| 2009 |
Anne Biroleau-Lemagny, 70’ - The Choc of the American Photography, Idomenée, Issue 3, February, pp. 1-4 and 42-44 |
| 2008 |
“Larry Clark: Los-Angeles 2003-2006”, Pluk, Issue 38, Spring, p. 38.
Larry Clark, “Guest Lecture”, Artillery, Vol 2, No. 4, March-April 2008, pp. 32-33.
Edno (One) / (Bulgaria), Le Numero Belge, “Larry Clark”, April, pp. 22-23.
Anna K. Sansom, “Larry Clark, Los Angeles 2003-2006”, Eyemazing, April, pp. 170-171
Thomas Huetlin, “Die Dokumentare”, Heft 4, April.
Manuel Cirauqui, Lapiz, No. 240/241, Spring, pp. 93 -107.
Gonzague Dupleix, Le Top 10 de Larry, Numero Homme, March 2008, p. 184
ArtReview, Skye Sherwin, Larry Clark on Telling the Truth, Issue 20, March 2008, p. 44
Attitude Magazine, Life of Larry, March 2008, p. 14.
The Observer Magazine, The Kids Stay in the Picture, 17. February, pp. 36 – 39.
Damien Sausset, L’Autre Amerique de Larry, Connaissance des Arts, Photo 13, pp. 48 - 53.
Patrick Remy, Les Enfants du Clark, Numero Homme, Spring-Summer 2008, pp. 170 – 175.
Larry Clark Los Angeles 2003 – 2006, Pluk, Issue 38, Spring 2008, p. 38.
Kathy Grayson, Larry Clark, I-D Magazine, The Boys II Men Issue, February 2008, pp.132-137. |
| 2007 |
Fear, David. “Middle of the Road”, TIME OUT NY, Issue 592m February 1-7, p.91
Iglesias, Eulàlia (ed.), “Larry Clark: Menores sin reparos”, Festival Internacional de Cine
de Gijón.
Ukon, Toru. “The Hunt for Photographers”, HUGE, No.32, February 2007, pp.Cover, 56-
65. |
| 2006 |
“Americans: 1940 to 2006”, Kunsthalle Wien, Damiani, Austria
“Art Metropole: The Top 100”, The National Gallery of Canada, Ottawa, Ontario. Pp.17,
60, 125, (exhibition catalogue)
Barrett, terry. “Criticizing Photographs: An Introduction to Understanding Images”, Fourth
Edition, The Ohio State University, McGraw-Hill, New York, NY, p.72.
Berwick, Carly. “Sex, Moss, and Videotape”, ARTNEWS, Volume 105/No.8, September
2006, p.46.
Boggasch, Frauke & Dominik Sittig. “ELEND: Zur Fage der Relevanz von Pop in Kunst,
Leben und öffentlichen badeanstalten”, “Larry ain’t lazy (he’s just sitting there & watching me in a most peculiar way)”, Nürnberg: Verlag für moderne Kunst Nürnberg, 2006, pp.146, 230-251
Clarke, Cath. “Independent Spirit”, DAZED & CONFUSED, Volume 2, Issue #37, May 2006, p.93.
Clark, Larry and Mickey Boardman. “Wassup Kids?”, (photographs by Larry Clark), PAPER, April 2006, Volume 22, No.9, pp.22, 104-117
Clark, Larry, (images) & Anicée Gaddis, “Sweet Surprise”, Trace: Transcultural Styles + Ideas, 63, April 2006, pp.76-87
Dambrot, Shana Nys. “The Art of the Nude”, Artkrush.com, issue #38, Feature.
Higgs, Matthew. “Retrospectives”, FRIEZE, Issue 96, January – February 2006, p.115
Holden, Stephen. “Innocent Daredevils in One Hell or Another”, THE NEW YORK TIMES, Friday, June 23, 2006, p.B14
“Modern Photographs: The Machine, the Body and the City. Selection from the Charles Cowles Collection, Miami Art Museum. Text Andy Grundberg. P.112
Maher, Kevin. “The Old In Out: Destricted”, ARTREVIEW, Issue 03, September 2006, pp.98-99
Meyers, Tobias and Richard Baxstrom. “Cinema thinking affect: The hustler’s soft magic”, PARACHUTE, 01_02_03 2006, pp.98-119
Morton, Tom. “Destricted’ Round Table”, FRIEZE, Issue 103, November-December 2006, pp.53
Noble, Laura. The Art of Collecting Photography, Switzerland: AVA Publishing SA, p.87
O’Brien, Glenn. “Rockers in the Hood”, Blackbook, March 2006, pp.38, 63-65
“Ogonvittne/EyeWitness”, ModernaMuseet c/o Dunkers Kulturhus, plates 1-3
Rothkopf, Joshua. “Wassup Rockers”, Time Out New York, p.89
Smith, Trevor. “Where is the Future?”, Wrestle, Marieluise Hessel Collection, p.71 additional pages 118-125, 130-132, 134, 136-137
Stevens, Isabel. “Rebel with a Cause”, CONTEMPORARY, No.84, 2006, pp.40-41
Subotnick, Ali. “Back to Life”, Parkett#77, pp.184-187
Stedelijk Museum Amsterdam. “Acquisitions 1993-2003, Stedelijk Museum Amsterdam, Amsterdamn. P.160, ill.
Taubin, Amy. “ Backdoor Man”, ARTFORUM, May 2006, p.67
Templeton, Ed. “Larry Clark”, ANP Quarterly, No4, front & back cover, pp.25-34
Warren, Lynne ed. Encyclopedia of Twentieth-Century Photography”, Volume 1 (A-F Index), Taylor & Francis Group, New York, NY, pp.284-286
Woodward, Richard B. “Altered States”, ARTnews, March 2006, p.106
Zuo, Mila. “Nieves”, SOMA: The Street Issue, April 2006, vol.20.3, p.18
Zuo, Mila. “Larry Clark: A Portrait of the artist as an Outsider”, SOMA: The Music Issue, July 2006, Vol.20.5, pp.42-43 |
| 2005 |
Aletti, Vince. “Touble Twins,” THE VILLAGE VOICE, April 12th, 2005 (exhibition review)
Greer, Germaine. “The Beautiful Boy,” Rizzoli Yew York, 2005, p. 28
“Tulsa Then and Now,” VICE. THE DRUG ISSUE, pp. 90-95
Birdsong, Joe. “Perpetual Crisis Called Adolescence,” GAY CITY, May 12-18, 2005
Hainley, Bruce. “Larry Clark”, ARTFORUM, May 2005, p. 243 (exhibition review)
McCormack, Christopher. “New york: International Center of Photography. Larry Clark,” CONTEMPORARY, Issue 72, p. 52 (exhibition review)
Jones M. Kristin. “Larry Clark. International Center for Photography,” FRIEZE, Issue 91, May 2005, pp. 124-125 (exhibition review)
Emerling, Susan. “Larry Clark,” BORDER CROSSINGS, Volume 24, No. 2, Issue No. 94, pp.86-86
Pollock, Barbara. “Teenage Wasteland,” TIME OUT NEW ORK, April 14-20, 2005, p. 63 (exhibition review ICP)
“Real Pictures. Photographs from the Collection of Claudia Beck and Andrew Gruft,”
Vancouver Gallery, 2005, p. 75 (exhibition catalogue)
Simpson, Joel. “Larry Clark. International Center of Photography,” THE NEW YORK ART WORLD, April 2005, pp. 8-9 (exhibition review)
“The Kids Aren’t Alright,” MUSEUMS NEW YORK, Winter 2005, p. 49
Amsden, David. “The Cheerful Transgressive,” NEW YORK, The Culture Pages section, April 4, 2005, pp. 65-66
Wakefield, Neville. “Larry Clark. A Big-Box Back at the Revered -and Reviled-Chronicler of the Underbelly of Adolescence,” INTERVIEW, April 2005, pp. 90-94
Johnson, Ken. “Drawing you Into the Moral Void of Gorgeously Sensuous Squalor,” THE NEW YORK TIMES, Weekend Arts Fine Arts Leisure section, Friday March 25, 2003, p.E29 (exhibition review)
THE NEW YORKER, Photography section, March 28, 2005, p. 14 (review of ICP exhibition)
Kunitz, Daniel. “Unrefined, Unvarnished Truth-Telling,” THE NEW YORK SUN, Art & Letters Section, March 17th, 2005 (exhibition review)
“Real Pictures. Photographs from the Collection of Claudia Beck and Andrew Gruft,” Vancouver ArtGallery, 2005, p. 75
Kennedy, Randy. “Precaution for a Photo Show,” THE NEW YORK TIMES, The Arts Section, p. B7, B13 (exhibition review)
Rimanelli. David. “Larry Clark. International Center of Photography,” ARTFORUM, No. 5, January 2005, p. 62 (exhibition review) |
| 2004 |
“Larry Clark: El Puto Amo. Larry Clark: The Fucking Man,” NEO2, No. 35, p. 87, 223 (Text in Spanish & English)
Edited by Govignon, Brigitte. “The Abrahams Encyclopedia of Photography,” Harry N. Abrahams, Inc. Publishers, 2004, p. 220-221
Clark. Larry. “Off The Rail,” ARTREVIEW, December/January 2004/05, pp.78-81
Cotton, Charlotte. “The Photography As Contemporary Art,” THAMES & HUDSON World of Art, 2004, p.143
Karabelnik, Marianne. “Stripped Bare. The Body Revealed in Contemporary Art. Works from the Thomas Koerfer Collection,” Merril London, New York, 2004, pp. 194, 196-197
“Beautiful Losers. Contemporary Art and Street Culture,” Iconoclast and D.A.P./Distributed Art Publishers, Inc., pp. 36, 164, 249 (exhibition catalogue)
“Speaking With Hands. Photographs from The Buhl Collection,” Guggenheim Museum Publications, p. 49, 208 (exhibition catalogue)
“The Best and Worst in Art 2003,” TIME OUT NEW YORK, January 1-8, 2004, No. 431, p.54 |
| 2003 |
Hainley, Bruce. “Best of 2003, Larry Clark, punk Picasso,” ARTFORUM, December 2003, pp.136-137
Rimanelli, David. “Best of 2003. Overheard at World of Video,” ARTFORUM, December 2003, pp. 116-117
Dermody, Dennis. “2003 Best and Worst Films,” Cinemaniac, PAPER , December 2003, p.62
“14 People Doing Interesting Things. Larry Clark Filmaker/ Photographer,” Visionaire Magazine, No. 26, Winter 2003/04
Jones M., Kristin. “You’re Tearing Me Apart,” ISSUE, Fall, 2003, No. 7, pp.140-143
Lebovici, Elizabeth. “Lyon, Bon Pied, Biennale,” LIBERATION, Friday September 2003, pp. 29-30 (text in French)
“A Clear Vision - Photographische Werke aus der Sammlung F.C. Gundlach, “ 2003, pp. 87-89, (exhibition catalogue)
“Avant,” 7e Biennale d’Art Contemporain de Lyon, Les Presses Du Reel / Fage Editions 2003, pp. 42-45 (exhibition catalogue)
Waters John. Hainley, Bruce. “Art - A Sex Book,” Thames & Hudson, pp. 140-141, p.163
“Director’s Cut. Indie Film Heroes Take a Meeting,” PAPER, October 2003, p. 70
Rimanelli, David. “Larry Clark Luhring Augustine,” ARTFORUM, September 2003, p. 224 (exhibition review)
Garner, Gretchen. “Disappearing Witness. Change in Twentieth-Century American Photography,” The John Hopkins University Press, 2003, p. 68
“Ken hits back at censor,” smh.com.au, June 25, 2003 (online article)
Maddox, Gary. “Filmaker defends the ‘real’ Ken Park,” smh.com.au, June 16, 2003 (online article)
Gardner. James. “Punk Picasso: The Old Man and the Sleaze,” NEW YORK POST, June 21, 2003
Needham, Kristi. “Revolt against ban spread over Ken park,” smh.com.au, July 18, 2003 (online article)
Flavorpill NYC, May 27th, 2003 (online article)
Hodgson, Francis. “The Time Has Come,” ARTREVIEW, International Edition, pp. 29-31 (photo)
Faust, Lili. “Larry Clark, Luhring Augustine,” M, The New York Art World.com, summer 2003, pp.10-11 (exhibition review)
Aliaga Vincente, Juan. De Corral, Maria. G. Cortes, Jose Miguel. “Micro Politicas. Arte en Contidianida 2001 - 1968, Art and Everyday Life 2001 - 1968” EACC ESPAI d’Art Contemporani de Castello, pp. 84-89, (catalogue)
Smith, Roberta. Art in Review, THE NEW YORK TIMES, June 6, 2003, p. E33.
Aletti. Voice Choices, THE VILLAGE VOICE, May 21-27, 2003, p.73 and cover of voice choices.
Yablonsky, Linda. “Larry Clark. punk Picasso,” TIME OUT NEW YORK, May 22-29, 2003, p.76
Friedman, Mack. “Strapped For Cash. A History Of American Hustler Culture”, pp.196-197, Mickey. “’Ken Doll’ Tiffany Limos,” Paper Magazine, April 2003.
Bonami Francesco. Simons, Raf. “The Forth Sex. Adolescent Extremes,” Fondazione Pitti Immagine Discovery, pp. 290-291 (Exhibition catalogue)
Gilders, Adam. “F is for Fake,” LOLA, Winter 2002-03, p.53 |
| 2002 |
“Vision From America. Photographs from the Whitney Museum of American Art. 1940-2001”, Prestel, 2002, p. 91
“Larry Clark From the book HEROIN,” BALD EGO, Volume 1, No. 1, pp. 38-39
“Short Stories on Photography. The Joseph and Elaine Monsen Collection at the Henry Art Gallery,” Faye G. Allen Center for the Visual Arts, p. 58 (exhibiton catalogue)
Aletti, Vince. “Best of 2002 A Special Issue, “ ARTFORUM, December 2002, pp. 112-113
“Life Death Love Hate Pleasure Pain. Selected Works from the Museum of Contemporary Art, Chicago, Collection, “ The Museum of Contemporary Art, Chicago, pp. 136-137
Frechuret, Maurice. “Les annees 70: l’art en cause,” capcMusee d’Art Contemporain de Bordeaux, Réunion des Musées Nationaux, Paris, 2002, Diffusion Seuil, p.46, 50-51 (French book)
Johnson, Richard. “Larry Clark stands up for U.S.,” Page Six.com section, NEW YORK POST, Saturday, November 9, 2002, p. 10
Grunnitzky, Claude.”Tiffany Limos By Larry Clark,” TRACE, No.39, pp.90-99
“Tash! How Hollywood fell for Larry Clark’s Kids”, THE FACE, Volume 3, No. 69, October 2002, pp. 86-96
American Visionaries, Selections from the Whitney Museum of American Art, p. 73 Kenig, Kinga. “Larry Clark: American Moralist”, THE SANTA FE’S MONTHLY MAGAZINE, August 2002, pp. 49-53
Gurley, George. “A Naked Star in Born”, NEW YORK OBSERVER, July 22, 2002, pp.1, 6
“Vision From America: Photographs From the Whitney Museum of American Art, 1940-2001”, The Whitney Museum of American Art, New York (exhibition catalogue)
Mondadori, Bruno. “FotoGrafia Primo Festival Internationale di Roma”, pp. 106-107 (exhibition catalogue)
Zoo 12, 06/02, p.087, Art section
“Original Sources: Art and Archives at the Center for Creative Photography”, Center for Creative Photography, The University of Arizona, 2002, p. 284
“Le Livre Du Frac-Collection Aquitaine”, Le Festin 2002, pp. 144-147 (book in French)
Braque, Dominique. “Mauvais Genre(s) erotisme, pornographie, art contemporain”, Edition du Regard, Seuil, 2002, pp.16-20 (French)
Aletti, Vince. “Larry Clark”, ARTFORUM, No. 9, May 2002, p. 27
”The Photographs’ Gallery”, GREAT 41, April-May 2002 (exhibition catalogue)
”Over Night to Many Cities”, What’s on in London, May 1, 2002
Gockel, Cornelia. “Der Amerikanische Alptraum. Larry Clark “Lost Generation” auf Fotos und in Filmen”, Suddeutshe Zeitung, April 2 2002 (article in German)
“Galerie Karl Pfefferle. Larry Clark - William Eggleton”, Applaus Kultur-Magazin, April 2002 (article in German)
Stadtmagazin, March 2002 (article in German)
“Merkwurdig radikal”, SZ Extra, March 7-13 2002 (article in German)
“Klasse und Krasse Bilder: Larry Clark und William Eggleton bei pfefferle”, Go - Munchener |
| 2001 |
“Television,” Kunst Sieht Fern, Kunsthalle, Vienna, Germany (exhibition catalogue)
“Naked Since 1950”, Untitled, 1970 (black and white photograph), C&M Arts (exhibition catalogue)
“A Creative Legacy. A History of the National Endowment for the Arts”. Visual Artists Fellowship Program 1966 - 1995”, Harry N. Abrahams, Inc. Publishers
Larry Clark, review: Museum of Contemporary Art at the Pacific Design Center, Art Forum Magazine, Sept. 2001, p.199
Denby, David, “Us and Them: Unhappy Teen-agers and Hollywood Stars,” The New Yorker, July 30, 2001, pg. 84-85
Larry Clark, “Roger Maris, collection and recollections”, Cheap Date, NYC, issue 4, Spring 2000, p. 3-5
Malanowski, Jamie, “Larry Clark, Moralist, In the Florida Suburbs,” New York Times, Sunday, July 8
Scott, A.O., “Deadpan Decadence, With a Sneer of Disgust,” New York Times, Friday, July 13, 2001
“Overnight to Many Cities,” The New Yorker, July 2, 2001
“Wechsel-Strom, “ Sammlung Hauser Und Wirth / Teil 2 in the Locomotive St. Gallen, p. 68 (exhibition catalogue)
“Tripping the Light Fantastic,” New york Magsazine, June 25-July 2, 2001 |
| 2000 |
R. Merrit and M. Barth, “A Thousand Hounds,” Taschen, p.387-88
“Star Culture” Collected Interviews from Dazed and Confused, Phaidon,
“Rearview Mirror-Automobile Images and American Identities”, UCR/California Museum of Photography, University of California, Riverside, (exhibition catalogue)
“Save the day!,” Museum fur Moderne Kunst Frankfurt am Main (exhibition catalogue)
“Hotel Motel Holiday Inn,” I-D Magazine, 196, April 2000, p. 195
Morin, France, Art Journal, Fall, Vol.59, No.3, Pages 4-17 |