higonnet, David Beitzel Gallery, New York, US
STILLS: a selection from the Marieluise Hessel Collection, curated by Ivo Mesquita, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, US
Photographies, Galerie Roldolphe Janssen, Brussels, Belgium
La Nuit, l’Oubli (en souvenir de Gilles Dusein), La Fondation Mamco et le Musee d’Art Moderne et Contemporain, Geneva, Switzerland
Remix: Images Photographiques, Nantes Musee des Beaux-Arts, Nantes, France
C., Elizabeth Cherry Contemporary Art, Phoenix, US
Veronica’s Revenge, Stedelijk Museum, Sittard, The Netherlands
Time after Time, Emily Tsingou Gallery, London, UK |
| 1996 |
The American Trip, The Power Plant, Toronto, Canada
Black & Blue, The New Groninger Museum, Groningen, The Netherlands
Kunsthalle Basel, Basel, Switzerland
Sex & Crime. About Human Relations, Sprengel Museum Hannover, Germany
By Night, Fondation Cartier pour l’art contemporain, Paris, France
Image of Self as an Other, Porin Taidemuseo, Pori, Finland
The Sixties, Ehlers Caudill Gallery, Chicago, US
Youth, Galleri Index, Stockholm, Sweden
Pictures of Modern Life, curated by Bob Nickas, Galerie Rodolphe Janssen, Brussels, Belgium
The Longing for Punishment, Basel Art Fair, Rotterdam, The Netherlands
A/Drift, Center for Curatorial Studies, US
Someone with my Fingerprints, curated by Wilhelm Schurmann, David Zwirner Gallery, New York, US, travelled to Galerie Hauser and Wirth, Zurich; Sander Foundation, Cologne; Kunstverein Munich, Germany
Contemporary Photography | Absolute Landscape - Between Illusion and Reality, Yokohama Museum of Art, Yokohama, Japan.
Nudo & Crudo—sensitive body, visible body, Claudia Gian Ferrari Art Contemporanea, Milan, Italy
Exposure, Luhring Augustine, New York, US
Larry Clark, Hans Schabus, Martin Walde, Weiner Secession, Wien, Austria
Presumed Innocence, Anderson Gallery, Virginia, Commonwealth University, Richmond, US
Family and Friends, The Museum of Contemporary Photography, Columbia College, Chicago, US |
| 1995 |
Recent Photography Acquisitions: Selections from the Permanent Collection, The
Whitney Museum of American Art, New York, US
Foundation Visual Arts, Middelburg, The Netherlands
Public Information: Desire, Disaster, Document, San Francisco of Modern Art, San Francisco, US
Seeing Things, Fraenkel Gallery, San Francisco, US
Dysfunctional: an Exhibition of Skateboard Art and Design, Blue Note Gallery, London, UK
Close to Life: 3rd Internationale Foto-Triennale Esslingen, curated by Dr. Ulrich Bischoff and Thomas Weski, Villa Merkel and Bahnwarterhaus/Galerien der Stadt Esslingen, Germany
Imperfect, Herter Gallery, University of Massachusetts, Amherst and Tyler Gallery, Temple University, Philadelphia, US
Tibet House Benefit Show, Robert Miller Gallery, New York, US
It’s Not a Picture, Galleria Emi Fontana, Milan, Italy
Pulp Fact, The Photographers’ Gallery, London, UK
Spaces for the Self: The Symbolic Imagery of Place, curated by Dr. Mihaly Csikzentmihaly, The Museum of Contemporary Photography, Columbia College, Chicago, US
Several Exceptionally Good Recently Acquired Pictures (IX), Fraenkel Gallery, San Francisco, US
Currents ’95: Familiar Places, curated by Lia Gangitano and Milena Kalinovska, The Institute of Contemporary Art, Boston, US
Feminin-Masculin: Le Sexe de l’Art, Centre Pompidou, Paris, France
Change of Scene X, curated by Jen-Christophe Ammann, Museum fur Moderne Kunst, Frankfurt am Main, Germany |
| 1994 |
New Acquisitions 2, Art Metropole, Toronto, Canada
Ossuary, curated by Deigo Cortez and Arto Lindsay, Luhring Augustine, New York, US
The Use of Pleasure, curated by Bob Nickas, Terrain, San Francisco, US
L’hiver de l’amour, Musee d’art Moderne, Paris, France
Pictures of the Real World (in Real Time), organized by Bob Nickas, Le Consortium, Dijon, travelled to Le Capitou Art Contemporain Frejus, France; Paula Cooper Gallery, New York, US ; Stadtische Galerie, Goppingen, Germany; Galleria Massimo de Carlo, Milan, Italy; and Ynglingagatan 1, Stockholm, Sweden
Larry Clark and Robert Frank, Galerie Rudiger Schottle, Munich, Germany
Under Development: Dreaming in the MCA’s Collection, Museum of Contemporary Art, Chicago, US
Smells Like Teen Spirit, Galleri Nicolai Wallner, Copenhagen, Denmark
Nobuyoshi Araki and Larry Clark, Sala Parpallo, Valencia, Spain
Not Self-Portrait, Karsten Schubert, London, UK
Puber-alles (Why am i who i am?), curated by Mark Wilson, Stedelijk Museum, Amsterdam, The Netherlands |
| 1993 |
CHANGING I Dense Cities, Shedhalle Zurich, Zurich, Switzerland
I am The Enunciator, Thread Waxing Space, New York, US
Nobuyoshi Araki, Sophie Calle, Larry Clark, Jack Pierson, Luhring Augustine, New York, US
Repression, Enkehuset Foundation, Stockholm, Sweden
Works on Paper, Paula Cooper Gallery, New York, US
The Nightshade Family, Museum Fridericianum, Kassel, Germany
Larry Clark, Jo Brunenberg, Ramon Muxter, Simera-Signe Galleries, Maastricht, Germany
Several Exceptionally Good Recently Acquired Pictures VII, Fraenkel Gallery, San Francisco, US
One of Us, Galerie Snoei, Rotterdam, The Netherlands
REAL SEX, Salzburger Kunstverein, Salzburg, Austria
Slipping Through My Fingers, Galerie Snoei, Rotterdam, The Netherlands |
| 1992 |
JFK in Memoriam: Myth and Denial, Renee Fotouhi Fine Art East, East Hampton, B4A
Gallery, New York, US
AMERICAN DOCUMENTS in the fringe, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Addressing the Forbidden, The Art Gallery of Brighton Polytechnic, Brighton Stills Gallery, Edinburgh, UK
Dirty Data: The Collection of Wilhelm Schurmann, Ludwig Forum fur internationale Kunst, Aachen, Germany
The Young Rebel in American Photography, 1950-70, The Museum of Modern Art, New York, US
Object Choice, Hallwalls, Buffalo, US
Art Addicts, V-space, New York, US
Tattoo Collection, Andrea Rosen Gallery, New York, US
Spielholle, Akademie der Kunste und Wissenschaften, Frankfurt am Main, (travelling) ; Grazer Kunstverein, Graz; 1993, Galerie Sylvana Lorenz, Germany
Photography: Expanding the Collection, The Whitney Museum, New York, US |
| 1991 |
Erotic Desire, Perspektief, Rotterdam, The Netherlands
ICP Uptown, New York, US
Letters, Christine Burgin Gallery, New York, US
The Good, the Bad and the Ugly: Knowledge and Violence in American Art, Wesleyan University, Middletown, US
The Interrupted Life, curated by Thea Westreich, The New Museum, New York, US
Luhring Augustine Hetzler, Santa Monica, US
LOUDER, Gallery 400, The University of Illinois at Chicago, US
1969, Daniel Newburg Gallery, New York, US |
| 1985 |
Witkin Gallery, New York, US
Agrupacion Fotografica de Guadalajara, Guadalajara, Mexico
The Museum of Contemporary Art, Los Angeles, (exhibition of 50 prints from Tulsa), US
Constructing a History: A Focus on MoCA’s Permanent Collection, Museum of Contemporary Art, Los Angeles, US
Le Mois de la Photo, Galerie du Jour, Paris, France
Strip-tease de l’Intime, Galerie Urbi et Orbi, Paris, France |
| 1983 |
New York Cultural Center, New York, US
Werkstatt fur Photographie, Berlin, Germany |
| 1982 |
Kunsthalle, Basel, Switzerland
Ohio State University, Columbus, US
North Texas State University, Denton, US
University of California at Davis, Davis, US |
| 1981 |
Whitney Biennial, Whitney Museum, New York, US
Rheinisches Landesmuseum, Bonn, Germany |
| 1980 |
Albright College, Reading , US
DeCordova & Dana Museum, Lincoln, US |
| 1978 |
The Collection of Sam Wagstaff, traveling |