GEORGE CONDO

BOOKS

2008 H.W. Holzwarth (ed.), ‘George Condo’, Art Now 3: 96-99, 550.
2006 F. Richer and M. Rosenzweig, No.1: First Works by 362 Artists, Thames and Hudson, London
2004 M. Coetzee, Not Afraid, Rubell Family Collection, Miami, Phaidon, pp. 50-51.
2002 R. Rugoff, The Imaginary Portraits of George Condo, PowerHouse Books, New York.
T. Crow, Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection, Harry N. Abrams, Inc., Los Angeles.
2000 W. Dickhoff, After Nihilism: Essays on Contemporary Art, Cambridge University Press, Cambridge.
1999 J. Cocteau, Erotische Zeichnungen, Taschen, Cologne.
1998 M. Collings, It Hurts: New York Art from Warhol to Now, 21 Publishing, London, pp. 139-143.
1997 D. Davvetas, Dialogues, France: Au Même Titre, Jouve, Paris.
1996 P. Thorei-Daviot, Petit dictionnaire des artistes contemporains, Larousse, Paris.
1991 G. Condo, Art Random, Kyoto Shoin International Co., Kyoto.
1988 K. Honnef, Kunst der Guegenwart, Taschen, Cologne.
1986 T. Godfrey, The New Image, Paintings in the 1980’s, Phaidon Press, New York.

 

CATALOGUES

2011 George Condo: Mental States (New Museum, New York).
2009 La Civilisation perdue (Musee Maillol, Paris).
2008 God and Goods (Centro d’Arte Contemporanea, Condroipo).
Artificial Realism (Gary Tatintsian Gallery, Moscow).
Out of Shape: Stylistic Distortions of the Human Form in Art from the Logan Collection (The Francis Lehman Loeb Art Center, New York).
2007 George Condo (Simon Lee Gallery, London).
Meet The Artists! (Deitch Projects, New York).
Create your own Museum: Highlights from a Private Collection (Gary Tantintsian Gallery, Inc., Moscow).
Negotiating Reality: Recent Works from the Logan Collection (Victoria H. Myren Gallery, Denver).
Comic Abstraction: Image-Breaking, Image-Making (Museum of Modern Art, New York).
Impulse: Works on Paper from the Logan Collection (The Logan Collection, Vail).
Radar: Selections from the Collection of Vicki and Kent Logan (Denver Art Museum, Denver).
2006 Existential Portraits (Luhring Augustine, New York).
Over the Limit: Christopher Wool & George Condo (Portalakis Collection, Athens).
Vous êtes ici (You are here) (FRAC, Auvergne).
40 ans (Galerie Daniel Templon, Paris).
Infinite Painting: Contemporary Painting and Global Realism (Villa Manin, Centro d’Arte Contemporanea, Codroipo).
2005 Post Modern Portraiture from the Logan Collection (The Logan Collection, Vail).
48th Corcoran Biennial: Closer to Home (Corcoran Gallery of Art, Washington).
Perspectives @ 25: A Quarter Century of New Art in Houston (Contemporary Arts Museum, Houston).
One Hundred Women (Modern Art Museum, Salzburg).
2004 A New Modernism for a New Millennuim: Abstraction and Surrealism Are Reinvented in the Internet Age (The Logan Collection, Vail)
East Village USA (New Museum of Contemporary Art, p.26).
Memories of Manet and Velazquez (Galerie Jérome de Noirmont, Paris).
2003 George Condo: Sculpture, Expanded Portraits, Extended Forms and Jazz Sculptures (Galerie Bruno Bischofberger, Zurich and Caratsch de Pury, Luxembourg).
Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art (Contemporary Arts Museum Houston, Houston).
2002 Ahead of the 21st Century: The Pisces Collection (Fürstenberg Sammlungen, Donaueschingen)
2001 George Condo: Physiological Abstraction (Galerie Jérome De Noirmont, Paris).
Televised Silkscreens (Sandra Gering Gallery, New York).
Mythic Proportions. Painting in the 1980’s (Museum of Contemporary Art, Miami).
2000 00: Drawings 2000 at Barbara Gladstone Gallery (Barbara Gladstone Gallery, New York).
1999 Portraits Lost In Space (Deitch Projects, New York).
1998 George Condo: Collage Paintings (PaceWildenstein, New York).
Pages de Garde/End Papers (PaceWildenstein, New York). 
The Horse and the Cardinal: George Condo and William Burroughs Collaborative Works, 1988- 1996 (Pat Hearn Gallery, New York).
1996 Myths and Magical Fantasies (California Center for the Arts Museum, Escondido).
1995 George Condo: Paintings and Drawings (PaceWildenstein, New York).
1994 Recent Paintings (PaceWildenstein, New York).
1993 Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional (Galería Namia Mondolfi, Caracas).
Drawing the Line Against AIDS (Peggy Guggenheim Museum, Venice, Italy).
1992 George Condo (Galeria Salvador Riera, Barcelona).
George Condo: Obra 1990-1992 (Galería Soledad Lorenzo, Madrid).
Ars Pro Domo (Gesellschaft für Moderne Kunst am Museum Ludwig, Cologne).
1991 Ghost of a Chance (Whitney Museum of American Art, New York).
Myth and Magic in the Americas: The Eighties (Museo de Arte Contemporaneo de Monterrey, Monterrey).
1989 Aldo Crommelynck Master Prints with American Artists (Equitable Center, New York).
George Condo (Waddington Galleries, London).
1987 Biennial Exhibition (Whitney Museum of American Art, New York).
George Condo: Gemälde/Paintings 1984-1987 (Kunstverein Munich, Munich).
1986 George Condo (Akira Ikeda Gallery, Tokyo).
Recent Paintings (Barbara Gladstone Gallery, New York).
1984 Bilder - Zeichnungen (Monika Sprüth Galerie, Cologne).
George Condo (Galeria Leyendecker, Tenerife).

 

Interviews

2011 A. Gartenfield, ‘Q&A: Warhol’s Mother, Condo’s Muse?’, Art in America Online (25 January).
2008 M. Falconer, ‘George Condo’, ArtWorld (June/July): 62-66.
2007 L. Buck, ‘Interview’, The Art Newspaper, no. 177 (February): 36.
O. Ward, ‘George Condo: Interview’, Time Out London Online (6 February).
2006 K. Wright, ‘Kerouac & Me’, Modern Painters (April): 72-79.
R. Rugoff, ‘The Enigma of Jean Louis’, George Condo Existential Portraits (Holzwarth Publications, Berlin): 8.
2000 A. Dannat, ‘NY artist Q & A: George Condo’, The Art Newspaper (January): 73-74.
1993 G. Condo and W. Burroughs, ‘Interaction between Artists and Writers’, Art Journal (Winter): 78.

 

ARTICLES AND REVIEWS

2011 M. Brown, ‘George Condo Retrospective Opens at the Hayward’, The Guardian Online (17
October).
A. Sooke, ‘George Condo’s favourite paintings’, The Telegraph Online (14 October).
R. Rugoff, ‘The madness of king George’, Time Out London (13-19 October): 20-21.
T. Teeman, ‘George Condo’, The Times (8 October): 8.
B. Luke, ‘A Painterly Language’, Apollo (October): 68-73.
A. Akbar, ‘George Condo: The comedy of horror’, The Independent Online (26 September).
E. Gamerman, ‘The Changing Face of Portraits’, The Wall Street Journal Online (5 August).
A. Tschorn, ‘George Condo: A Collection of Etchings’, LA Times Online (14 June).
S. Schwartz, ‘The Imaginary Portraits of George Condo’, The New York Review of Books (28 April): 21.
J. Sullivan, ‘For portraits, a new frame of reference’, Boston Globe Online (4 April).
P. Plagens, ‘Condo Elevates New Museum’, Art in America (April): 35-36.
D. Rimanelli, ‘George Condo: New Museum, New York’, Artforum (April): 211.
M. Herbert, ‘Now See This: George Condo’, ArtReview 48 (March): 30.
A. Michon, ‘Lése majesté’, Garageland 11: 28-32.
K. Capps, ‘A “Dark, twisted fantasy” Revealed’, Washington Post (20 February): E3.
A. Tschorn, ‘Condo-mania in Manhattan’, LA Times Online (9 February).
A. Lindemann, ‘Outwit, Outpaint, Outlast: George Condo and the Back Burnered 1980’s All Stars’, The New York Observer Online (8 February).
M. Pollack, ‘On Display: 30 Years of George Condo, Necrophilia Included’, The New York Observer Online (1 February).
E. Gamerman, ‘George Condo Visits the Old Masters’, The Wall Street Journal Online (29 January).
H. Cotter, ‘A Mind Where Picasso Meets Looney Tunes’, The New York Times (28 January): C29.
B. Walsh, ‘Society Portrait: George Condo in New York’, Art in America Online (27 January).
H. Halle, ‘George Condo: Mental States: The Master of ‘80s Remix Style Returns’, Time Out New York Online (23 January).
C. Tomkins, ‘Portraits of Imaginary People’, The New Yorker (17 January): 56-65.
2010 D. Kuspit, ‘George Condo at Skarstedt Gallery’, ArtForum, (May): 252-253.
E. Silver, ‘George Condo Explains His Five Covers for Kanye West’s Twisted Fantasy’, New York Magazine Online (26 November).
A. Symonds, ‘Thanks, Kanye! George Condo is Controversial Once Again’, Interview Magazine Online (18 October).
2009 S. Sherwin, ‘Ten Painters You Should Meet’, 10 Magazine (Autumn): 78
B. Lewis ‘Können vor Lachen’, Monopol (March): 32-42.
C. Francblin, ‘George Condo’, Artpress (July/August): 358.
J.Frimbois, ‘La Caravane Passe’, Art Actuel (May/June): 258.
2008 L. Graff, ‘A break with Tradition’, Vogue (October): 117-118.
L. Jury, ‘The exclusive club where the real stars are on the walls’, Evening Standard (23 September): 3-4.
S. Mueller, ‘George Condo at Luhring Augustine’, Art in America (June/July): n.p.
C. McCormick, ‘George Condo, Memory as the Medium’, Whitewall 10 (Summer): 128- 139.
R. Van Tienhoven, ‘Clowns in Transit’, Mister Motley, no. 18 (Spring): 56-59.
G. Condo, ‘Under the Influence – George Condo on Traditional Musical Instruments’, ArtReview (January): 28.
2007 G. Coddington, ‘Masterpiece Theatre’, Vogue (December): 362-379.
N. Trembrey, ‘Tomber Le Masque’, L’Oeuvre du Mois (September): 113.
P. Plagens, ‘Fake Tiepolos and the Cabbage Patch Queen’, Artnews (Summer): 183-185.
J. Higgie, ‘Time’s Fool’, Frieze 107 (May): 110-117.
A. Lind, ‘New Luxury Condos’, Art+Action (May): 203.
C. Gleadell, ‘Breaking Records’, Art Monthly (April): n.p.
M. Herbert, ‘George Condo’, ArtReview (April): 136-137.
F. Martin, ‘Bazaar View’, Harper’s Bazaar, (March): 153.
G. Adam, ‘British peer buys Condo's controversial Queens’, The Art Newspaper, no. 177. (February): 45
O. Ward, ‘Curious George’, Time Out London (7-13 February): 40.
‘Be My Subject Ma’am’, The Sunday Telegraph (11 February): 38.
S. Bishop, ‘Condo’s Caricatures Create Controversy’, Mayfair Times (February): 14.
N. Trembley, ‘Tomber le Masque’, Numero (September): 113.
2006 C. Tomkins, ‘Studio Visit. The Queen, Continued’, The New Yorker (23 October): 35.
R. Brooks, ‘Nightmare of the Cabbage Patch Queen’, The Sunday Times (22 October): 3.
B. Hope, ‘It’s My First Opera. I’m Going to Stay for the Whole Thing’, The New York Sun (26 September): 1, 4, 14, 17.
D. Kazanjian, ‘Paging Picasso: Pablo on my mind’, Vogue (September): 673-674.
C. Vogel, ‘Where Bel Canto Meets Paintbrush: At New Met Opera Gallery, Artists Create Images
of Heroines’, The New York Times (15 August): E1.
S. Mueller, ‘Funny, Elegant, And Frightening’, Gay City News (1-7 June): 22.
D. Cohen, ‘Latter-Day Surrealists on the Comeback Trail’, The New York Sun (18 May): 15.
R. Brooks, ‘George Condo & Nigel Cooke at Blum & Poe’, ARTnews 105, no. 5 (May): 176-177.
A. Gordon, ‘Collector’s Night In’, The New York Sun (11 April): 13, 18.
2005 G. Condo, ‘Doll heads’, Modern Painters (October): 100-103.
R. Smith, ‘George Condo’, The New York Times (27 May): E34.
A. Bellini, ‘The East Village Revisited’, Flash Art (March/April): 60-63.
F. Koeppel, ‘Brush in a Rush’, The Commercial Appeal (20 March): A18.
M. O’Sullivan, ‘The Corcoran in Earnest’, The Washington Post Weekend (25 March): 47.
2004 R. Smith, ‘Looking Back At the Flurry On the Far Side’, The New York Times (10 December): E.35- E36.
M. Sanders, ‘George Condo: The Condo Effect’, Another Magazine (Autumn/Winter): 410-423.
M. Hrbacek, ‘George Condo, Biggs Robinson’, The New York Art World (November): 12.
B. Skupin, ‘Mein Bild Von Ihr’, Vogue (October): 514-527.
2003 F. Colpitt, ‘Learning From Comics’, Art In America (October): 64-67.
R. Hopkins ‘Artists & Antipodes’, The Boston Phoenix (3 October): 3
2002 C. Kino, ‘Back on the Radar’, Art & Auction (December): 141.
H. Cotter, ‘George Condo’, The New York Times (29 November): E36.
2001 K. Johnson, ‘George Condo/PaceWildenstein’, The New York Times (31 December): B42.
S. Glaser, ‘The Arts’, Madison (November/December): 110-115.
A. Kotur, ‘Art Up and Down’, Vogue (March): 161.
L. Nassau ’Televised Silkscreens’, NY Arts (January): 70.
2000 A. Scott, ‘Film Review: Letting an Artist Explain, Whether It Helps or Not’, The New York Times Online (10 March).
K. Bensinger, ‘Artifact... Painter George Condo’, The Wall Street Journal (10 March): W16.
1999 S. Anton, ‘All That Jazz’, Time Out New York (16-30 December): 120.
A. Johnston, ‘Condo Painting’, Bomb (Winter): 19.
C. Kino, ‘George Condo at PaceWildenstein and Deitch Projects’, Art in America (April): 154-155.
B. Kelly, ‘Running Time: The Unbearable Lightness of Painting’, New York Magazine (13 March): 103.
J. Winter, ‘Flaming Creatures: Kitsch or Kill’, Village Voice (14 March): 130.
G. Seymour, ‘Realism, as the Painter Sees It’, Newsday (10 March): B7, B11
A. Johnston ‘Condo Painting’, Time Out New York (9-16 March): 85.
1998 B. MacAdam, ‘William Burroughs and George Condo’, ARTnews (April): 180.
P. Schjeldahl, ‘Dumb and Smarter’, The Village Voice (24 February): 143.
R. Smith, ‘George Condo’, The New York Times (13 February): E39.
K. Levin, ‘George Condo’, The Village Voice (11-17 February): 74.
C. Tomkins, ‘High Styles’, The New Yorker (9 February): 64.
V. Pedersen, ‘Gallery Go’Round’, Paper Magazine (February): 104.
T. Griffin, ‘George Condo and William Burroughs: Collaborative Works, 1988-1996’, Time Out
New York (8-15 January): 51.
1997 K. Johnson, ‘George Condo and William Burroughs: Collaborations 1988 -1996’, The New York Times, (19 December): E40.
V. Pederson, ‘Gallery Go ‘Round’, Paper Magazine (19 December): 132.
B. Lemon, ‘By George, He’s Got It’, Interview (December): 36.
P. Karmel, ‘Art in Review’, The New York Times (6 October): C32.
G. D’Annunzio, ‘George Condo’, Vogue (July/August): 396-400.
J. Steuer, ‘October Shows Off its Condo’, The Hollywood Reporter (13 May): 8.
D. Chateau, ‘Kant Goes Condo: A Short Critique of Pure Aesthetics’, Artpress (May): 42-45.
1996 T. Griffin, ‘George Condo and Peter Hartman, Screaming Heads, Grating Bodies’, Time Out New York (1-8 May): 23.
1995 X. Cheung, ‘Galleries Test Taiwan Art Fair’, Art Newsletter (12 December): 4-5.
G. Brown, ‘A Brush With Genius: Glenn Brown on George Condo’s Clownmaker’, Guardian (16 November): 9.
V. Pedersen, ‘Gallery Go ‘Round: Senses and sensibilities’, Paper Magazine (October): 131.
E. Newhall, ‘Preview: Art, Galleries’, New York Magazine (11 September): 60.
A. Codrington, ‘George Condo at Bischofberger’, Art & Auction (March): 64.
1994 K. Jones, ‘George Condo/Pace Gallery’, Artforum (November): 85.
J. Saltz, ‘A Year in the Life: Tropic of Painting’ Art in America (October): 90-101.
K. Levin, ‘Voice Choices: Art’, The Village Voice (7 June): 71.
K. Ashenburg, ‘Having Your Fill of New York’s Art’, The New York Times (12 June): 14, 35.
S. Picasso, ‘Condo sur tous les tableaux’, Vogue (February): 56-57.
H. Cotter, ‘George Condo at Bruno Bischofberger’, Art in America (February): 111.
G. Condo, ‘Harvest’ from ‘Young at Art: Miro at 100’, Artforum (January): 81.
1993 I. Textor, ‘George Condo’, Voir (November/December/January): 40.
D. Kurjakovic, ‘George Condo - Bruno Bischofberger’, Flash Art (November/December): 120.A.
R. Smith, ‘Classics from the Whitney Permanent Collection’, The New York Times (19 November): C32.
Schwartzman, ‘Can I Interest You In a Schnabel, Mr. Oritz?’, The New York Times Magazine (3 October): 31-50.
D. Morera, ‘Personal Diary by George Condo December 10, 1957’, Vogue Italia (August): 102-109, 197.
R. Ricard, ‘Retro Activist’, Vogue (May): 140.
1992 A. Bonney, ‘George Condo’, Bomb Magazine (Summer): 34-39.
J. Tully, ‘Where’s Baghoomian’, Art & Auction (May): 22-24
J. Perl, ‘Breakthrough, idyll, icon, allegory’, The New Criterion (May): 48-53.
P. Schjeldahl, ‘Drawing Blood’, The Village Voice (3 March): 85.
K. Larson, ‘Drawing Conclusions’, The New York Magazine (2 March): 60-61.
E. Karcher, ‘Am¸siertes Genie’, Pan (March): 61-66.
M. Kimmelman, ‘Just What Is a Drawing? Definitions, Definitions’, The New York Times (21 February): C29.
R. Kalina, ‘George Condo at Pace’, Art in America (February): 113.
1991 F. Michard-Pellissier, ‘Condo entre deux escales’, Vogue (October): 71.
V. Pedersen, ‘Reviews: George Condo’, Flash Art (October): 138.
K. Levin, ’Choices: Art’, The Village Voice (21 May): 110
S. Picasso, ‘Derriere la toile, la musique...’, Art (April): 238.
B. Jones, ‘American Artists of the ’80s’, Tema Celeste (January): 84
D. Kuspit, ‘Tart Wit, Wise Humor’, Artforum (January): 93-101.
1990 J. Lloyd, ‘Power and the Cult of Fragments’, Art International (Autumn): 72-74.
J. Pradel, ‘George Condo: Scattered Bum Heads’, L’evenement du Jeudi (17-23 May): 138.
P. Dagen, ‘Peinture de mémoire’, Le Monde (6-7 May): 11.
D. Kolokithas, ‘Artists for the 90’s’, Paris Passion (May): 19-21.
1988 L. Yablonsky, ‘George Condo’, Art & Auction (September): 22-26.
R. Enright, ‘The Undiscovered Familiar: The Art of George Condo’, Border Crossings 22, no. 86: 18-34.
1985 P. Evans-Clark, ‘Neo-Surrealism, or the Archetype of the Artist as an Ostrich’, Arts Magazine 60, no. 4 (December): 26-31.
G. Indiana, ‘George Condo at Barbara Gladstone and Pat Hearn’, Art in America (May): 175.