| 2011 |
Incongogru: Quand l’art fait rire, Musée cantonal des Beaux-Arts de Lausanne, Lausanne, Switzerland
Interchange, Exchange LA, Los Angeles, US
All of the above (carte blache á John Armleder), Palais de Tokyo, Paris, Frankce
Secret Societes: to know, to dare, to will, to keep silence, Schirn Kunsthalle, Frankfurt, Germany (exh. cat). This exhibition travelled to CAPC - Musée d’Art Contemporain de Bordeaux, Bordeaux, France
California Dreamin: Myths and legends of Los Angeles, Galerie Almine Rech, Paris, France
All That Is Unseen, Allan Nederpelt Gallery, Greenpoint, US
Echoes, Centre Culturel Suisse, Paris, France (exh. cat)
The Archaic Revival, curated by Dani Tull, Las Cienegas Projects, Los Angeles, US
Musique plastique, Galerie du jour Agnes B, Paris, France
Citysonic – Festival des Arts sonores, Grande Halle, Mons, Belgium
The Spectacular of Vernacular, Walker Art Center, Minneapolis, US (exh. cat). This exhibition travelled to Montclair Art Museum, Montclair, US |
| 2010 |
Insiders: pratiques, usages, savoir-faire, CAPC - Musée d’Art Contemporain de Bordeaux, Bordeaux, France
The Artist’s Museum: Los Angeles, Artists 1980 – 2010, The Geffen Contemporary at The Museum of Contemporary Art, Los Angeles, US
Move: Choreographing You, curated by Ralph Rugoff, Hayward Gallery, London, UK (exh. cat). This exhibition travelled to Haus der Kunst, Munich (2011); and K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany (2011)
Skin Fruit: Selections from t he Dakis Joannou Collection, curated by Jeff Koons, New Museum, New York, US
Animal Politique, FRAC Poitou Charentes, Angoulême, Frances
Psychedelic: Optical and Visionary Art Since the 1960s, San Antonio Museum of Art, San Antonio, US
Rive Gauche/Rive Droite, curated by Marc Jancou Contemporary & Azzedine Alaia, Breton & Blondeau Associates, Paris, France (exh. cat)
BigMinis: Fetishes of crisis, CAPC - Musée d’Art Contemporain de Bordeaux, Bordeaux, France (exh. cat) |
| 2009 |
Les Années 80 – Second volent: Images & (re)présentation, MAGASIN, Centre National d’Art Contemporain de Grenoble, Grenoble, France
Spy Numbers, Palais de Tokyo, Paris, France
Auto: Sueño y material: Automobile culture as critical and creative territory, LABoral – Centro de Arte y Creacíon Industrial, Gijon, Spain. This exhibition travelled to CA2M – Centro de Arte Dos de Mayo, Madrid, Spain
Les Enfants Terribles, Fundacion/Colleccion Jumex, Ecatepec, Mexico
Why Painting Now?, Blondeau Fine Art Services, Geneva, Switzerland
Los Angeles, Aspects of the Archaic Revival, Galerie Haus Schneider Uschi Kolb, Karlsruhe, Germany
You Can’t Expect to Get Back to Normal, Las Cienegas Projects, Los Angeles, US
The Sculpture Show, Patrick Painter Inc., Los Angeles, US
Depression, Marres – Centre of Contemporary Culture, Maastricht, The Netherlands
Regift, curated by John Miller, The Swiss Institute, New York, US |
| 2008 |
Sonic Youth etc.: Sensational Fix, Lieu International des Formes Emergentes, St Nazaire, France (exh. cat). This exhibition travelled to Museion Bolzano, Italy; Kunsthalle Düsseldorf, Düsseldorf, Germany (2009); and Konsthall Mälmo, Mälmo, Sweden (2009)
Index: Conceptualism in California from the Permanent Collection, The Geffen Contemporary, Los Angeles, US
Collecting Collections: Highlights from the Permanent Collection of The Museum of Contemporary Art, Museum of Contemporary, Los Angeles, US (exh. cat)
Less is less and more is more, CAPC – Musée d’Art Contemporain de Bordeaux, Bordeaux, France
Glossolalia: Languages of Drawing, Museum of Modern Art, New York, US
The Unruly and the Humorous: Imagery from Inner Consciousness, curated by Thomas Kidd, Angles Gallery, Santa Monica, US
In Geneva no one can hear you scream, Blondeau Fine Art Services, Geneva, Switzerland
Political Correct, Blondeau Fine Art Services, Geneva, Switzerland
Hommage to Modern Art, Galleria Massimo de Carlo, Milan, Italy
Zuordnungsprobleme, Johann König Gallery, Berlin, Germany
Mel’s Hole, curated by Doug Harvey, CFSU Grant Central Art Center, Santa Ana, US
Blasted Allegories – Works from the Ringier Collection, Kunstmuseum Luzern, Luzern, Switzerland (exh. cat)
Amateurs, CCA Wattis Institute for the Contemporary Arts, San Francisco, US
Martian Museum of Terrestrial Art, Barbican Art Center, London, UK
Nobody Puts Baby in a Row, curated by S. Campagnolla and I. Bortolozzi, Isabella Bortolozzi Gallery, Berlin, Germany
The Brotherhood of Subterranea, curated by Ben Judd, Kunstbunker, Nuremberg, Germany
In the Land of Retinal Delights: The Kuxtapoz Factor, Laguna Art Museum, Laguna Beach, US
Dreaming/Sleeping, Passage de Retz, Paris, France. This exhibition travelled to the Petah Tivka Museum of Art, Tel Aviv, Israel
Animation/Fictions: Works from the FNAC Collection, FNAC, Paris, France. This exhibition travelled to MNAC, Bucarest, Romania
Faces and Figures (Revisited), Marc Jancou Contemporary, New York, US
It’s A Celebration, curated by Sarah Cromarty, Circus Gallery, Los Angeles, US
Some Paintings in the 2007 LA Weekly Annual Biennial, Track 16, Santa Monica, US
Ne pas jouer avec des choses mortes, Villa Arson, Nice, France
Experimental: Folklore, Frankfurter Kunstverein, Frankfurt, Germany
Heroes and Villains, Marc Jancou Contemporary, New York, US
Hotel California, Galerie Georges-Philippe & Nathalie Vallois, Paris, France |
| 2007 |
Sympathy for the Devil: Art and Rock and Roll Since 1976, Museum of Contemporary Art, Chicago, US (exh. cat). This exhibition travelled to Museum of Contemporary Art, Miami, US (2008); and Musée d’Art Contemporain, Montréal, Canada (2008-2009)
Strange Events Permit Themselves the Luxury of Occurring, Camden Arts Centre, London, UK
If Everybody Had an Ocean - Brian Wilson: An Art Exhibition, Tate St. Ives, Cornwall, UK (exh. cat). This exhibition travelled to CAPC, Musée d’Art Contemporain de Bordeaux, Bordeaux, France
Ten Years, Emily Tsingou Gallery, London, UK
Middle School: Smart Art Press, The First Thirteen Years, Track 16, Santa Monica, US
Art Unlimited, Basel, Switzerland
Eden’s Edge: Fifteen LA Artists, The Hammer Museum, Los Angeles, US (exh. cat)
Hammer Contemporary Collection, The Hammer Museum, Los Angeles, US
Olaf Breuning, Mike Kelley, Louise Lawler, John Miller, Tony Oursler, Sterling Ruby, Jim Shaw & Andreas Slominski, Metro Pictures, New York, US
Group Show: Peter Callesen, Karen Kilimnik, Jim Shaw, Marnie Weber, Emily Tsingou Gallery, London, UK
Sound Art Limo, Melbourne, AC, New York, US
Refugees Of Group Selection, Franklin Parrasch Gallery, New York, US
Group Show, Bernier/Eliades Gallery, Athens, Greece
A Fantasy for the Moment, Kunsthalle Bern, Bern, Switzerland
Art Projects, Yvon Lambert, Paris, France
De Leur Temps (2) Art Contemporain et Collections Privees, Musée de Grenoble, Grenoble, France
If Everybody Had an Ocean: Brian Wilson: An Art Exhibition, Tate St. Ives, Cornwall, UK
945+11, FRAC-Collection Aquitaine, Bordeaux, France
L’Homme-Paysage, Villa Oppenheim, Berlin, Germany
Panic Room – Works from the Dakis Joannou Collection, Deste Foundation, Centre for Contemporary
Art, Athens, Greece
From Close To Home – recent Acquisition of Los Angeles Art, MOCA, Los Angeles, UK |
| 2006 |
Magritte and Contemporary Art: The Treachery of Images, Los Angeles County Museum of Art, Los
Angeles, UK (exh. cat)
Multiplicity: Prints and Multiples from the Collection of the Museum of Contemporary Art and the
University of Wollongong, The Museum of Contemporary Art, Sydney, Australia (exh. cat)
Red Eye: Artists from the Rubell Family Collection, Rubell Family Collection, Miami, US (exh. cat)
Works on Paper, Patrick Painter, Inc., Santa Monica, US
Twice Drawn, The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, US
A Selected State, Emily Tsingou Gallery, London, UK
Chain Letter, High Energy Constructs, Los Angeles, US
Slow Burn, Galerie Edward Mitterrand, Geneva, Switzerland
The Aesthetics of Art and Music: Punk, Magasin, Grenoble, France
Los Angeles 1955-1985, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
Olaf Breuning, Jim Shaw, Cindy Sherman, Metro Pictres, New York, US
USA, Rental Gallery, Los Angeles, US
Masters of American Comics, MOCA, Los Angeles, US
Faces, Blondeau Fine Art Services, Geneva, Switzerland
Somnanbulist/Fabulist, The France Young Tang Teaching Museum and Art Gallery at Skimore College,
Saratoga Spring, US
Made in USA, Galerie Multiples, Paris, France
Noir c’est la Vie, Abbay St Andre – Centre d’Art Contemporain, Meymac, France
Hundert Kusse sind Besser als Einer (A Hundred Kisses are better than One), Krinzinger Projekte, Vienna, Austria
Dormir, Rever…et d’autres nuits, CAPC – Musée d’Art Contemporain Bordeaux, Bordeaux, France |
| 2005 |
Self Portraits, Skarstedt Fine Art, New York, US
Mike Kelley, Martin Kippenberger, Louise Lawler, Robert Longo, John Miller, Jim Shaw, Cindy Sherman, Gary Simmons, Metro Pictures, New York, US
Very Early Pictures, Luckman Gallery, California State University, Los Angeles, US
Drunk vs. Stoned 2, Gavin Brown Enterprises, New York, US
Catherine Sullivan, Jim Shaw, Tony Oursler, Lucy McKenzie, Martin Kippenberger, Mike Kelley, Metro Pictures, New York, US
The Meeting, Center for the Arts Eagle Rock, Los Angeles, US
WivesHusbands, Domestic Setting, Los Angeles, US
Superstars: Von Warhol bis Madonna, BA-CA Kunstforum Wien, Vienna, Austria
Looking at Words, Andrea Rosen Gallery, New York, US
Closing Down, Bortolami, New York, US
Boost in the Shell, AEROPLASTICS Contemporary, Brussels, Belgium
L.A., Lucas Shoormans Gallery, New York, US
Tauchfahrten Zeichnung als Reportage, Kunsthalle Dusseldorf, Dusseldorf, Germany
The Anniversary Show, Rena Bransten Gallery, San Francisco, US |
| 2004 |
Walking on Elbows, Anna Helwing Gallery, Los Angeles, US
Information and the Mythological Machine, Mead Gallery, Coventry, UK
Self Portraits, Angles Gallery, Santa Monica, US
The Dogs, Karyn Lovegrove Gallery, Los Angeles, US
Paper, Emily Tsingou Gallery, London, UK
Disparities & Deformations, SITE Sante Fe, Santa Fe, US (exh. cat)
100 Artists See Satan, Grand Central Art Center, Santa Ana, US (ext. cat)
Diaries and Dreams – Contemporary Drawings, Galleria d’Arte Moderna, Bologna, Italy (exh. cat)
Selected Works…, Marc Jancou Fine Art, New York, US
100 Artists See God, organized by Independent Curators International, Naples Museum of Art, Naples, Italy (exh. cat). This exhibition travelled to The Jewish Museum San Francisco, US; Laguna Art Museum, Laguna Beach, US; Institute of Contemporary Arts, London, UK (2004-2005); Memorial Art Gallery, Rochester, US (2005); Contemporary Art Center of Virginia, Virginia Beach, US (2005); Albright College Freedman Art Gallery, Reading, US (2005-2006); Cheekwood Museum of Art, Nashville, US (2006)
Tauchfahrten – Zeichnung als Reportage, Kunstverein Hannover, Hannover, Germany
Diaries and Dreams, Ursula Blickle Stiftung, Kraichtal-Unterowisheim, Germany
SITE Santa Fe’s Fifth International Biennial, SITE Santa Fe Biennale, Santa Fe, US
Drawings, Galerie Praz-Delavallade, Paris, France |
| 2003 |
Ivan Morley, Christian Schumann, Jim Shaw, Patrick Painter Inc., Santa Monica, US
Variations on the Theme of Illusion, Emily Tsingou Gallery, London, UK
Drawings, Metro Pictures, New York, US
Il Passato Non Esiste, Aurora, Rovereto, Italy
Extra, Swiss Institute, New York, US (exh. cat)
Group Show, Patrick Painter Inc., Santa Monica, US
LA Post Cool, Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, US
Still Waters, Roberts & Tilton, Culver City, US
War (What Is It Good For?), Museum of Contemporary Art Chicago, Chicago, US |
| 2002 |
Group Show, Metro Pictures, New York, US
L.A. Post-Cool, San Jose Museum of Art, San Jose, US (exh. cat)
2002 Biennial Exhibition, Whitney Museum of American Art, New York, US (exh. cat)
Amused, Perth Institute of Contemporary Art, Perth, Australia. This exhibition travelled to Kunstlerhaus Bethanien, Berlin, Germany
Super Heroes, Galerie Edward Mitterand, Geneva, Switzerland
(The World May Be) Fantastic, Museum of Contemporary Art, Sydney, Australia (exh. cat). This exhibition travelled to Art Gallery of New South Wales, Australia
Shoot the Singer: Music on Video, Institute of Contemporary Art, Philadelphia, US
French Connection, Mamco – Musee d’Art Contemporain et Moderne , Geneva, Switzerland
Doublures, FRAC – Haute-Normandie, Sotteville-lés-Rouen, France (exh. cat)
Biennale of Sydney 2002, Biennale of Sydney, Sydney, Australia
Elvis has just Left the Building, Kunstlerhaus Bethanien, Berlin, Germany |
| 2001 |
22nd Annual Benefit Art Auction, L.A.C.E, Los Angeles, US
Amused, Carrie Secrist Gallery, Chicago, US
The Magic Hour, Neue Galerie Graz im Künstlerhaus, Graz, Austria
The Artist’s World, Logan Galleries, CCAC Institute, San Francisco, US (exh. cat)
All Work and No Play Makes Jack a Dull Boy, Kunsthalle Bern, Bern, Switzerland
Tony Oursler, Jim Shaw, John Miller, Mike Kelley, Galerie Biedermann, Munich, Germany
Pop & Post-Pop (On Paper), Texas Gallery, Houston, US
Comic Relief, Rena Branstein Gallery, San Francisco, US
Heads or Tails, Galerie Praz-Delavallade, Paris, France
Artists Take on detroit : Projects for the Tricentennial, The Detroit Institute of Arts, Detroit, US |
| 2000 |
Jim Shaw, Yoshitomo Nara, Johnen + Shottle, Cologne, Germany
Destroy All Monsters, CoCa, Seattle, US
La Bienniale de Montreal 2000, Montreal, Canada
Made in California, LACMA, Los Angeles, US
Representing LA, Friart Museum, Seattle, US
El Podar del Nar, MUSAC – Museo de Arte Contemporáneo de Castilla y León, León, Spain
Diary, Cornerhouse Gallery, Mangester, UK. This exhibition travelled to The Minoris, Colchester, UK
Projection 24/7, curated by Yvonne Force, The Standard, Hollywood, US
The Power of Narration, Mapping Stories, EACC – Espai d’Art Contemporani de Castello, Castellon de LaPlana, Spain
Projections, FRAC – Bourgogne, Dijon, France
L.A Art in the Early 90s ReCharge, Laguna Art Museum, Laguna Beach, France |
| 1999 |
Drawn by..., Metro Pictures, New York, US
Basement Series #1, curated by N. Roussel and M. Corompt, Pasadena, US
In Sickness and in Health: Jim Shaw and Marnie Weber, Recent Works, Project Gallery, Wichita, US
Drawn from the Artist’s Collections, curated by Anne Philbin and Jack Shear, UCLA Hammer Museum, Los Angeles, US
I, Me, Mine, Luckman Gallery at California State University, Los Angeles, US
God Don’t Make No Junk, Angstrom Gallery, Dallas, US
Videos of Artist Discussions, Rupertinum, Salzburg, Germany
Pasadena Adjacent, Richard Heller Gallery, Santa Monica, US
Anisi de Suite 3, Centre Regional d’art Contemporain, Languedoc-Roussillon, France
At Century’s End, Museum of Contemporary Art, Lake Worth, US
A Girl Like You, Galerie Praz-Delavallade, Paris, France
On Paper, Stalke Gallerie, Kirke Saaby, Denmark |
| 1998 |
Tell me a Story, MAGASIN, Centre National d’Art Contemporain de Grenoble, Grenoble, France
Time After Time…, Emily Tsingou Gallery, London, UK
Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, CT (exh. cat)
I Rip You, You Rip Me (Honey, We’re Going Down in History), Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
Eccentric Drawing, Frankfurter Kunstverein, Frankfurt, Germany
Everybody Loves a Clown, Baby, Why Don’t You?, Guggenheim Gallery at Chapman University, Orange, US (exh. cat)
Night Vision, Junior Arts Center Gallery at Los Angeles Municipal Art Gallery, US
Spread, Rena Bransten Gallery, San Francisco, US
The Bean Show, Dirt Gallery, Hollywood, US
Slip Stream, Modern Institute, Glasgow, Scotland
Life Lessons: How Art Can Change Your Life: The Judy and Art Spence Collection, Laguna Art Museum, Laguna Beach, US
Affinities and Collections, California Center for the Arts, Escondido, US
Fictional Biographies, Rio Hondo College, Whittier, US
LA on Paper: Relax, Galerie Krinzinger, Vienna, Austria
Educating Barbie, Trans Hudson Gallery, New York, US (exh. cat)
From Head to Toe: Concepts of the Body in 20th Century Art, LACMA, US (exh. cat)
Carte Blanche, Institut Français in association with Galerie Praz-Delavallade, Turin, Italy
Graphic, Monash University Gallery, Victoria, Australia
The New Surrealism, Pamela Auchincloss, New York, US
Performance Anxiety, SITE Santa Fe, Santa Fe, US |
| 1997 |
Slad, Apex Art, New York Metro Pictures, New York, US
Angel: Angel, Kunsthalle Wien, Vienna, Austria (exh. cat). This exhibition travelled to Galerie Rudolfinum Prague, Czech Republic
Display, The Charlottenborg Exhibition Hall, Copenhagen, Denmark (exh. cat)
Drawings, Meyerson and Nowinski, Seattle, US
Performance Anxiety, Museum of Contemporary Art, San Diego, US
Sunshine & Noir, Louisiana Museum of Modern Art, Humlebaek, Denmark (exh. cat). This exhibition travelled to Kunstmuseum Wolfsburg, Wolfsburg, Germany; Castello di Rivoli, Museo d’Arte Contemporanea, Italy; UCLA Hammer Museum of Art, Los Angeles, US
I Have a Dream, Richard Telles Fine Art, Los Angeles, US
Kunstlerinnen, Kunsthaus Bregenz, Bregenz, Austria
A Last Legacy : Selections From the Lannan Foundation Gift, The Geffen Contemporary, Los Angeles, US
Bring your Own Walkman, W139, Amsterdam, The Netherlands
Now on View 2, Metro Pictures Gallery, New York, US
Group Show, Metro Pictures Gallery, New York, US |
| 1996 |
Psy-Fi, Real Art Ways (RAW), Hartford, US
Anomalies, The Contemporary Arts Collective, Charleston, Las Vegas, US
The Comic Depiction of Sex in American Art, Sabine Knust Gallery, Munich, Germany
Haus 19, Andreas Binder Gallery, Munich, Germany
Be Specific, Rosamund Felsen Gallery, Los Angeles, US
Popcultural, South London Gallery, London, UK. This exhibition travelled to Southhampton City Art Gallery, London, UK |
| 1995 |
It’s Only Rock and Roll, Contemporary Arts Center, Cincinnati, OH (exh. cat). This exhibition travelled to Lakeview Museum of Arts and Sciences, Peoria, US; Virginia Beach Center for the Arts, Virginia Beach, US; Tacoma Art Museum, US; Jacksonville Museum of Art, Jackson, US; Bedford Gallery at the Regional Center for the Arts, Walnut Creek, US; The Phoenix Art Museum, Phoenix, US; North Carolina Museum of Art, Raleigh, US; Lowe Art Museum at University of Miami, Miami, US; Milwaukee Art Museum, Milwaukee, US; Arkansas Art Center, Arkansas, US; Fresno Metropolitan Museum, Fresno, US; Austin Museum of Art, US
From L.A., With Love, Galerie Praz-Delavallade, Paris, France
Art on Paper, Weatherspoon Art Gallery, Greensboro, US (exh. cat)
Representation Drawings, Feature Inc., New York, US |
| 1994 |
Can You Always Believe Your Eyes? De Beyerd, Breda, The Netherlands
Jim Shaw, Tony Oursler, Laura Carpenter Fine Art, Santa Fe, US
Single-Cell Creatures: Cartoons and their Influence on the Contemporary Arts, Katonah Museum of Art, Katonah, US
Arrested Childhood, Center of Contemporary Art, Miami, US (exh. cat)
Facts and Figures, Lannan Foundation, Los Angeles, US
Summer Academy I, PaceWildenstein Gallery, New York, US
The Return Of the Cadavre Exquis, Santa Monica Gallery, Santa Monica,US |
| 1993 |
Prospect ‘93, Frankfurter Kunstverein/Schirn Kunsthalle, Frankfurt, Germany
Der Zerbrochene Spiegel (Thrift Store Painting Collection), Staatliche Akademie der Bildenden Kuenste, Vienna (exh. cat). This exhibition travelled to Deichtorhallen, Hamburg, Germany
The Return of the Cadavre Exquis, The Drawing Center, New York, US
Into the Lapse, Royal Academy of Fine Art, Copenhagen, Denmark
Four Centuries of Drawing: 1593-1993, Kohn Abrams Gallery, Los Angeles, US
SoHo at Duke IV, Duke University Museum of Art, Durham, US
Kustom Kultur, Laguna Art Museum, Laguna Beach, US
The Language of Art, Kunsthall Wien, Vienna, Austria
Summer Reading, Texas Gallery, Houston, US
Sampler: Southern California Video Tape Collection 1970-1993, organized by Paul McCarthy, Studio Guenzani, Milan, Italy. This exhibition travelled to David Zwirner Gallery, New York, US |
| 1992 |
Helter Skelter: L.A. Art in the 1990s, MOCA, Los Angeles, US (exh. cat)
Songs of Innocence/Songs of Experience, Whitney Museum of American Art at Equitable Center, New York, US
How It Is, Tony Shafrazi Gallery, New York, US
Drawings, Stuart Regen Gallery, Los Angeles, US
Just Pathetic, American Fine Arts Co., New York, US
Re-Framing Cartoons, Wexner Art Center at Ohio State University, Columbus, US
True Stories, Institute of Contemporary Art, London, UK (exh. cat)
Tattoo Collection: autour du tatouage, une collection de projets, photos et textes, Air de Paris, Nice, France and Urbi et Orbi, Paris. This exhibition travelled ot Daniel Bucholz, Cologne, Germany
American Art of the 80’s, Museo d’Arte Moderna e Contemporanea di Trento, Trento, Italy (exh. cat)
The Day the Earth Stood Still, Cirrus Gallery, Los Angeles, US
LAX, Galerie Ursula Krinzinger, Vienna, Austria
Rosamund Felsen Clinic and Recovery Center, Rosamund Felsen Gallery, Los Angeles, US
Irony and Ecstasy: Contemporary American Drawings, Center for the Arts at Wesleyan University, Middletown, US |
| 1991 |
1991 Biennial Exhibition, Whitney Museum of American Art, New York, US (exh. cat)
Presenting Rearwards, Rosamund Felsen, Los Angeles, US
Ovarian Warriors vs. Knights of Crissum, Sue Spaid Fine Art, Los Angeles, US
HAH, Roy Boyd Gallery, Santa Monica, US
The Store Show, Richard/Bennett Gallery, Los Angeles, US (exh. cat)
The Kelly Family, Bucholz/Schipper, Cologne, Germany
California North and South, Aspen Museum of Art, Aspen, US
No Man’s Time, Villa Arson, Nice, France (exh. cat) |
| 1990 |
Video and Dream, The Museum of Modern Art, New York, US
Berlin Film and Video Festival, Berlin, Germany
Recent Drawings: Roni Horn, Charles Ray, Jim Shaw, Michael Tetherow, Whitney Museum of American Art, New York, US |
| 1989 |
Total Metal, Simon Watson, New York, US
Boys will be boys, Linda Cathcart Gallery, Santa Monica, US
Erotophobia, Simon Watson, New York, US
L.A. Six, Rena Bransten Gallery, San Francisco, US
Buttinsky, Feature Inc., New York, US
ACCEPTABLE ENTERTAINMENT & ABOUT T.V.: Appropriation and Parody in Contemporary Video Art, Municipal Art Gallery, Los Angeles, US
Thick and Thin, Fahey/Klein Gallery, Los Angeles, US
No Stomach, San Diego, US
Romancing the Stone, Feature Inc., New York, US
Amerikarma, Hallwalls, Buffalo, US |
| 1988 |
In the Afterglow of TV Land, Infermental VIII, Tokyo, Japan
Telling Tales, Artists Space, New York, US |
| 1987 |
L.A. Hot and Cool: The Eighties, MIT List Visual Arts Center, Cambridge, US
New California Video, A Survey of Open Channels: Open Channels III, Long Beach Museum of Art, Long Beach, US
Cal Arts; Skeptical Belief(s), The Renaissance Society at the University of Chicago, Chicago, US
Heterodoxy, Rosamund Felsen Gallery, Los Angeles, US
LA2DA, Museum of Contemporary Art, La Jolla, US |
| 1986 |
Social Distortions, Los Angeles Contemporary Exhibitions, Los Angeles, US
Hang 12, Piezo Electric Gallery, Venice, US |
| 1985 |
B & W, Los Angeles Institute of Contemporary Art, Los Angeles, US
TV Generations, Los Angeles Contemporary Exhibitions, Los Angeles, US
The Magic Show, Atelier Gallery at University of Southern California, Santa Monica, US |
| 1984 |
The Floor Show, Los Angeles Contemporary Exhibitions, Los Angeles, US |